The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Comedy

  • Stand-up Comedy Etiquette for Dummies

    Stand-up Comedy Etiquette for Dummies

    Keep your commentary to yourself and let me have a laugh, please

    Sitting in the audience of a comedy show, I expect laughter. After dealing with long shifts at work, assignment deadlines that are past due and staggering grades, that’s what I want.

    After living in Humboldt County for a little over a year, I was ecstatic to hear about Savage Henry Comedy Club from my former classmate and local comedian Peter Nelson. Never would I have imagined such a beautiful place to exist and to remind me that it’s okay to laugh at anything.

    It became my mission to attend more comedy shows and try out some material for more open mic nights at Savage Henry. In November I was blessed with attending my first late night comedy show featuring Kyle Kinane. The night started off perfect as the air filled with laughter. But the mood changed when some audience members felt the need to be included in the comedian’s routine.

    It’s not a rare occurrence for audience members to disrupt a comedy show.

    If I had a dime for every time a movie theater reminded me to silence my phone and exit the area with my non-existent crying child, I would have enough for another movie ticket.

    Unfortunately, comedy shows have always faced problems with talking audience members. Common sense seems to vacate the premises when it comes to comedy. Who thinks that just because they paid money to see an act, they’re entitled to becoming the most hated person in that venue?

    Thankfully, comedians are usually experienced with enduring this kind of behavior, with the exception of Seinfeld star Michael Richards.

    However, for Kinane it was a cake walk dealing with a dreadlocked couple and their redundant responses during his routine. My mood the entire night was a mixture of laughter, anger and finally relief as the obnoxious couple got up and left (but not without loudly announcing that they had a baby at home).

    Had I known this earlier, I would have called Child Protective Services to alleviate the audience of this comedy sabotage.

    Kinane was a trooper and finished strong. He received an applause not just for his resilience, but also for putting on a late show since his Friday and Saturday night shows sold out.

    It’s not a rare occurrence for audience members to disrupt a comedy show. I’ve been present when these atrocities are committed and I’m relieved when they’re dealt with. My favorite distractions are people texting during a comedy show and getting called out, especially since the responses are usually ridiculous.

    When I saw Al Madrigal live a couple summers ago, I sat next to a woman who couldn’t seem to put her phone down. When she was finally called out by one of the opening acts, she tried justifying her actions.

    “My friend is having a baby right now and she’s keeping me updated,” she said.

    Instead of showing sympathy, the opening act trashed her for the remainder of his set.

    If you can’t fathom the idea of someone else speaking, perhaps you need to reevaluate yourself and forego the comedy show.

    I will never understand why people feel they have the right to interrupt a comedy show. Standup comedy is my way of taking a breath of fresh air from a rough week. For it to get obstructed by someone that doesn’t respect the art of making people laugh is just blasphemy.

  • Parody is Protected Speech

    Parody is Protected Speech

    HSU administration cannot tell student media what to publish

    Press at any capacity in the United States is protected by the First Amendment against federal censorship of speech. The government cannot make editorial decisions, retractions or content suggestions. Student press publications in California are protected not just by the First Amendment, but also by the California Student Free Expression Law of 1977, or California Education Code 48907.

    When a government entity such as a state university interferes with the press by policing publications on what is appropriate to publish, it inhibits the independence of the press.

    Recently, Humboldt State University administration sent out a school-wide email regarding material printed in a student parody newspaper, called The Dumberjack, found in an insert in the Nov. 20 issue of The Lumberjack.

    The public announcement accused the students in the parody news class that produced The Dumberjack of reinforcing rape culture and gender-based discrimination through a photo that depicted a “sexist ‘riddle’” which was displayed on a sign in a window of an all-female room at the College Creek Apartments.

    The school administration held The Dumberjack staff responsible for a joke on a sign they did not create nor stage. A student-journalist outside of the parody news class observed and documented campus culture with this photograph. The parody news class simply featured it in the paper and in no way amplified any perceived gender-based discrimination with the story that ran alongside the photo.

    Parody facilitates the palatability of relevant information through comedy.

    No one in The Dumberjack class or on The Lumberjack staff supports gender-based discrimination or wants to reinforce rape culture. But journalism, of any kind, is not public relations. The publication of a photo of a sign on campus does not represent endorsement of what the sign says. Journalism draws attention to troublesome realities by documenting them and showing them to the public. When a publication reveals a sign that a university finds offensive, the university’s focus ought to be on the sign, not on the journalists who documented it.

    Administration officials invited the class to have a conversation to “discuss the impact and implications of the cover photo.” The meeting was intended to be an open dialogue surrounding the development of “critical lenses.”

    Instead, on Thursday, Dec. 5, the class became the site of a direct act of administration intimidation.

    Two school officials—only one of whom had been momentarily invited—came to the class and lectured journalism students on how to make editorial decisions. Chair of the Sexual Assault Prevention Committee Kim Berry and Dean of Students Eboni Turnbow, both of whom are government employees, reprimanded a class of students educated in journalism ethics.

    The administration is demonstrating unprofessional behavior of questionable legality by attempting to contain this incident and filter what student press can and cannot print. The administration cannot tell student media what to publish.

    Parody writers take real world situations and use a critical lens to highlight a topic in a juxtaposed way. These satirical pieces can sometimes be offensive, but the key is that the subject matter is still being discussed.

    The goal of parody is to create a dialogue on topics that are either overshadowed or too controversial to be discussed openly. Parody facilitates the palatability of relevant information through comedy.

    The First Amendment protects speech, including satire and parody. Satire and parody are used as impressionistic language that aim to create commentary on sensitive issues through the use of humor, absurdity and exaggeration. Utilizing these writing tactics serves as a more approachable way of tackling uncomfortable yet prominent issues.

    Journalists aim to relay information in the most accurate and concise manner as possible. Censorship defeats that purpose. The government censoring the media is illegal and obstructs the transparency of journalism. It creates bias and subjectivity, as journalists become fearful of backlash for what they print.

    When censorship appeases a specific group of people, it’s a domino effect. Censoring one thing for a single group leads to censoring all material to please everyone. That defeats the purpose of journalism as an independent eye intended to expose overlooked issues.

    In today’s political climate, journalists are constantly under fire. The fourth estate, journalism, is as vital to uphold as the fifth estate, non-traditional media like parody news. When federal figures undermine the editorial freedom of a publication, even a parody news publication, a slippery slope follows in which government infringes upon the freedom of the press.

  • Savage Comedy with a Side of Hops

    Savage Comedy with a Side of Hops

    Savage Henry Comedy Fest fills Blondies with laughter

    Savage Henry’s 8th Annual Comedy Festival attracted 130+ comics from all over the nation to Humboldt County.

    Cher-ae Heights, Eureka and Arcata organize venues for the comedy festival and Savage Henry provides the necessities to get the laughter going and the entertainment rolling.

    This year, one of Arcata’s venues included Blondie’s Food and Drink where a dozen comedians took to the stage to test their material, hopeful of making the audience laugh.

    Peter Nellis, a resident comedian at Savage Henry, hosted for the evening and he was by no means a stranger to the comedic atmosphere.

    First up was Sydney Hupp from Chico, California. Hupp was ecstatic to kick off the Friday show as echoes of laughter followed her relatable humor. Hupp’s material centered around the perks of living in a small town and tips on not succumbing to unhealthy vices.

    After 10 minutes, Hupp thanked the audience and exited the stage, triggering another applause. The next comic to the stage was Tiffany Greyson, a comedian from Portland. Greyson joked about her past relationship dilemmas and distaste towards her son’s girlfriend.

    Challenge arose when not all scheduled comedians showed up to perform. This, however, did not prevent comedians from finishing their sets. Instead, it was an opportunity for comedians to welcome new faces into Blondie’s by including them into their material.

    James Couture pops open a bottle of champagne at the beginning of his set on Oct. 11 at Blondies in Arcata. | Photo Michael Weber

    Comedian Michael Cella endured slight heckling from audience members and patrons, with one audience member distracting Cella as he carried beers to his friends. However, Cella was quick to respond and adapt, joking of making sure to sit down and enjoy the beers. Another audience member asked Cella a question, believing the event to be an open panel, but Cella politely answered the question and reminded them to not interrupt.

    If the audience was testing Cella’s endurance, Cella was victorious and met with applause when he finished his set. After, Nellis took the stage again to give a big thanks to those in attendance and encourage others to attend the other comedy shows happening through the weekend.

    The official Savage Henry venue in Eureka kept its doors open throughout the festive weekend and hosted an additional social gathering for comedy after dark.

    “Tom Brady is not the devil. Bill Belichick is.”

    Andrew Boydston

    Bakersfield comedian Andrew Boydston told stories about his life and a set about substitute teaching quickly changed to sports and more specifically, Boydston’s distaste for the New England Patriots.

    “Tom Brady is not the devil,” Boydston said. “Bill Belichick is.”

    Boydston elaborated on his fantasy league and how Belichick impacted it. Boydston’s entertaining stories garnered positive audience reactions, with people laughing and nodding in agreement.

    “Bill Belichick said ‘screw you’ to the fans by making these trades and then he demolishes our fantasy football teams,” Boydston said. “I hate him.”

    With multiple shows happening around Humboldt County, Nellis and fellow Savage Henry members worked to make sure people enjoyed their time and most importantly, laughed.

    “It’s been busy since it started,” Nellis said. “Moving from different locations and setting up, but everyone is enjoying themselves and that’s all that matters.”

  • Entertainment for all

    Entertainment for all

    By | Andre Hascall

    One Man’s vision to form a comedy show of five artists, became the Peat Moss Variety Soiree that features many acts. Live at the Eagle House in Eureka, November 30th at 7pm.

    Peat Moss, 28, is a Business Finance major at HSU and works at the Northcoast Horticulture Supply. When he isn’t at working on school work or at NHS, Moss is working on comedy and his show.

    “My grades are affected but I am invested in this show,” Moss said. “Eureka needs it, t brings a lot of culture that the area needs.”

    Moss got his feet wet in the comedy scene in February 2017. He was unsure of doing a comedy show but one of his co-workers wanted him to try it out. That coworker goes by the stage name ‘Dr. Foxmeat’.

    Dr. Foxmeat would perform at open mic nights at the Palm Lounge in the Eureka Inn, every Wednesday night for some time. That open mic night is better know as ‘Open Mikey’. It was and is ran by an HSU Alumni who was also on the Lumberjack news team, his stage name is Nando Molina.

    “Nando gave me my first start at Open Mikey,” Moss said. “He is a paragon of comedy in the area, and we are happy to include him in our November show.”

    Open Mikey has been going on for the last five years, and Moss was lucky enough to perform there in February and a couple times afterward.

    “My first time out I had the jitters bad, but after a few jokes i was good… and by April and May I was in the full swing of things,” Moss said. ” Open Mikey provides comedians with the time to work on routines, its important and Nando provides it.”

    Other than providing the venue and time for comedians to perform. Nando Molina also provides somewhat of a mentor role to those that perform at open mikey.

    “I respect him, when he says its good stuff that’s when I know its good,” Moss said. ” I would compare him to Lorne Michaels from Saturday Night Live.”

    Moss originally set out to create a comedy show of 5 comedians. “A lot of top quality talents wanted to volunteer.” Moss said. With that it became more than a comedy show, with the addition of burlesque dancers, a magician, a band and more.

    “I didn’t put this show together, this show put itself together,” Moss said. “People try to put something like this together and fail, I was trying to make a comedy show and wound up making a Eureka Cirque du Soleil.”

    The band had a huge contribution to the group of performers. They go by the name ‘Black Eyed Susan’ and their lead singer is named Alicia Czech. Before this year, Czech hadn’t performed music in ten years.

    “She has amazing vocals”, Moss said. “The kill it every time they are on stage and they are one of the biggest parts of the show.”

    Black Eyed Susan does covers for songs by musicians such as, Tracy Chapman, Amanda Palmer, The Dressin dolls and more.

    One of the acts involves a mix of burlesque and comedy. That is provided by comedian Megan D’arcy. D’arcy truly is a jack of all trades, being a hair stylist for the group, as well was performing.

    “Her first act she got on a mans lap and asked him how much he thought she had weighed,” Moss said.

    Burlesque is an art form where someone disrobes to a song that is meaningful. And is an empowering aspect of the lives of those that have it as a hobby.

    “It is a big part of these girls lives, they don’t even expect pay because they love their hobby so much,” Moss said. “These girls are down to earth and possibly the nicest people I’ve ever worked with.”

    Adding to that variety a bit more is Marciano the Magnificent. His role is as the magician of the group, but his act calls for a few jokes as well.

    “Marciano also volunteered, to do magic at the show,” Moss said. “He’s got a great slight of hand, he’s funny and can entertain a crowd.”

    This is not the first show put on by Moss, yet this show has some different aspects from the rest.

    “All or past shows have sold out so far,” Moss said. “This will be our biggest event.”

    More information is available at https://peat-moss.weebly.com/

    Tickets available online at https://peat-moss-show.brownpapertickets.com/