The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Play review

  • Something Rotten! opens at Cal Poly Humboldt

    Something Rotten! opens at Cal Poly Humboldt

    by Nina Hufman

    The Cal Poly Humboldt School of Theater’s production of Something Rotten! was entertaining, energetic, and full of innuendo. On opening night last Friday, March 25, patrons filled the Van Duzer Theater to see the comedy, set in the 16th century.

    From the opening song, ‘Welcome to the Renaissance,’ the cast dazzled in beautiful costumes on a stunning set. All of the actors are extremely talented singers and performers. It was clear that they all put in a lot of work and are proud of what they have accomplished. Jeremy Stolp, an English Education major who played one of the lead roles, Nick Bottom, feels that being in theater is a rewarding experience.

    Photo by Michael Thomas | Jeremy Stolp (left) and Miah Carter (right) star as power couple Nick and Bea Bottom.

    “Theater is such a privilege and so much fun to do,” Stolp said. “If you ever have the opportunity, I suggest you try it.”

    The musical was incredibly entertaining. Some of my favorite scenes included Shakespeare’s John Cena-esque entrances, Bea’s hope for a gender-equal future, and the show’s lampooning of religion. One of the best songs was “Will Power,” featuring a leather pants-clad William Shakespeare (Jaese Lecuyer) and his crowd of adoring fans. I also enjoyed “A Musical,” a comic number during which fortune-telling Nostradamus (Sammi Pietanza) tells Nick Bottom that the next big thing in the theater will be musicals, all while wearing a hat that I am convinced was a paid actor. Many of the jokes are meant to be ironic, making fun of musicals and the theater. The way that this is incorporated into the story is very clever.

    The cast was rightfully proud of what they accomplished and are looking forward to adding to each performance in future shows.

    “I don’t think that they (the cast) expected the reaction that they got so when they did it was just this moment of awe,” said Katie Lem, a member of the ensemble. “Everybody standing up at the end was such a beautiful moment for everybody.”

    Photo by Michael Thomas | Zoë Saylor performs an upbeat musical number about the bubonic plague.

    One of the most compelling performances was Miah Carter as Bea, Nick’s wife. Throughout the play, Bea disguises herself as a man to maintain several different jobs and help her husband financially and push for gender equality. Carter’s performance showcased her talents as an actor and singer, particularly in her solo “Right Hand Man.”

    “This is my first ever lead, so this was a good step up for me,” Carter said.

    Carter says that theater is a great community to be a part of and that they are all incredibly supportive of one another.

    “All of us were so proud of what we pulled through,” Carter said. “I love everyone in this cast.”

    The cast and crew are looking forward to continuing to develop this musical as they perform it more.

    “I’m excited for the depth and complexity that we kind of add into it every single show,” Lem said. “Not every night is the same.”

    The musical is running this weekend on Friday and Saturday at 7:30 p.m and on Sunday at 2 p.m. The musical will have you loving to hate William Shakespeare right along with the Bottom brothers.

    Photo by Michael Thomas | From left to right: Zoë Saylor, Sophia Escudero, Jeremy Stolp, Jaese Lecuyer, Jake Hyslop, Michael Jaye, and Miah Carter pose on set of Something Rotten!
  • Review: Adoration of the Old Woman

    Review: Adoration of the Old Woman

    Culture, true love and ultimate forgiveness all wrapped up in one play

    The HSU Theatre Department presented a beautiful performance of “Adoration of the Old Woman” originally written by José Rivera. This was a wonderful story of reconnecting to culture, true love and ultimate forgiveness. The play also sheds light on a country once independent and free now taken over by corrupt governments.

    The play follows an old Puerto Rican native at an age “between 100 and 150” named Doña Belén played by HSU student Savannah Baez. Doña is snarky and humorous but also deals with a dark past.

    AD3.JPG Left to right: Irma Gill as Vanessa, Savannah Baez as Belen. | Photo courtesy of the Theatre Film and Dance Department

    Haunted by the ghost of her late ex-husband’s mistress Adoracíon played by HSU student Andrea Carrillo, Doña is in a state of sorrow and has constant lack of sleep. Adoracíon was a beautiful young woman and seeks freedom from the house she seems to be trapped in. The two start off with immense conflict and appear to genuinely hate each other.

    Doña’s great-granddaughter Vanessa played by HSU senior Irma Gill, visits Puerto Rico by the orders of her mother, Doña’s daughter. Vanessa comes from a modernized world in the United States and knows basically nothing about the island or its culture.

    Vanessa and Doña find themselves unable to communicate because of their language barrier. With the help of characters like Ismael played by HSU student Isiah Alexander and Cheo played by HSU student Victor Parra, Vanessa finds herself reconnecting with her culture as she tries to understand the values of Puerto Rican freedom.

    AD2.JPG Left to right: Savannah Baez as Belen, Irma Gill as Vanessa, Andrea Carillo as Adoracion | Photo courtesy of the Theatre Film and Dance Department

    Ismael is a charismatic guy who enjoys a bit of fun and is also for the Statehood of Puerto Rico because of minor benefits that the states have to offer. Cheo is strongly against Statehood and wants to get rid of American influence that has completely messed up the values of their once-proud country.

    His activism shows his passion for his culture, and although he went to college in the states Cheo came back home to fight for his beloved country. This builds up extreme tension between the two childhood friends, causing heated arguments and eventually two incredibly realistic fight scenes. The stage combat was nicely done, and usage of fake blood and makeup provided an amazing touch causing the audience to fall completely silent.

    Vanessa soon falls in love with her culture, her grandmother Doña and Cheo who taught her so much about the importance of the freedom Puerto Rico deserves. Cheo and Vanessa share something special, they care for each other deeply and it surely shows through Parra and Gill’s impeccable acting.

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    Vanessa does her best to take care and speak to her ailing grandmother Doña and after spending much time together, the two relatives grow to love each other. Even a surprise twist at the end expresses the true feelings that Adoracíon shares with both Doña and Vanessa. A heartwarming act of forgiveness was revealed between Adoracíon and Doña, bringing them peace during Doña’s last moments.

    Lead by the direction of Robi Arce and a set design built to perfection by the works of the artistic staff, “Adoration of the Old Woman” was a success.

    The rate of conflict and emotional hardship along with various amounts of humor to balance the story really had the audience in for a treat. Laughter and occasional “oohs” and “awes” were heard throughout the Gist Hall theatre.

    Isabel Sunglao, a child development major in her last year, said that she loved the play and was happy to see it.

    “I liked it, it was pretty intense,” Sunglao said. “I loved it though, I’m glad I came.”

    “Adoration of the Old Woman” highlights the devastation of losing a country’s freedom. This is taking place and has taken place for many years. Colonization is a method of control that has destroyed many cultures for economic growth and desire.

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    Amy Beltrán, a HSU senior theatre major, expressed her feelings about the political issues that the play demonstrates.

    “I think it is a beautiful story, a very important story politically right now, something that should be talked about,” Beltrán said. “It brings up a lot of issues that are going on with Puerto Rico but also Mexico and all over the world.”