The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Reese Bullen Gallery

  • Ropes to Riches: Ghost Net Landscape comes to Reese Bullen Gallery

    Ropes to Riches: Ghost Net Landscape comes to Reese Bullen Gallery

    by Valen Lambert

    Until Oct. 14, walking into the Reese Bullen Gallery is to walk into an aquatic dreamscape. Artist Emily Jung Miller utilizes discarded fishing nets, also called “ghost nets,” to craft baskets, coral sculptures and build immersive installations that inspire meditations on waste and reusability. 

    In 2015, Miller had been learning how to stitch coil baskets with cotton cords when she came across some ghost net washed up on the shores of Maine where her grandparents lived. She was inspired by the material and its connection to place, and began stitching her baskets with ghost net. 

    Ghost Net Landscape is much more than a showcasing of Miller’s talent. It is a collaboration, inviting the public to create their own art with the giant mass of materials collected and cleaned by Miller. Her installation is a form of environmental activism that takes out the doom and gloom of climate collapse, opening up a space for play and collaboration. 

    “We are aware that there is a big problem, and the part where we figure out how we deal with climate anxiety and what our position is in making a change hasn’t been discussed so much,” said Miller. “…I think this work is not about the problem. And it’s also not exactly about a solution. It’s about being in a state of mind where I feel like I’m open to creative transformation, and feeling like I’m in a place with myself where I can feel good about making a difference, and I’m not doing it in reaction to a terrible thing that has happened or my need to fix it right away”.

    Every Ghost Net installation starts unfinished, evolving based on the space and the community who’s making it in this show. Miller’s installation creates ripples in every community that she shows in, often using local material and focusing on regional issues. For the remainder of her show in Reese Bullen, the public will be creating a watershed map from Humboldt Bay all the way up to the Klamath River on the Oregon border using debris found in these areas. 

    “So, I was here for the first week of the show to sort of lay the foundation for that and kickstart people, and basically tell them it’s okay to take ownership of the process,” said Miller. “Because I feel like people need to be told a couple of times that this is your space. This is your thing… and then that piece is going to live somewhere else on campus after.”

    There is something special about Miller’s installation and it is the level in which she connects with whatever community she shows in, often gifting her baskets and planting seeds for collaborative projects. As an artist-in-residence, she treats the gallery like a living room, inviting participants to feel at home in their creative potential and add to the community gallery. 

    “Seeing what other people make with [ghost net] is super inspiring, because everything in the community gallery was made by other people and I didn’t have any of those visions to make those things,” said Miller. “It’s so delightful.”

  • Reese Bullen Gallery features faculty artwork

    Reese Bullen Gallery features faculty artwork

    by Nina Hufman

    The Staff and Faculty Exhibition is now open at the Cal Poly Humboldt Reese Bullen Gallery, featuring artwork created by members of the art department.

    The exhibition will run until Oct. 15. It features a variety of mediums from all of the divisions of the art and film departments. Isabela Acosta, a gallery attendant and art history major, was excited about the variety of work presented. 

    “It’s literally every faculty member from every art sector, and they’re presenting their work here which is super cool,” Acosta said. “You have jewelry, ceramics, sculptures, paintings, some videos, there’s some digital art that’s really cool. It’s just like a whole nebula of stuff.” 

    Photo by Angel Barker | Sarah Whorf’s “Palm to Pine”, 2005 at the Reese Bullen Gallery on Friday. The piece is a photo screen print construction.

    Students were excited to see their teachers’ work in a gallery setting. Jack Miklik, an English major, talked about the importance of featuring faculty work.

    “They’re practicing artists and teachers,” Miklik said. “It’s good to like, look and see if you enjoy the work that your instructor is making. I think it’s like one of the more important shows as students for us to see in the art department.” 

    Many of the artists featured in the exhibition were heavily impacted by COVID-19. Their works feature themes of isolation and a desire for connectedness. 

    “A lot of this work I think was done during like COVID so when you read their little manuscripts they just talk about like what they were doing during COVID and what came out of it,” Acosta said. 

    Dave Woody, a photography and film lecturer, has two pieces in the gallery. “Gabe” and “Madeline” are both silver gelatin prints created in 2022. In the card next to his work, Woody discusses how the pandemic has impacted his art.

    Photo by Angel Barker | Sarah Whorf’s “Palm to Pine”, 2005 at the Reese Bullen Gallery on Friday. The piece is a photo screen print construction.

    “The lessons learned during that period of isolation really helped me to value the time that I do have with friends and strangers,” Woody wrote. “These photographs included in this show feel reflective of my current state of thinking about images of people- a desire to connect and to embrace the beauty and mystery of life.”

    Dan Molyneux, a lecturer specializing in ceramics, also wrote about his experience of the pandemic. His featured work “Chroma Teapot” is part of a series of ceramic teapots that were created during the pandemic. 

    “As a ceramic sculptor, it became important to focus on this series of teapots/ewers over the course of the pandemic,” Molyneux wrote. “These are abstract vessels that project an idea of function rather than functionality itself but served me as a touchstone of sharing and community during a very isolated time.”

    COVID-19 was not the only subject of the faculty artworks. Sondra Schwetman, an associate professor who specializes in sculpture. Her piece “Witness” was created in 2019 from fabric, pigment, and steel. In her description of the piece, Schwetman writes about how her work embodies the themes of the female experience. 

    “My current body of work addresses the ambiguous space between reality and fiction where the female form and therefore females often dwell,” Schwetman wrote. “The works in this series concentrate on psychological, religious, cultural, and social issues that impact women everyday such as: reproduction and reproductive rights, illness and COVID-19, class systems, colonization, compliance, silence, and war.” 

    Marilyn Koch, a visiting faculty member who specializes in jewelry and small metals, discussed the concept of “self” in her two featured works, “We are a colony,” and “Year 30: Age Badges.” The pieces utilize unique mediums like hair and synthetic teeth.

    Photo by Angel Barker | Sarah Whorf’s “Palm to Pine”, 2005 at the Reese Bullen Gallery on Friday. The piece is a photo screen print construction.

    “It is egocentric in nature and at first glance, coyly uses replicas of the human body to simultaneously repel and entice us,” Koch wrote. “Beyond the skin, teeth, or hair, are themes of ephemeral youth, community, social norms, and a prominent objective: A desperate attempt to define the Self.”

    A wide variety of mediums and subject matter means that there is something that everyone can connect with. 

    “My favorite piece is this painting over here and it’s called ‘From palms to pines.’ It’s just about moving from SoCal to up here,” Acosta said. “There’s like the map of Los Angeles and Orange County that goes into the map of Humboldt County.”“Gina [Tuzzi]’s paintings are really nice,” said Martin Lopez, an economics and studio art major. “And the cars, the ceramic cars, are pretty sweet. Yeah, that shit’s tight.”

  • Reese Bullen Gallery features Cal Poly Humboldt student artists

    Reese Bullen Gallery features Cal Poly Humboldt student artists

    by Nina Hufman

    The Arts Graduate Exhibition for the class of 2022 is now open at the Reese Bullen Art Gallery at Cal Poly Humboldt.

    Kylie Maxfield, a senior whose work is featured in the exhibit says that having one’s work in a gallery is an integral part of being an artist.

    “Being a student artist myself, I think it’s really important to be able to showcase my work,” Maxfield said. “To feel validated for what I’ve been working on. It inspires me to continue my education in art.”

    Photo by Angel Barker | Reflective Perspective, made of bronze and glass by Lisa Heikka Huber

    The exhibition showcases the work of graduating students in the Art Department. It features work from a variety of mediums including painting, sculpture, illustration, drawing, printmaking, photography, ceramics, and jewelry.

    “There’s a lot more diversity than I would expect,” said student Duncan McDougall.

    Another student, Justin Henderson, also appreciated how diverse the selection of art is within the gallery.

    “Each one is pretty unique,” Henderson said. “I like that there’s a lot of creativity going on.”

    McDougall and Henderson were excited to be able to attend an exhibition of their peers’ art. Student exhibitions allow for their work to be seen by those outside the art department.

    “Otherwise, I wouldn’t see any of their art,” said Henderson. “I don’t have any art classes, so I’m never over here.”

    “There’s a lot of student creativity,” McDougall said. “You don’t really see a lot of these student galleries.”

    Displaying their work also gives student artists new opportunities.

    Photo by Angel Barker | “Present” by Kaitlyn Ladines. This paining invites students to be apart of the exhibit by sitting in the chair. This piece won 2nd place for the Glenn Berry Painting Award.

    “Having this graduate exhibition also gives students the chance to be awarded for what they’ve been working on,” Maxfield said. “I think that if students didn’t have the opportunity to do something like this that feels real, then they probably wouldn’t make as much or be inspired to.”

    One of the opportunities that Cal Poly Humboldt art students have is the opportunity to win the Permanent Collection Purchase Prize award. The honor is given to one student from each graduating class. The work is then added to Cal Poly Humboldt’s permanent collection of student artwork.

    Maxfield says that selecting the correct piece for an exhibition is a challenging task.

    “I think critiques really narrow down, like what are people interested in and what is catching people’s attention,” Maxfield said. “Getting a lot of opinions on what strikes people as an interesting photograph.”

    Maxfield also discussed challenges with her chosen medium, photography.

    “I think that sometimes it’s hard to get through with people,” Maxfield said. “Like a lot of people kind of think ‘oh, well they just press a button.’ With paintings or drawings it’s a lot more evident the amount of work that goes into it, but with photography, not as much.”

    Photo by Angel Barker | “Human Flower” by Emily Newark. Made from low-fire white clay. This ceramic sculpture won the Phoenix Ceramic Award.

    There were many interesting pieces featured in the gallery. One sculpture entitled The Human Flower was the topic of discussion among students.

    “I think The Human Flower rules,” McDougall said. “If I had a million dollars, I’d buy it right now.”

    Another opinion on the piece was offered.

    “I appreciate that a lot of work went into that, but it just freaks me out,” Henderson said.

    The exhibition will run through Saturday, May 14 with a reception to follow the College of Arts Humanities & Social Sciences commencement ceremony.

  • HSU shows works of killer bunnies and neon crocodiles

    HSU shows works of killer bunnies and neon crocodiles

    Humboldt State hosts the artworks of Illinois-based professor and artist Laurie Hogin. Dozens of her paintings are displayed in the art department’s Reese Bullen Gallery, most of which highlight Hogin’s signature neon colors depicting chaotic scenes that involve brightly plumed birds, psychedelic bunnies and hyper-saturated flowers and fruit.

    Most of the paintings are oil on canvas, but some are sketches from Hogin’s personal notebooks and watercolors on paper.

    Hogin says her works primarily consist of “allegorical paintings of mutant plants and animals in languishing, overgrown settings or posed as though for classical still life or portraiture.”

    Hogin’s paintings are fascinating, evoking memories of Henri Rousseau – leafy greenery and subjects nearly phosphorescent in color and brightness.

    HSU sophomore Kelsey Briscoe, 20, agrees.

    “These paintings are super interesting,” Briscoe said in front of Hogin’s painting “Sugar Trilogy I: Tricks,” which depicts a rather murderous blood-soaked bunny seated in front of an Easter candy. “This is definitely some commentary on capitalism and that sort of ‘Hallmark-holiday-card’ consumerism.”

    HSU junior Logan Clark stopped by to check out the exhibit on a whim and was pleasantly surprised by the display.

    Looking at “Echo Turnpike,” a painting that depicts several formidable tangerine crocodiles in front of the wreckage of a turnpike, “All the subjects of her paintings tend to be bright, while the background is monochromatic or even dull,” Clark said. “She seems to really focus on one main thing.”

    Visitors also have the opportunity to utilize skills demonstrated to them through HSU’s art department. Patricia Ely, a 19-year-old sophomore at HSU visited the gallery during her 20th century art class.

    “It’s crazy being in here and seeing actual parallels in this artwork and what I’m currently learning about,” Ely said. “I feel like this is all really familiar to me.”

    The exhibition to Hogin’s works is located at the Reese Bullen Gallery (Art B, room 101) until March 31.