A weak installment in the Fantastic Beasts franchise
Coming from a huge Harry Potter fan, I wasn’t looking forward to this revival of the Harry Potter universe. I said my goodbyes senior year of high school when “Deathly Hallows Part 2” came out.
Now there’s a new story to come out in theaters that not many fans asked for. “Fantastic Beasts and Where to Find Them” was a fun revisit to the universe that showed more characters and creatures that the books only brushed on.
However, four movies seems an exhausting excuse to delve into a period of the wizarding world that is important but not as pertinent as other stories that haven’t been well explored (still waiting on a story about the Marauders). “Fantastic Beasts: The Crimes of Grindelwald” dips into an important part of wizarding history, but doesn’t have the focus to make it interesting.
Returning to Newt Scamander and his magical creatures, he is banned from international travel due to the events in the previous film where he was blamed for nearly destroying 1920s New York. Scamander is beckoned to Paris where he believes Tina Goldstein (future wife) is working to find a long lost descendant of a pure-blood family. Grindelwald, the original Voldemort, is also seeking this descendant to use them on his team to conquer the world.
There are too many plot lines to keep track of and it would be more confusing for those who haven’t watched the previous Fantastic Beasts film. There’s a conflict of Newt Scamander and his love for Tina Goldstein, then there is an added love triangle with Leta Lestrange. There’s a whole story about Credence Barebone, who may or may not be an important descendant and capable of killing Albus Dumbledore. There are a lot of old politics at the Ministry of Magic in multiple countries.
Then there’s Grindelwald himself. Johnny Depp’s inconsistent accent was the least of the problems. His Grindelwald wasn’t as scathingly evil as Ralph Fiennes’ Voldemort was. Grindelwald was trying to be a more relatable evil, notably when he says that he does not hate the non-magical people. This sounds similar when Donald Trump’s campaigns had him say that he believes that some Mexican people are presumably good people after calling them rapists. Relatable, but doesn’t strike fear.
Jude Law’s casting as young Albus Dumbledore was a good fit. Not the best, as I was hoping for Domhnall Gleeson but Law had the softness and mischievous nature Dumbledore has.
The new creatures the film introduced were fascinating, particularly the Chinese Zouwu was adorable and want to see more of than nifflers.
Otherwise, the film was too long to fit in so much information that wasn’t set up before like in books or maybe on Pottermore. If this was meant to be a five-part series, then it should set up it’s time better and made more accessible for new fans to join the wizarding fandom and not alienate them.
Independent labeled alternative rock bands from Spain usually do not garner the attention in the U.S that say a band from California or New York tend to. Even the explanation of the band strikes as a hipster retweet but Vetusta Morla is nothing but an exception to this rule.
Vetusta Morla has been nominated for three Latin Grammy awards this year for their recent album entitled “Mismo Sitio, Distinto Lugar.” These nominations include Mejor Album de Música Alternativa (best alternative music album), Mejor Canción Alternativa – ‘Consejo de Sabios’ (best alternative song) and Mejor Diseño de Empaque (best packaging design or best album cover art).
Álvaro B. Baglietto has been the longtime bassist for Vetusta Morla and has seen both the highs and lows of working on an independent label.
“We have always done what we want to do,” Baglietto said. “And we have never had to really have pressure put on us by some record [executive].”
Baglietto and his bandmates, guitarist Juan Pedro “Pucho” Martin, drummer David Garcia, percussionist Jorge Gonzalez, guitarist Guillermo Galvan and keyboardist Juan Manuel Latorre have known each other since they were young. They grew up in the Tres Cantos neighborhood of Madrid, Spain, and formed the band in 1998.
“We love Madrid; it’s our city, it’s our base,” Baglietto said. “And hey, maybe will move to Miami, who knows, but we love Madrid, we love the way of life here.”
Baglietto and his bandmates said music is sacred, and since their creation, Vetusta Morla has been adamant about being independent from any record labels, media companies and celebrity management. Although this has made them into one of the most famous and acclaimed independent artists in Spain, Baglietto and the band don’t really think about themselves in the spotlight.
“We don’t think about those things that much, we don’t even really talk about it,” Baglietto said. “In the beginning, we just wanted to do music in a honest way and the best that we could.”
Vetusta Morla’s musical genre is generalized as alternative rock but Baglietto said that the likes and interest of the band and himself vary greatly.
“The music that I listen to changes all the time,” Baglietto said. “I used to love rock, reggae, jazz, blues.”
Baglietto says that the evolution of his musical tastes have led him to genres that he has never really listened to before and artists he never previously would have known.
“Nowadays, I am listening to a lot of rap or hip-hop and it didn’t happen before,” Baglietto said. “I like Kendrick Lamar and Eminem.”
With 20 plus years of experience under their belt, the band had a lot of time to work on different projects and album concepts. This includes everything from writing and producing the music for a video game entitled “The Rivers of Alice” all the way to writing and producing an album for an AIDs awareness program.
“For me music is like poetry with a soundtrack and it’s so important,” Baglietto said. “We have to make people think and make people feel and not say something that others have said before.”
Claire Roth’s Art for This Week in Science Spring 2017
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
Graphic Illustration by Claire Roth
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