The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Concert

  • Femme Fronted: local bands to check out

    Femme Fronted: local bands to check out

    By Mia Costales

    Picture this: you’re mindlessly scrolling through your Instagram feed when you stumble across a repost of a hand-drawn show poster and the words, “DM for address.” After a quick pep-talk to the reflection in your mirror, you muster up the courage to DM the account and get the address for quite possibly the greatest night of your short 16-year-old life. As you walk up to the door you are instantly hit with the smell of American Spirits, PBR and a gaggle of grown men who are way too old to be hanging out with teenagers. 

    The music is great and you’re right—this is probably the best night of your life. But you can’t help but feel a little out of place in the sea of mustached, rolled beanie, American traditional tattooed guys that will inevitably ask you if you’ve ever listened to Sonic Youth. The unfortunate truth is that this may sound all too familiar to femmes. Luckily, Arcata has a small but mighty music scene. While there is always room for improvement, there are a handful of queer and femme musicians that are putting in the work to make the scene safer and more inclusive for everyone. Here are two Arcata bands who are diversifying the scene and putting on damn good shows while they do it. 

    Porcelain Dog

    Porcelain Dog is the indie three-piece composed of guitarist Jack Hallinan, drummer Jude Daughdrill, and bassist and singer Vivian Spear. The self-proclaimed loser-rock band has made strides in the Arcata music scene, playing house shows, local venues, and even playing a live set on Cal Poly Humboldt’s very own student-ran radio station, KRFH. Spear has been open about her queer identity and has actively encouraged other queer femmes to join the scene on platforms such as Instagram and KRFH.

    “I think Arcata is probably better than most places,” Spear said. “It’s such a small scene. I feel like we all look out for and support each other. I just wish there were more queer girl bands here. I know there’s a lot of creative queer femmes here, I think we’re just more inclined to feel self-conscious about putting ourselves out there.”

    Spear attributed iconic femme musicians such as Kathleen Hannah of Bikini Kill and Le Tigre, and Kim Deal of Pixies and The Breeders to inspiring her openness to vulnerability in her songwriting. 

    “I held myself back for so long because I felt not good enough,” Spear said. “Now that I’ve been in this band for six plus months, I know that I’ve been ready for a while. If you feel you have something to say or just want to play then go for it—you’ll pick it up along the way.”

    Heart Eyes

    Heart Eyes, the feminist queercore punk trio, is bringing back the gritty enthusiasm of 90s riot grrrl, but with a modern twist on the genre. Members Kianna Znika, Lexi Takaki, and Milo Lorence-Ganong aim to make music with punk and emo influences that portray an authentic depiction of the highs and lows of the queer experience. Local scenes can be a breeding ground for casual misogyny and bigotry. However, Heart Eyes have used these experiences as inspiration for their songwriting and hope to expand Arcata’s scene to be as inclusive as possible. 

    “It’s been hard to overcome being labeled as a ‘girl band,’” Takaki said. “We are a punk band regardless of our gender and identities. We want to be seen as musicians in the local scene, not a token band because of our perceived gender.”

    The band also encourages fellow queer and femme musicians to reach out to them and get involved in the local scene by making connections with like-minded people. 

    “Go to open mic nights and local shows, talk to musicians you like and make connections,” Lorence-Ganong said. “Your unique perspective as a femme or queer person will be appreciated, don’t feel the pressure to cater your artistic message to a wider audience. Maybe most importantly, just do it! Even if you are new to music, even if everyone else in the room knows more than you, even if you can’t afford nice equipment, don’t be intimidated. Your creative spirit is valuable, and don’t let anyone have you believe otherwise.”

  • Pigeons Playing Ping Pong provide pure passion and a playful performance

    Pigeons Playing Ping Pong provide pure passion and a playful performance

    by Carlina Grillo

    Students and community members flocked to the Van Duzer theater on Sunday, Nov. 12 to see Maryland based funky jam-band, Pigeons Playing Ping Pong. The event started around 7:15 p.m. with the opening band, Dogs in a Pile, and heated up around 8:45 p.m. when Pigeons took the stage, kicking off their first set with “High as Five” – an ode to being “High in Humboldt.” In total, the quartet played (with instruments, not ping pong paddles) two sets and an encore, saying their goodbyes just before midnight. 

    Earlier in the day, the bassist of Pigeons Playing Ping Pong, Ben sat down for an interview on KRFH. Listen to the interview below.

  • Music meets anime at Thundercat show

    Music meets anime at Thundercat show

    by Carlina Grillo

    On a typical cold and rainy night in Arcata, students gathered into the John Van Duzer Theatre where Grammy award-winning bassist, Stephen Lee Bruner, known as Thundercat, brought the heat to campus. With a mix of funk, jazz, R&B and psychedelic bass noodling – eccentric doesn’t begin to describe the night. 

    Tickets for the show sold out within two hours of going on sale to the public, and to people’s surprise, last minute tickets were sold the evening of the performance. For Thundercat’s third time back to the Van Duzer, Cal Poly Humboldt’s Center Arts expected a full house with a seated capacity of 862.

    Eager for the show, the crowd began gathering in the lobby half an hour before the doors opened at 8:30 p.m. Upon entry, people were greeted by a vivid blue light and fog in the air. Behind the haze stood a giant blown up medieval style tower with a cat head. Known as “Cats Lair,” this stage set up was a reference to the 1985 anime, “ThunderCats.”

    The concert was promoted as a seated show, but as soon as the band took the stage, some people stood in front of their seats while others raced to the front. Most people on the balcony remained seated until the very end of the night when the entire house gave Thundercat a standing ovation. The energy was high, but not enough to solicit a mosh pit. Folks mostly swayed throughout the night.

    Thundercat took the stage around 9 p.m. with his iconic six string Ibanez bass guitar, and was backed up by Dennis Hamm on the keys, with Justin Brown on drums. Between songs, Thundercat entertained the crowd with relatable banter and even attempted to kickflip a Tech Deck from the crowd. While he talked to the crowd, fans could be heard meowing around the room.

    Photo by Carlina Grillo. Thundercat playing in front of the “Cats Lair”, a giant blowup tower referencing the 1985 anime “ThunderCats”.

    It was quickly made apparent that anime has a grip on Thundercat and has influenced many aspects of his life. During the first half of the show, he asked the audience how they felt about anime. As the question was followed by loud cheers, he decided to play the song “Tokyo.”

    “I’m gonna slow this one down too,” said Thundercat. “I’m gonna sing this one real slow, so you can understand what it was to be me at 18 years old in Japan.”

    The song described Thundercat’s time in Tokyo with an ode to his lifelong love for anime.

    “I went to the dentist and he gave me a toy / it was Dragon Ball-Z, a wrist-slap bracelet / Goku fucking ruined me,” sang Thundercat. 

    Afterwards, he followed it with his song “Dragonball Durag.” He mentioned that it was his first time playing those songs back to back, and even exclaimed to Hamm, “Write that down!”

    “You don’t have to like my video games or my comic books / But baby girl, how do I look in my durag?” sang Thundercat.

    During the second half of the performance, Thundercat took a moment to honor musicians he’s proud to have worked with who have passed away. He specifically mentioned rapper Mac Miller, Japanese composer Ryuichi Sakamoto and concert promoter Meghan Stabile.

    “To know Meghan was to love her,” Thundercat said.

    Whether an anime lover or not, concert-goers left the Van Duzer feeling electric. Tobin Thornton, a freshman studying chemistry at Cal Poly Humboldt, had never been to the Van Duzer before and had zero expectations for the night. 

    “I don’t really know what I was expecting, but I had a very good time. I do feel like I got put in a microwave, but in a good way,” Thornton said before rating the show a solid nine out of ten. 

    Sam Schulman, a music lover and community member, expressed his gratitude for Thundercat coming to Arcata to share his music.

    “I was mind blown by his artistry and how good he is at playing the bass. It was so cool,” Schulman said. “I didn’t really know what to expect going into it and I know he has regular-amount-of-time songs, but he was extending a lot of them and jamming a lot. Which was really cool to see.”

    Lexi Takaki, a graduate student in the social work program, described her night as awesome, and felt very lucky to get one of the last minute tickets. 

    “Thundercat is a world renowned musician that is like none other, so it was kind of surreal to see him on stage,” Takaki said. “I feel like at a lot of shows at the Van Duzer, it can be really mellow or people are kind of awkward, and I feel like tonight everyone was really feeling it.”