The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: dark comedy

  • Preview: ‘Heathers, The Musical’

    Preview: ‘Heathers, The Musical’

    After power shutoffs stole the spotlight, ‘Heathers, The Musical’ finally gets its chance to win over audiences

    In the bright lights of a packed makeup room actors sit and focus on their reflections. They quickly prepare and apply different layers of blush, eyeliner, eyeshadow and lipstick specific for their characters.

    Half-way through, Rae Robison, the director of the show, enters the frenzy of excitement and announces “five minutes before stage warm-ups” and leaves. The people in the room reply back with whoops, yelps and revel in the last half-hour before the final dress rehearsal for “Heathers, The Musical.”

    “I am so excited for tonight,” Gwynnevere Cristobal, who plays Veronica Sawyer, said. “I’m a little tired, but the adrenaline always gets pumping.”

    The theater department prepares for their first full weekend of production from Nov. 1-3, after a slow start due to PG&E’s power outage. The show includes 28 cast members with Cristobal as Veronica, William III as J.D., and Kiara Hudlin, Liz Whittemore and Caitlin Pyle as The Heathers.

    The rock musical follows the plot of the cult classic movie “Heathers.” The show is set in 1989 and the audience goes on a journey with teenage misfit Veronica as she hustles her way into the most popular clique at Westerberg High: The Heathers.

    Cristobal said the show is unconventional and if you haven’t seen the movie, it can be a little intense because it’s a dark comedy. However, she encourages people to come see the show if they’re ready to laugh and make fun of others.

    She also said that the show tries to highlight important issues such as bullying, gun violence and mental health.

    “Understand that what we are saying is real and it’s a struggle in that people aren’t alone in how they think,” Cristobal said.

    “Heathers, The Musical” opens in the John Van Duzer Theater. On Nov. 1-2 there will be shows at 7:30 p.m. On Nov. 2-3 there will be matinees at 2 p.m.

    General admission is $15, but for students and seniors it is $10. Tickets can be purchased online at https://centerarts.humboldt.edu/Online/ or by calling at (707) 826-3928.

  • “Thoroughbreds” is a richly dark comedy

    “Thoroughbreds” is a richly dark comedy

    People are terrible and horses will take over the world.

    “Thoroughbreds” is the debut film of writer and director Cory Finley. It is about two rich girls plotting their stepfather’s murder, but there’s more to it. It’s less a murder mystery, but a character study on emotions and impulses.

    The character Amanda is an emotionless girl who hasn’t fully outgrown her horse phase. She speaks her mind and is blunt about it, including her lack of emotions. Lily is an emotionally overwhelmed girl who guards herself from hurting others.

    The two were formerly friends until high school separated them, only to be reunited by studying for the SAT’s.

    After taking down their reservations, they become friends again. Lily hates her health-obsessed stepdad who talks down to her and forced her mom to send her to a different boarding school. Amanda casually suggests killing him and Lily’s impulsive mindset kicks into gear to plotting his murder.

    This film doesn’t focus on the girls’ lavish lives. It’s just a perfect background to plot a murder without getting caught. The mansions look big and beautiful to fill in the background of the actors’ symmetrical framing.

    The sound editing and mixing stand out with it’s unsettling and chic percussion. The rhythmic score gave it a constant edge that could lead to a psychotic breakdown, which compliments the impulsiveness of the characters.

    Little sounds fill the scenes that reflect the emotions of the characters. Lily’s tapping of a pen mimics a clock too well, the rowing of her stepdad’s row machine irritates her and the sliding sound is invasive like Edgar Allan Poe’s “The Tell-Tale Heart.”

    The characters aren’t simply rich brats. Even if Amanda doesn’t understand emotions, she is still expressive and her brutal honesty is refreshing. Lily is sympathetic when she feels helpless not standing up to her stepdad yelling at her mom.

    The rest of the cast is good, but the highlight is Anton Yelchin, which was his last film since his death in 2016.

    Lily and Amanda grow by the end of the film, yet whether if it was for their own good is up to you.