The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: HSU theatre

  • Dreams in Between

    Dreams in Between

    Cast and crew of “Dreamers: Aquí y Allá” shed light on complexities of immigration

    The story starts in the blue and red lights that bathe a replica-sized model of a wall. Not just any wall, but The Wall, the most southern one that separates country from country, family from family and the hopes of migrants for better opportunities and life.

    In that obscurity, bodies shift and take steps until they’re center stage and in full view. They face you, you face them and under the spotlight, the stories of immigrants and Deferred Action for Childhood Arrival recipients begins.

    “Some of these scenes will break your heart because they show so much humanity,” Co-Director Andrea Carrillo said. “Humanity is such a great big theme within this story. You can’t help but connect and feel compassion for these individuals.”

    The Humboldt State University Theater Arts, Film and Dance Department presents “Dreamers: Aquí y Allá.” The script was written by Andrea Caban, her students, and a collaboration from source material provided by Armando Vazquez-Ramos and the California-Mexican Studies Center.

    • Andrew “AJ” Hempstead, who plays Danny, Papa and Ximena’s dad, folds his arms across his chest during a scene of “Dreamers: Aquí y Allá” in Gist Hall Theater at Humboldt State University. | Photo by Jose Herrera
    • Actors on stage during the final dress rehearsal of “Dreamers: Aquí y Allá” in Gist Hall Theatre. | Photo by Jose Herrera

    Students in the California-Mexico Dreamers Study Abroad Program, DACA recipients and immigrant community members gave testimonials and interviews for the script.

    Troy Lescher, co-director and HSU associate professor, came upon the script in spring 2018 when Caban emailed the script to all 18 California State Universities in hopes they would produce the show.

    “I was blown away by the humanity of the story,” Lescher said. “As soon as I read it I said to myself, ‘We have to do this show at HSU.’ I mean, because of our social justice mission, commitment to minority voices on stage, how timely this issue is and this play had HSU written all over it.”

    The play follows the memories and lived experiences of immigrants and DACA recipients who then obtained advance parole, which gave them opportunity to travel to Mexico and reconnect with their culture and families.

    Carrillo said that they go through time jumps and include the audience as they break the fourth wall in various scenes from start to finish.

    • Alejandro Torres as Francisco, Wendy Carranza as Ximena and Victor Parra as Mateo raise their fists. | Photo courtesy of Michael Thomas

    However, circumstances prevented the play from happening until fall 2019. Lescher reached out to theater arts graduate students Carrillo and Amy Beltrán via email. They said that they were overjoyed about directing the play.

    “For me the biggest thing was to evoke empathy within the community because a lot of the community, as well as in Humboldt County, can be either on the middle ground or can be very conservative,” Carillo said. “These are human beings with their own experiences, their own love, their own families, and that was a big thing for me to show that to them.”

    But just as the directors were compelled to tell this story, so too were the actors.

    Business marketing major and theater arts minor Victor Parra, who plays Mateo, said he knew it was important for him to get involved when he heard about the script.

    “As an actor and artist this is the kind of stuff that catches my attention,” Parra said. “This is the kind of work that I want to do personally.”

    Parra said it’s important to remember that the play is a cumulation of many stories, real stories, and that these are real people who struggle everyday. These were stories close to him because he experienced similar struggles back home.

    “We have to keep working to give spaces for minority voices to be heard, especially voices that aren’t heard very often.”

    Troy Lescher
    Co-director

    “I brought a lot of personal past into this and it was my own decision,” Parra said. “Nobody asked it of me, but because I relate to this.”

    Parra plays Mateo, who in the play fears being deported and leaving his child and mother behind. He said that is what happened to him when one of his parents was deported not too long ago, and he brought those feelings into the production.

    “I envision my own family,” Parra said. “That’s what I just had to bring to the table because it’s so important. We need to say this. We need for our voices to be heard and something needs to happen.”

    Lescher knew that he wanted to encourage and open the production to more students, so he reached out to El Centro Académico Cultural Coordinator Fernando Paz, Interim Executive Director of the Office of Diversity, Equity and Inclusion Edelmira Reynoso and Multicultural Center Coordinator Frank Herrera.

    The result was that out of 11 cast members, six of them were non-theater majors and four of them performed for the first time.

    “This story hits differently,” Carrillo said. “It resonates differently with people. It’s such an immediate connection with a lot of Latinx people and people of color. It made sense that we had so many new faces in the theater.”

    Lescher said that the challenges DACA recipients struggle with is a big part of the conversation, because their voices are often unheard or aren’t highlighted in the news.

    “We have to keep working to give spaces for minority voices to be heard, especially voices that aren’t heard very often,” Lescher said.

  • ‘Dreamers: Aquí y Allá’ Preview

    ‘Dreamers: Aquí y Allá’ Preview

    Theater Arts Department presents a production that transcends borders

    The room is dark, the audience silent. On stage, right before your eyes, a story begins to unfold. Actors stride onto the set, and within seconds, they transport their audience into a world that deals with fears of family separation, job loss and deportation.

    But that world is reality, as the actors break the fourth wall and address issues for immigrants and Deferred Action for Childhood Arrivals recipients.

    “I read the script and I thought, ‘Wow, this needs to be told,’” Co-Director Andrea Carrillo said. “I know that there’s a good portion of undocumented people living in Humboldt County as well. It’s a great way to show the community that we see you, we hear you and we want to do what we can to share your experiences and your voices on stage.”

    Humboldt State University’s Theater Arts Department will premiere a production of “Dreamers: Aquí y Allá” this weekend and next. The show features testimonials and interviews from students in the California-Mexico Dreamers Study Abroad Program, DACA recipients and community members.

    “I’d say for people who have heard the story and don’t necessarily connect with the politics, I’d say, stay open minded about it. You never know what you might experience or learn. You might surprise yourself as an individual.”

    Andrea Carrillo

    The production is co-directed by theater art graduate students Amy Beltrán and Carrillo along with Assistant Professor Troy Lescher. “Aquí y Allá,” first produced at California State University, Long Beach, was written by Andrea Caban and presented as a collaboration between Caban, her students, material provided by Professor Armando Vazquez-Ramos and the California-Mexico Studies Center.

    “This is a story that needs to be heard. You need to be here and sit with it and listen intently and openly as well,” Carrillo said. “I’d say for people who have heard the story and don’t necessarily connect with the politics, I’d say, stay open minded about it. You never know what you might experience or learn. You might surprise yourself as an individual.”

    “Aquí y Allá” opens Dec. 6 in Gist Hall Theatre and continues Dec. 7, 12, 13 and 14 at 7:30 p.m. There will be a matinee at 2 p.m. on Dec. 15. Tickets are $10 for general admission and $8 for student and seniors. For tickets, visit the Center Arts website or call 707-826-3928.

    After the show on Dec. 6, representatives from HSU’s Scholars Without Borders and Centro Del Pueblo will present on DACA initiatives. Following the shows from Dec. 12 through 14, Professor Vazques-Ramos will present a 30-minute lecture called “Dreamers 2020: What’s Next?” followed by a Q&A.

  • “Divergence” dancers amaze audience

    “Divergence” dancers amaze audience

    The audience at the John Van Duzer Theatre were fortunate enough to witness a cacophony of kinetic expression in the form of HSU’s annual spring dance concert on April 15, this year titled “Divergence.”

    Students of intermediate and advanced levels were given an opportunity to work in tandem with other students and alum choreographers. They chose music and themes to collaborate in the creation of 10 beautifully executed dances.

    The performances were varied both thematically and visually, yet all seemed to perfectly complement each other. While some dances were more lighthearted and obviously purely for fun, other performances emphasized the many social issues we as college students and young people have, and may experience in our communities.

    One of the more poignant pieces in the performance was titled “1 in 4. It’s been 5,” a dance deriving some inspiration from the recent #MeToo movement and personal experience, and was choreographed by HSU dance professor and choreographer Kyleigh Carlson.

    Carlson derived much of the performance inspired by her own experiences, and wanted the piece to be as empowering as it was a reflection of the horrible abuse and oppression many women experience in their lives, particularly on college campuses.

    “One in four women on every college campus has been sexually assaulted and it has been five years since my attack,” Carlson said, discussing her title choice for the piece. “I believe in dance as a tool for advocacy and as a healing art form. When combining both of these motivators, I believe it can create real change and that is what inspired me to create this work.”

    The audience was initially confronted by the 12 female dancers walking in unison, illuminated by low-level stage lighting until they reached a spot so far downstage that they seemed nearly atop the front row of the audience.

    They spent a good amount of time there just waiting and looking directly at audience members before delving into more movement. Even throughout their choreography, the dancers continually glared in synchronized confrontation toward the audience, forcing us to pay attention, to watch and to be cognizant of them.

    It was intentional to cast solely female dancers as well, as Carlson wanted to reflect her own experiences and was reflective of them, yet still inclusive of every survivor and their own experiences.

    “It was important to me that while I was creating this piece that it be reflective of my story, and yet give room to allow my dancers to grow and develop their stories and experiences too,” Carlson said. “We opened up to each other during our twice-a- week rehearsals and shared our experiences, creating a safe space and community. The bond was important for performing this piece together as a group of strong unified women on stage.”

    Following “1 in 4. It’s been 5,” was a far more lighthearted piece with dance collective “The Dizzy Delightful Dazzling Dancers,” presenting “Friends on Fire,” a piece inspired by “inspiration itself,” according to choreographer Serena Mann, and all set to the iconic power bop “I Will Survive” by Gloria Gaynor.

    Dancers whizzed around stage in jazzercise-themed choreography, all while clad in outrageously fabulous multi-colored unitards and leotards.

    After intermission, the audience was entertained by the amazing choreography and dance, both executed by HSU dance major, Austin Silavong. Both of Silavong’s pieces in “Divergence” were selected to represent HSU at the western conference of the American College Dance Association that occurred March 14-17 this year.

    Silavong’s solo performance “Asunder” was inspired by the “forced conformity so many of us adhere to,” Silavong said, and he encouraged viewers to “break free” of these conformities.

    In preparation for both “Divergence” and showcasing his two pieces in the western conference, Silavong had to extensively rehearse for nearly five hours a week with HSU dance professors and “Divergence” faculty advisor, Sharon Butcher.

    “Dance is a discipline,” Silavong said. “Talent is always a bonus, but to really connect, you need to show up and practice.”

  • A bite of the arts: HSU’s 5th annual 24 Hour Play Festival

    A bite of the arts: HSU’s 5th annual 24 Hour Play Festival

    March 24 marked HSU’s fifth annual 24 Hour Play Festival held in the Studio Theater. The 24 Hour Play Festival is an annual event produced by HSU students and faculty where students are given free reign and agency to direct, write and produce scenes that are then performed for the public 24 hours later.

    The play was organized by HSU senior Madison Glee, featuring original works performed and written by HSU students. The festival was overseen by faculty member and HSU production manager Derek Lane.

    “An Unexpected Visit,” written by Robert Matthews and directed by Irma Gill, was a brief scene focusing on a singular, rather peculiar interaction between characters Saint, played by HSU senior Camille Borrowdale, and her Bulgarian counterpart Sveta, played by HSU freshman Zoe Remund.

    The scene saw both women meet seemingly randomly on a bench of an anonymous college campus and having an increasingly strange conversation. Saint soon realizes that Sveta is a relative from the future and the two share a joint before deciding to just hang out and grab lunch.

    “The overall process for ‘An Unexpected Visit’ began at 7:30 last night,” said Borrowdale, fresh off the stage. “The writers [started] working on their scenes and they wrote all night, their scripts were due at six in the morning and then quickly chose from a group of all us actors who they wanted to cast, and then we just started cramming until right before the performance.”

    Memorizing the blocking, choreography and dialogue of a scene in a 12-hour period is no small feat, especially considering the length of their scene, and that Borrowdale and several of her fellow castmates were in multiple, unrelated scenes.

    “Yeah it was pretty frustrating at first trying to memorize all my lines,” Borrowdale continued, “But it’s really rewarding getting off stage after working all day on this and being done!”

    The whole process seemed to be intentionally very impromptu; with an emphasis on the element of surprise.

    “We didn’t audition for this either,” Remund said, who played Sveta the Bulgarian visitor from the future. “Anyone could have been a part of the festival and we stress that anyone of any level of experience can join us.”