The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Dakota Cox

  • Self-Care Cuts

    Self-Care Cuts

    Changing your hair to change your life

    It’s unique like a snowflake and it fits like a glove, it’s more important than arriving on time, it’s the defining aspect of our image — it’s hair. Whether we love it or hate it, it’s ours, and we do our best to maintain it.

    With the state of social media in 2020, an overwhelming degree of how we perceive each other has become smothered by appearance. With many of us lacking excess money to afford material possessions like designer clothes and expensive jewelry, hair is the aspect of our appearance where we have the most control.

    In 2015, a “no hair, don’t care” campaign was launched, with young women shaving their heads to get in touch with their true identities. Breaking gender norms, these women are able to grow confidence as they discover their inner beauty and channel it to the surface.

    Whether we do it to stick out or to fit in, by wearing our hair the way we do each day, we communicate to others a glimpse into the possibilities of what could be our lives. An ordinary haircut often insinuates a more serious approach towards life, while unusually long hair on a man communicates a more laid back approach and unusually short hair on a woman creates the perception of authority. No matter which walks of life we choose, each comes with its own expectations that will soon shape our behaviors, eventually our personalities, and oftentimes, our hair.

    Synonymous with her role as Hermione Granger in the Harry Potter series, Emma Watson famously cut off almost all of her hair as soon as the series wrapped. After spending a decade with the same style, she explained in a 2010 interview, she felt it was a necessary change to escape the character.

    At certain times in our lives, we may find we’ve relinquished power to our hair, allowing it to influence our identities rather than the other way around. Whether it be a reluctance to give up the life we’ve grown so accustomed to, or perhaps fear of exploring the unknown that holds us back from moving forward, it is a certainty of life that we will encounter change. Even as we enter the later years of our lives, long after we’ve fallen into our respective routines, we will experience our first gray hairs or perhaps receding hairlines – and we are sure to feel betrayed by our bodies. Whether we’re ready or not, change is always on the way, and the best thing we can do is embrace it. Letting go of your old hair can be a therapeutic release, relieving weight from your shoulders with each severed follicle.

    We love to play with it and we hate to part with it, but for some of us, the perceptions broadcast by our hairstyles don’t match the personalities that lie beneath. Especially now, in the midst of a pandemic as we find ourselves cut off from much of what we considered ordinary life, we should take the opportunity to step back and assess our core values. If for some reason we find ourselves in a place we no longer want to be, or where we feel we don’t belong, something as simple as a haircut can be the first step in a positive new direction.

    As the late, great King of Pop Michael Jackson, put it in his song, “Man in the Mirror,” “if you wanna make the world a better place, take a look at yourself and then make a change.” You are only truly at your best when you feel that way inside and reflect it outwardly. Only then, can you make a difference.

  • Music of the Moment 3

    Music of the Moment 3

    For better or worse, Big Sean is likely gone for good.

    After taking a three year hiatus, following luke-warm reception to his 2017 album “I Decided,” and an overwhelmingly negative response to the collaborative album he released later that year with Metro Boomin – ironically titled “Double or Nothing” – Big Sean’s new album “Detroit 2” marks a permanent step away from superstardom.

    Sequel to the 2012 mixtape “Detroit,” part two – the album version – delivers a much different experience in almost every regard. Each project boasts features from some of the biggest artists in the game at the time and each project features interludes from three highly respected entertainers, however, the similarities end there.

    Previously rapping about fame, fortune and the fast-life, with 2017’s “I Decided.” Sean took his music in a new direction of peace, positivity and personal growth. Doubling down on these new themes in “Detroit 2,” Sean delivers his second solo-album in a row without an undeniable hit-record like “I Don’t Fuck With You” or “Clique.”

    Leading up to the release of “Detroit 2,” Sean set the tone releasing “Deep Reverence,” featuring the late Crenshaw king, Nipsey Hussle. On the track, Sean opens up about his overblown beef with Kendrick Lamar, the baby he lost and thoughts of suicide. Sean, only displays this level of vulnerability once more on the song “Lucky Me,” where he speaks to his public break-up with R&B singer and current girlfriend Jhené Aiko and having been diagnosed with heart disease at 19-years-old. These topics are all left at the surface level and unfortunately, we never get to hear directly how Sean feels about any of it – only that he’s gone through it.

    After focusing an entire album around the theme of reflection with “I Decided,” Sean captures his life path and what it’s cost him with an effortless delivery, resembling conversation, on the track “Everything That’s Missing.” Along with “Guard Your Heart,” “Full Circle” and “Feed,” in which he focuses on the conflictions within fame. These are the songs where Sean is in his element.

    On the flip side of things, time and time again on this project, Sean falls short of a hit-record – lacking the undeniable catchiness factor on the song “Harder Than My Demons,” not giving Post Malone the entire chorus of “Wolves” or letting Travis Scott give up half-way through the hook on “Lithuania.” For someone with as much experience as Sean, it’s as if he’s actively trying to avoid a hit.

    Fortunately, Sean saves the best for last, ending the album on an extremely high note, beginning with the song “Don Life,” featuring a strong verse from Lil Wayne and sampling the legendary Michael Jackson’s classic song “Human Nature.”

    For the next track, “Friday Night Cypher,” Sean recruits 10 fellow Detroit MCs to rap over eight different beats that mostly cater to each artist. Sean delivers two of his best performances of the album on these songs and the latter is a moment not soon to be forgotten by fans of hip-hop.

    With “Detroit 2,” Sean delivers a project more honest and open than anything he’s released before but at the cost of the quality of his music. After three years off, Sean’s musical abilities remain unchanged and his concept of quality has suffered. Most songs are ruined by a bad flow here, a lazy hook, poor arrangements or overproduction that make them hard to listen to outside of the context of the album.

  • Music of the Moment 2

    Music of the Moment 2

    The long awaited return of God’s son, Nas.

    Regarded unanimously as one of the greatest rappers of all time and by many as having created the best hip-hop album to date with his 1994 debut, “Illmatic,” Nas has returned at the age of 46 with his studio album, “King’s Disease.”

    More than eight years since his last full-length album, “Life is Good,” Nas has been more active than usual in the last few years. In June 2018, Nas released his seven-track “NASIR” album, executive produced by Kanye West, then followed it up with “The Lost Tapes 2” compilation album in July of 2019.

    To set the tone for his new album, Nas released the lead single, “Ultra Black,” boasting the beauty of black life, a theme which is felt throughout the album and heavily featured on songs like “27 Summers,” “10 Points,” and the title track. In these songs, Nas lays down the definition of a true king: someone who is willing to work their way to the top, leave their baggage behind them and give back opportunities and knowledge to their people. In other words, a leader not a ruler.

    Produced entirely by Hit-Boy, with occasional assists from other producers, “King’s Disease” features a mixture of old school beats on songs like “Full Circle” and “Car #85” and more modern instrumentals on tracks like “Til the War is Won” and “Spicy,” a New York anthem featuring hometown rappers Fivio Foreign and A$AP Ferg. To compliment the tone of the tracks, Nas recruits features for over half the songs on the album, including unlikely appearances from Travis Scott’s new artist Don Toliver and Big Sean on the track “Replace Me.” Nas also reunites his old group, The Firm, to please fans of the old-school, with nearly four minutes of uninterrupted bars, on the track “Full Circle.” The features that stand out the most, however, both in terms of their quality and the surprise of hearing their voice alongside Nas on a song are Lil Durk with “Till the War is Won” and Anderson.Paak with “All Bad.”

    As Nas fans have come to expect, he delivers more of the signature story-telling style that caused hip-hop to fall in love with his music. He brings you into his world like no one else can with the songs “Blue Benz” and most especially “Car #85,” as Nas reminisces on life in the hood. Forever a part of him, mentions or allusions to the hood appear on the majority of the album, most powerfully on the track “Till the War is Over.” In this song Nas expresses his sympathies for single mothers and especially those who’ve had to bury a child, while Lil Durk provides the perspective of one of the children caught up in the streets.

    Following the longest break between proper full-length albums in his career, Nas lays all his cards on the table, dedicating entire tracks on “King’s Disease” to addressing the ugly, prejudiced state of the world and reflecting back on his 27 summers in the game with “The Definition” and “The Cure.”

    Around 7,500 people in the world can be considered one in a million with “King’s Disease,” Nas proves once again that he’s one of a kind.

  • Drake, the Genre-Hopping Superstar, Does It Again

    Drake, the Genre-Hopping Superstar, Does It Again

    Drake drops surprise project, “Dark Lane Demo Tapes”

    Nearly two years following the release of his last commercial project, “Scorpion,” Drake is back with more music than ever. Surprising fans April 30, Drake hopped on Instagram to announce his upcoming sixth studio album, set to be released this summer. He also announced a new mixtape, “Dark Lane Demo Tapes,” that dropped hours after.

    Ashton Pomrehn is a Humboldt State University alumnus from the psychology department. His thoughts on Drake have dramatically changed over the course of Drake’s decade and a half long career.

    “I love Drake,” Pomrehn said. “I tried to hate on Drake early in his career but he’s put so much good music out that I’m excited for anything he puts out.”

    Kathleen Madrid is an environmental resources engineering major at HSU. She’s not the biggest Drake fan but she is heavily invested in the hip-hop genre and enjoys watching it evolve.

    “I will say that I think he has been really influential,” Madrid said. “Drake really brought a different topic of discussion to hip-hop. Males are not traditionally encouraged to express their feelings and I think Drake gave young men that voice.”

    Despite his undeniable contribution to the industry, Drake has received heavy criticism in the past over cultural appropriation of different regions’ music, beginning with his 2016 single “One Dance.” Despite featuring one the genre’s prominent artists, WizKid, Drake’s 10-minutes with afrobeats were seen by fans of the genre as a Hollywood actor taking the Broadway stage. The song was also a blend of Jamaican dancehall music – a style that Drake sprinkled throughout “Views” and his “More Life” playlist, without ever featuring an artist from the genre. Drake continued to catch flack for appropriation of UK Grime on “More Life,” however, the project features several guests from across the pond.

    “There is a fine line between appropriation and appreciation. Paying homage or showing love may be necessary, but I think it’s more important to educate yourself before you participate in another culture’s genre.”

    Kathleen Madrid

    Drake set the tone for a possible new release in late Dec. 2019, with the track, “War,” taking the sound of the United Kingdom’s take on drill music and running with it. Similarly, on the song “Demons,” Drake hops on a New York drill beat, this time providing guest spots for the artists that popularized the genre. However, the missing presence of the recently-deceased leader of the movement, Pop Smoke, is heavily felt on the track.

    Madrid acknowledges that Drake is in a tough position, but it’s ultimately his own decisions that repeatedly put him there.

    “Cultural appropriation is a muddy concept,” Madrid said. “There is a fine line between appropriation and appreciation. Paying homage or showing love may be necessary, but I think it’s more important to educate yourself before you participate in another culture’s genre.”

    In this new release, Drake pays his respects to some of the most prominent cities in modern hip-hop on “Dark Lane Demo Tapes,” with tracks like “From Florida With Love” and “Chicago Freestyle.” The later track was originally paired with the song “When To Say When” and released on Leap Day earlier this year as a music video. “When To Say When” samples one of Jay-Z’s most-famous tracks, “Song Cry,” and some of the footage from the video was shot outside the Marcy Projects where Jay-Z grew up.

    Despite mixtapes almost always receiving significantly less care and budget than studio albums, when it comes to top-tier artists like Drake, fans still expect top-tier material. With features from Future, Young Thug and Chris Brown on the track list, fans will be let down to find out Young Thug only receives half a placement on the chorus of “D4L.” Chris Brown only provides a handful of background vocals on “Not You Too” and of Future’s two verses on the project, his better performance is significantly shorter. Despite consistently creating a dominant presence on songs where he is featured as the guest, including “Life Is Good,” “No Guidance” and “Going Bad,” Drake has proven unwilling to provide artists with a fraction of space on his own records.

    With an entire album on the horizon, a number one record with “Toosie Slide” and a classic track with “Losses,” Drake fans have nothing to complain about – drill fans, however, are a whole other story.

  • KRFH Survives the COVID-19 Shutdown

    KRFH Survives the COVID-19 Shutdown

    The Student-Run Radio Programs Remain on Air

    Despite in-person instruction coming to a halt in the wake of COVID-19, student-run radio shows are still an option for KRFH students. For students not interested in going to great lengths to produce a weekly show, there is an alternative.

    When Humboldt State University first transitioned to online instruction following spring-break, KRFH students were given the option to continue doing shows, as long as they comply with strict CDC regulations. This includes leaving three-hour gaps between shows, having only one student in the booth at a time and wiping down everything inside the booth before and after shows.

    The new protocol lasted less than two full weeks before students were no longer allowed back in the booth. Instead, they were given the option to pre-record shows.

    Ayrton Flaherty has a show with Debate Team coach, Aaron Donaldson, called “Debate and the News.” It was the first show at HSU to utilize Zoom while broadcasting live over the air-waves having Donaldson contribute from the safety of his home and Flaherty sit in the booth for their final live shows of the semester.

    “It’s hard to do radio if you’re not in the station,” Flaherty said. “I guess cause we do a talk show, we’re able to get away with that. Because, rather than having music and occasionally talking, it’s talking and occasionally having music for us.”

    Flaherty has found pre-recorded shows to be far more forgiving, with options to edit and re-take segments. However, they have created hours of post-production time that wouldn’t exist with live shows, in addition to hours they spend on pre-production. But, both Flaherty and Donaldson believe their show is worth the effort.

    “I think all the DJs feel a little bit of a responsibility to stay involved, because otherwise there’s the chance that KRFH could get shut down if people aren’t showing interest.”

    Shelley Magallanes

    “This education is as important as ever,” Donaldson said. “The resources, as always, are very vulnerable and threatened, and students should get involved if they think it’s important.”

    Shelley Magallanes hosts multiple shows on KRFH and they completely agree with Donaldson. Magallanes only intends to attend the class if it’s offered in-person next semester, although, they still might sign up if the program is in danger.

    “I think all the DJs feel a little bit of a responsibility to stay involved, because otherwise there’s the chance that KRFH could get shut down if people aren’t showing interest,” Magallanes said.

    They don’t think the course should be offered next semester if students can’t meet in person, unless that would put the future of the program in jeopardy.

    “If we’re just doing it the way we’re doing it right now,” Magallanes said. “Then the main reason to hold onto the class is just to ensure that later semesters, it still gets put on.”

    Anwaar-Khabir Muhammad is in his first semester with the radio and based on his experience, he doesn’t think the course should be offered next semester unless classes resume in-person and on campus.

    “The radio station in and of itself is the learning experience,” Muhammad said. “I understand trying to maintain a sense of familiarity, but if that maintenance comes at the expense of the student’s overall learning experience, don’t do it!”

    Alice Peterson won best show at KRFH last year with her program, “Ear Hugs.” The program mixes lighthearted discussion with relaxing tunes.

    “Sending out your part and being a storyteller and providing that comfort and that service,” Peterson said. “It just makes you feel good.”

    Since live shows have been taken away, Peterson forgets to attend her Zoom classes and turn in her alternative assignments, which are a five-minute weekly update that are aired on KRFH of students describing how they are navigating their lives through these stressful times.

    “I kept forgetting to do my recording,” Peterson said. “Which was weird for me, because with the radio shows I never missed a show.”

    As a result of missing classes, Peterson was unaware of the option to produce pre-recorded shows. As a senior without a graduation, she takes solace in the fact that she can at least put on a final show.

    With administration still waiting to make an official decision about how classes will be conducted next semester, the future of KRFH remains uncertain and at risk.

  • Humboldt State Elects a New Student Board

    Humboldt State Elects a New Student Board

    Newly Elected Associated Student Board prepares from the 2020-21 school year

    Former Associated Students, Student Affairs Vice President and AS Legislative Vice President Jeremiah Finley will be returning to Humboldt State University next year as the President of AS.

    “We’re here to deliver some genuine change,” Finley said. “We’re in a place where we haven’t been before. But I’m optimistic and we should all be optimistic about the direction we’re about to head in.”

    Over the summer Finley will be focusing on creating guidelines for allocation processes and beginning to tackle the four-point approach he campaigned on.

    “It’s gonna take more than just one person to advocate that something happens,” Finley said. “My leadership style is not centralized. I’m very much a person who’s gonna take input from everybody.”

    Finley acknowledges there are students on campus that didn’t vote for him, and not without reason.

    “Ultimately, I know that 258 students voted for the runner-up. With that being said, I know 258 students still believe that those points that that candidate brought up were valid, so we want to recognize that.”

    Unique to this year, the new AS board will be meeting several times through out the summer, to get a much needed head start.

    “This platform allows me to be a voice for all students. I don’t take that for granted.”

    Jeremiah Finley

    “I think that the work needs to be done,” Finley said. “That way when we move into the actual academic year, we’re able to hit the ground running.”

    AS Representative for the College of Art, Humanities and Social Sciences for the 2019-2020 academic year, Montel Floyd will be returning to the AS board next year to serve as an At-Large Representative. He chose to shift roles to gain access to the entire student body.

    “This platform allows me to be a voice for all students,” Floyd said. “I don’t take that for granted.”

    Malluli Cuellar, Social Justice Equity Officer for AS 2019-2020, is also moving into a new role as the Legislative Vice President-Elect. Cuellar chose to run for the new position largely due to her interest in chairing the Board of Directors.

    “I hope to foster an inclusive and welcoming environment at each Board of Directors meeting,” Cuellar said. “While also making sure that Associated Students is running as best as it can internally, and that our codes and bylaws are setting up Associated Students to be the best it can be.”

    Floyd intends to spend his next year with the board focusing on breaking down communication barriers between students and administration and ensuring student safety.

    “I love advocating for students,” Floyd said. “Listening to their concerns and finding ways to solve the concerns as a collective is what I do best.”

    Cuellar believes in the power of student advocacy and students’ collective ability to promote institutional change on campus.

    “I want to push for Associated Students to continue to actively uplift the student voice and encourage our students to become involved in the governance of our campus by joining committees or writing resolutions.”

    Malluli Cuellar

    “The student advocacy that occurs within Associated Students is what inspired me to run for elected office for the very first time,” Cuellar said. “And it is what has kept me involved with Associated Students.”

    One of Cuellar’s goals for the coming year is to build and foster an environment that is inclusive and provide a safe space for collaborative thinking and change.

    “I want to push for Associated Students to continue to actively uplift the student voice and encourage our students to become involved in the governance of our campus by joining committees or writing resolutions.”

    With only seven students elected to the AS board for 2020-21, there are still plenty of positions open for students interested in joining. Incoming AS President Finley advocates that all students take the opportunity to share their voice.

    “I would recommend everybody to do it,” Finley said. “It’s empowering. You get the chance to show who you are and put your twist and your spin on what advocacy is and what it should look like, and you end up creating some really creative solutions to old problems.”

  • Associated Students Lose Core Programs and Student Wages

    Associated Students Lose Core Programs and Student Wages

    Based on projected enrollment, the Associated Students budget is expected to decrease 20% each year, for the next five years

    The Associated Students Board finalized their proposed budget for the upcoming academic year, during the April 24 board meeting. The budget includes cutting the entire budgets of the Asian, Desi, Pacific Islander Center, the Eric Rofes Multicultural Queer Resource Center or ERC and the Women’s Resource Center, among other programs.

    Jeremiah Finley was elected the incoming AS President for the 2020-21 academic year. He wants to assure students they won’t be losing their programs.

    “The reality is that we want to support y’all so bad,” Finley said. “That we’re willing to go into our reserves almost $100,000 to be able to still support in some type of way.”

    Budget Administrator of the Campus Center for Appropriate Technology Justin Hawkins was baffled by the budget decisions and spoke out during the meeting.

    “How does the budget increase $14,000 and it’s going directly to the AS government in-between these recommended budgets, and yet, all of us are getting cut.”

    Justin Hawkins

    “It’s just tragic, honestly, to see these massive cuts to the ERC and the Women’s Resource Center,” Hawkins said. “I’m a male body person, I identify that way, but that doesn’t mean that I don’t empathize and really appreciate the services that are provided.”

    Hawkins questioned the justification for the AS budget increase after having several thousand dollars of his own program cut.

    “It’s really troubling what I see going on,” Hawkins said. “How does the budget increase $14,000 and it’s going directly to the AS government in-between these recommended budgets, and yet, all of us are getting cut.”

    Despite losing one of their three staff positions, the AS general operations budget has increased over $15,000 for the upcoming academic-year. This comes as a result of general operations losing miscellaneous revenue, largely made up of compensation for the oversight of Instructionally Related Activities. Without the $35,000 miscellaneous revenue provided for the 2019-20 year, the general operations budget requires additional funds to function.

    As a result of budget reductions, AS was forced to down-size their office administrator position. This sharp deadline made it impossible for AS to administer payroll for the upcoming year and as a result student-wages have been removed from AS and most of its funded-programs. Executive Director of AS, Jenessa Lund, said the current system isn’t working.

    “Even with three employees,” Lund said. “When we have eight programs spread across campus, the oversight is impossible. It’s a huge liability!”

    In order to compensate students for their time, AS has come up with several loopholes to get around the extra paperwork that comes with administering official wages. These include paid-internships and stipends for students, both of which have been allocated specific funds in the final budget.

    These allocations include a $15,000 committee compensation package that increased the AS government budget. The package is specifically set aside for non-AS board members that are involved in AS committees.

    “The optics on the final number of $111,000 looks bad,” Lund said. “But if you really look at what’s inside of it, it’s support to the students.”

    The finalized proposal includes a significant increase to the clubs’ budget, with money that can be used for student-stipends and internships. Programs that didn’t receive any funding from AS have the option to transition their organization into a club and can apply for funding through AS and the clubs’ office. Programs that weren’t given a budget for the upcoming year have also been allocated specific funds.

    “I don’t think that all of the clubs should have an equal opportunity for that funding.”

    Alexia Siebuhr

    Queer Coordinator for the MultiCultural Center, Alexia Siebuhr voiced her concerns about access to AS grants distributed through clubs, at a board meeting on May 8. Siebuhr pointed out a white supremacist club on campus, who promotes hateful behavior towards groups denied an AS budget, is competition for club funding.

    “I don’t think that all of the clubs should have an equal opportunity for that funding,” Siebuhr said. “They have the equal opportunity to apply for those grants. That just rubs me a little bit the wrong way.”

    President-Elect Finley addressed Siebuhr’s concerns, explaining the reasoning behind the allocation.

    “Every fee-paying student has to be able to have access to these funds,” Finley said. “If we do not allow them to have access to these funds, then we are doing a dis-service to our students.”

    Programs with a department and a state employee overseeing paperwork are the only ones able to maintain regular wages because their payroll doesn’t go through AS. For programs that didn’t receive a budget from AS, finding a department to adopt them and re-applying for funding is currently their only option.

    AS is already in discussion with the Student Access Gallery, the Waste-Reduction and Resource Awareness Program, the Campus Center for Appropriate Technology and several departments about the possibility of adoption. Executive Director Lund believes this will be the most beneficial direction for the programs, moving into next year.

    “We didn’t have enough time to do that for every program,” Lund said. “That would’ve been ideal.”

    AS is prepared for the possibility of refunding fee-paying students for potentially cancelled events and other unspent student-fee funds. Ultimately, if they aren’t providing the services outlined by student-fees, they shouldn’t be charging them.

  • The Overnight Sensation is Back at It Again

    The Overnight Sensation is Back at It Again

    DaBaby releases his third album in 13 months, “BLAME IT ON BABY”

    Capitalizing on a unique sound and unique circumstances, with COVID-19 providing more available listeners than ever before, DaBaby is flooding the market—a strategy that’s proven most useful to artists like Lil Wayne and Young Thug in the past. Coming less than seven months after his previous effort, “KIRK,” and only a year after his extremely successful debut, “Baby on Baby,” DaBaby has returned with his third album, “BLAME IT ON BABY.”

    Since his introduction to mainstream hip-hop with his platinum-hit-record, “Suge,” DaBaby has kept his name relevant in the media with a string of negative headlines, most recently “accidentally” slapping a female fan. Despite the negative nature of these incidents, each headline only seems to contribute to his success.

    A great deal of DaBaby’s launch into the mainstream can be credited to arguably the most impressive feature run from a rookie, landing himself a verse on songs with the likes of Chance the Rapper, J. Cole and Post Malone and playing a standout role on each of the associated albums. This earned DaBaby the attention of hip-hop fans everywhere.

    “He’s just different from everybody else—his style, the way he goes about it. I just like him cause you can never tell what direction he’s gonna go with it.”

    Jesus Ontiverof, College of the Redwoods student

    Although nothing on “BLAME IT ON BABY” is as personal as “Intro” from “KIRK,” DaBaby switches up the vibe in the second quarter of the album, revealing his emotional side while he sings on “SAD SH*T,” “FIND MY WAY” and “ROCKSTAR.”

    “BLAME IT ON BABY” is still mostly filled with the party music that we expect from DaBaby, with raw lyrics about guns, girls and guap laid over high-energy beats intended to be played at high volumes.

    Jesus Ontiverof plans to transfer to Humboldt State University after completing the nursing program at College of the Redwoods. As a casual fan of DaBaby, Ontiverof enjoys all his music.

    “He’s just different from everybody else—his style, the way he goes about it,” Ontiverof said. “I just like him cause you can never tell what direction he’s gonna go with it.”

    “A lot of his music sounds the same, which is kind of a bummer. But I do like some of his shit when he mixes it up.”

    Jay Coch, kinesiology major

    HSU kinesiology major Jay Coch has a different view and experience with DaBaby’s music.

    “A lot of his music sounds the same, which is kind of a bummer,” Coch said. “But I do like some of his shit when he mixes it up.”

    Even though Coch wasn’t eagerly awaiting the new release, he can’t knock the hustle.

    “For him, it seems like he’s being pretty successful putting out a lot of music,” Coch said. “A lot of people like that. They’re like ‘Drop more music, drop more music,’ but it would be cool [if] he took a little more time and really mixed it up and thought about his lyrics more, and actually put himself out there as a musician more than just a big name in the rap industry.”

    Despite having its moments on the song “ROCKSTAR,” with a feature from the other hottest new name in rap, Roddy Ricch, and another feature on the song, “NASTY,” with DaBaby’s biggest featured guest to date, Ashanti, “BLAME IT ON BABY” is easily his most forgettable album yet.

  • A Surfer’s Tale: From Heaven to Quarantine

    A Surfer’s Tale: From Heaven to Quarantine

    An account of one HSU surfer’s last breath of clean, fresh air

    When Humboldt State University forestry major Gavin Schreiner set out on a 10-day surf trip over spring break, he had no clue what he would return to.

    Planned months in advance, Schreiner wasn’t going to let a virus stand in the way of his vacation. Packing over 50 pounds of food and supplies, he and a friend hiked nine miles up the coast of California. Schreiner stopped along the way to admire otters, countless shells and of course, to surf.

    “Surfing is obviously my favorite part and that’s the drive to go, but I love camping anyway,” Schreiner said. “I’m an avid backpacker. I’ve been through the Trinity Alps and definitely backpacked into SoCal a bunch.”

    A territorial surfer, Schreiner requested the location not be named, especially after this trip. Between spring break and COVID-19, the waves were packed.

    “It’s definitely my life path to surf until I die.”

    Gavin Schreiner

    “It was the most crowded anyone has ever seen that spot,” Schreiner said.

    Fortunately for those adventurous enough, there are nine miles of coast to surf on the way.

    “There’s the main surf spot out there, but there’s countless other waves along there,” Schreiner said. “It’s like a wave park. There’s so many different types of waves and different spots you can surf, and all offer different excitements.”

    Time between surf sessions consists of eating, sleeping and battling the elements to stay comfortable.

    “On the coast the weather changes super quick, so you have to be shedding layers, putting layers back on and also watching the waves 24/7 to make sure you get the best seshes [sessions] in,” Schreiner said.

    This is the longest trip Schreiner has taken so far, but he wants to break the record.

    “If we could spend a month, I would be in for that,” Schreiner said.

    At 20 years old, Schreiner has been surfing over half his life.

    “Surfing and the ocean is my number one priority,” Schreiner said. “It’s definitely my life path to surf until I die.”

    When he returned from his 10-day trip, Schreiner was greeted by strangers wearing masks and businesses with closed doors. The virus was not a factor in the trip. Surfers treated each other with the same brotherly love and competition. Schreiner would’ve stayed longer if it weren’t for school.

    “We kinda knew a little bit going into it that shit was going crazy,” Schreiner said. “The only thing we reconsidered was whether or not we could stay indefinitely and figure out a way to complete homework assignments out there.”

    Now that he’s back home, he tries to surf every day to take advantage of the opportunity.

    “I know a lot of my friends down south can’t surf because they’re closing the beaches, so I definitely feel super blessed to be up here right now,” Schreiner said. “I can follow social distancing and still go out every day.”

  • The Lumberjack in Print: April 22, 2020

    The Lumberjack in Print: April 22, 2020

    The eighth issue of The Lumberjack for the spring 2020 semester, a special edition mailed to over 6,000 students

  • IRA Budget Expected to Take Substantial Hit

    IRA Budget Expected to Take Substantial Hit

    Associated Students prepare for massive budget cuts

    Associated Students is anticipating a nearly 20% cut to the Instructionally Related Activities Committee budget.

    As of April 7, the IRA Committee budget for the 2020-2021 academic year is predicted to be about $375,000, compared with around $520,000 approved for the 2019-2020 budget. This accounts for an anticipated loss of around $27,000 due to COVID-19.

    As a condition of enrollment at Humboldt State University, each full-time student pays about $3,900 in student fees, around $2,900 of which is tuition. The remaining amount of about $1,000 is split between six student fees, including a $337 contribution the IRA.

    From that $337 paid by each student, the IRA budget is divided into about $260 for athletics, $8 for the Humboldt Energy Independence Fund, about $17 for the Jack Pass and about $19 for the IRA Committee. Made up entirely of Associated Students board members, the IRA Committee votes on the allocation of their budget among instructionally related activities.

    Executive Director of AS Jenessa Lund is heavily involved in the committee.

    “It’s interesting that there is not a lot of money compared to the big budget, but what I’ve realized over the past couple of years is because they are so visible, people react to them very strongly,” Lund said. “IRA is less than $500,000, and compared to the campus budget that’s just drops in the bucket. But because it means whether or not a group of students can go compete, or do something, they feel it directly.”

    “We had conflicting pieces of arguments that said, ‘You do this, but you don’t do that in these cases,’ which makes it very hard to evaluate who’s gonna be in and who’s gonna be out.”

    Sandy Wieckowski

    IRAs are limited to those that are disciplined, department-based and sponsored, and are integral to formal instructional offerings. They are intensive, structured activities that reflect active rather than passive student involvement. They are considered essential to the quality of an educational program and an important instructional experience, and they demonstrate skills derived from intensive coursework. They include everything from The Lumberjack newspaper to club sports, and almost everything in between.

    Made up of majority student voters, the IRA Committee has been meeting to re-evaluate their funding guidelines, based on the Education Code, their current IRA funding guidelines and memos between the AS president and HSU president from the 2019-2020 academic year that outline the direction they were headed. Sandy Wieckowski is currently the longest-acting board member.

    “This is the same thing we hit last year,” Wieckowski said. “We had conflicting pieces of arguments that said, ‘You do this, but you don’t do that in these cases,’ which makes it very hard to evaluate who’s gonna be in and who’s gonna be out.”

    Lund blamed the rotating chairs for inconsistent goals.

    “This current model has annual turnover,” Lund said. “It’s new faculty on this committee every year, and it’s often new student leaders every year.”

    On top of HSU having new administration for the past three years, AS has had four presidents in three years. With administrations in a constant state of change, it’s much more difficult to accomplish progress.

    “I’ve been on the committee four years and we’ve done it different every year,” Wieckowski said.

    Board members were assigned budget applications from IRA groups to review in advance of their April 7 meeting. During the meeting, the board looked at each application and adjusted the proposed budgets where they saw fit. As Lund scrolled down the list of submissions, board members weighed in with their recommendations.

    One significant impact looks to be the denial of a budget for the campus sexual assault prevention program, CHECK IT, as the “swag” the budget was requested to pay for wasn’t considered a priority.

    Other impacts include The Lumberjack newspaper, which faces over $8,000 in cuts from a budget of around $28,000. Osprey magazine faces about $4,000 in cuts from a $10,000 budget, and the KRFH student radio station also faces a $5,000 cut from their budget of $10,000. AS Public Relations Officer Cassaundra Caudillo suggested the cuts.

    “All of the publications on campus tend to over-print,” said Caudillo. “I think all of the publications could probably take a little bit of a cut because of that.”

    Despite the budget crunch, the IRA committee managed to make room for programs that did not receive IRA funding in the 2019-2020 academic year, including $2,500 for the Youth Educational Services program, $5,000 for reserve library textbooks and $3,000 for the Society of American Foresters Quiz Bowl. The IRA budget recommendations have been finalized, but they currently have an open appeals period before the budget will be sent to HSU President Tom Jackson by April 30.

    A potentially significant factor in next year’s budget is possible carry-over from money that didn’t get spent in the 2019-2020 academic year. That amount, for now, is yet to be known. However, the IRA Committee felt comfortable over-allocating about $25,000 they expect to gain in roll-over.

    “We have all these potential expenses out there that we need to get covered and tidy up before we try and allocate that money to next year,” Lund said.

    In the past, AS has put in place a contingency plan to allocate money based on a projected headcount in case there is money left over from the previous school year’s budget.

    “If money were to roll forward and be available in addition to what we’re looking at today, then they gave three priorities, and that was already voted,” Lund said. “So, it made it a pretty clean process for us if there was funding there.”

  • Here’s What The Lumberjack is Watching, Reading, Playing and Doing

    Here’s What The Lumberjack is Watching, Reading, Playing and Doing

    Some unedited recommendations and brief reviews from some of our staff

    Life and Arts Editor Grace Caswell

    What I’m watching:

    Just finished “Tiger King.” It’s the most ridiculous and unbelievable show I’ve seen yet with a surprising amount of depth.

    What I’m reading:

    “Noam Chomsky” by John Lyons.

    What I’m playing:

    None :/

    What I’m listening to:

    Lots of new music is being released but right now Toro y Moi and Jhene Aiko.

    What else I’m doing:

    Yoga and meditation has been a go to as well as cooking healthy foods. Anything to keep my mind at ease and health immunity high.

    Managing Editor Chelsea Wood

    What I’m watching:

    I’ve been watching the final season of “Schitt’s Creek” which has been a bittersweet reflection of the last five seasons.

    What I’m reading:

    I’ve been reading more of a book I started last summer. It’s called “The Spaceship Next Door” and it about a teenager who grew up in a small town where a spacecraft crashed years ago but never left.

    What I’m playing:

    Minecraft. I trash talked this game as a teen, but it’s amazing and I love creating things on it. It’s extremely entertaining and relaxing.

    What I’m listening to:

    I’m listening to lots of downbeat songs—music that soothes the soul with catchy beats. Just stuff to satisfy this melancholy phase I’m swimming through.

    What else I’m doing:

    I picked up an old hobby, basket weaving. It’s a relaxing and simple task that yields a useful item. And no that’s not a BS excuse, basket weaving is the shit.

    Editor-in-Chief James Wilde

    What I’m watching:

    I just finished season three of “Ozark.” It’s a crime drama with superb characters and writing that had an unexpected depiction of mental illness that probably hit a little too close to home and (full disclosure) made me tear up.

    What I’m reading:

    I just finished “Why Time Flies,” by Alan Burdick, a fun little foray into the way we think about time. Next up: “The Glass Hotel,” by Emily St. John Mandel.

    What I’m playing:

    Call of Duty: Warzone with my brother and some friends. I hate the premise of Call of Duty and, you know, shooting people, but as long as I ignore that it’s lots of fun.

    What I’m listening to:

    Kind of all over the place, which isn’t out of the ordinary. Indie stuff to hip hop to alt rock to electronic stuff to jazz to whatever else. Oh, and random Tiny Desk Concerts.

    What else I’m doing:

    Walking or going on runs to get out of the house. Drowning in schoolwork. Lying on the floor.

    Opinion Editor Alexis Parra

    What I’m watching:

    “Gentrified”- A show that hits home for people of color. “Tiger King”- A cult war in the world of big cats.

    What I’m reading:

    “Z: The Beginning of Everything”- the untold story of Zelda Fitzgerald and beautifying her life.

    What I’m playing:

    None.

    What I’m listening to:

    My playlist on LJ- All of my favorites songs and energy that I carry into one playlist. “La Platica”- A bilingual podcast where the host is funny and talks about dumb shit and real shit.

    What else I’m doing:

    Painting. Make-up. Face masks. Talking to my family. Getting creative while also taking care of my skin and keeping in touch with my loved ones.

    Sports Editor Thomas Lal

    What I’m watching:

    “Drive To Survive,” a super fun look into the 2019 F1 season with the dramatic thrills and spills to match!

    What I’m reading:

    “Permanent Record” by Edward Snowden. An intriguing and somewhat terrifying read.

    What I’m playing:

    The Witcher 3. This game has consumed my life. Loving the story and exploring the world.

    What I’m listening to:

    So much music, mostly ska, punk and jazz along with the “Every Little Thing” podcast.

    What else I’m doing:

    Being sad without any sports to watch.

    Web Editor Seth Finnegan

    What I’m watching:

    “Community.” The always funny comedy about students at a community college.

    What I’m reading:

    None.

    What I’m playing:

    Dead Rising and MLB The Show 19. Filling the sports void with hitting baseballs and zombies with baseball bats.

    What I’m listening to:

    The “Adventure Zone” podcast. Three brothers and their dad play D&D together.

    What else I’m doing:

    Learning to play darts. It’s very frustrating but very fun!

    Video Editor Benjamin Zawilski

    What I’m watching:

    The filmography of David Fincher and Hayao Miyazaki, and “The Good Place” on Netflix.

    What I’m reading:

    Rereading “Peter and the Starcatchers” by Dave Barry and Ridley Pearson, which was one of my favorite book series as a child

    What I’m playing:

    Overhearing my sister play Animal Crossing.

    What I’m listening to:

    The film scores of Mark Mancina, Alexandre Desplat, and James Newton Howard.

    What else I’m doing:

    Hiking at least five miles a day, sometimes up to seven, and have done a considerable amount of housecleaning.

    Reporter Deion Alston

    What I’m watching:

    “Coffee & Kareem.” Cop dates kid’s mother and him and kid (Kareem) uncover a conspiracy of dirty cops.

    What I’m reading:

    Haven’t been reading books tbh, but a lot of news article pertinent to sports, COVID-19, crimes etc.

    What I’m playing:

    Fortnite and NBA 2K 20. Fortnite is a shooting game and 2K is professional basketball at your finger tips.

    What I’m listening to:

    For podcasts, I listen to “Up in Smoke” hosted by two former NBA players, Matt Barnes and Stephen Jackson. It’s very interesting—great interviews and guests as well. For music I’m listening to a lot of Lil Uzi, G Herbo, Tory Lanez. So basically rap, hip-hop and R&B.

    What else I’m doing:

    I’m cooking a lot more—takes time up in the day. Do my 250 push-ups everyday and step-ups for some cardio. And occasionally throw the football in the drive way.

    Reporter Dakota Cox

    What I’m watching:

    “Seinfeld” & “Empire.” “Seinfeld” is a wonderful waste of time. “Empire” is a must-binge, cutthroat musical.

    What I’m reading:

    “Hurricanes” by Rick Ross is a fairly generic success story in terms of rapper autobiographies. “The Alchemist” is an extraordinary journey of the body, mind and soul.

    What I’m playing:

    Animal Crossing; don’t ask questions, go pick up the game!

    What I’m listening to:

    Going back and forth between oldies and hip-hop, gotta keep the serotonin up. Michael Jackson, Bob Marley and The Beatles are timeless, go listen! Gambino got the best album of 2020, @ me!

    What else I’m doing:

    Slipping out of sanity; would not recommend. Get a mask-on walk in when the sun shows it’s face; I like to play a little game called guess the gang members.

    Reporter Sarah Blunt

    What I’m watching:

    I just finished “I am not okay with this.” It was a really good show with short episodes that have a lot going on in them. 10/10. I also just recently watched “Freedom Writers.” That one was really good and empowering, also took place in Long Beach (where I’m from) so that was relatable (kind of).

    What I’m reading:

    “Looking for Alaska.” I’ve already seen the show on Hulu but I realized I had the book. So far it’s really good and John Green (the author) writes really descriptively so I never feel bored when I’m reading it.

    What I’m playing:

    None.

    What I’m listening to:

    Tons of music. Nothing in particular just going through my music apps and looking for things I haven’t heard before, or even music from shows i’ve watched that I liked the soundtrack. That’s most of what I spend my free time doing.

    What else I’m doing:

    Lately I’ve been taking bike rides alone just to get fresh air and not be stuck in the same surroundings. I never ride bikes but lately it’s just been a really nice way to get out the house but also keep my social distance from others. 10/10

    Reporter Ivan Ramirez

    What I’m watching:

    “Castlevania,” the show. “Mewtwo Strikes Back: EVOLUTION,” the movie.

    What I’m reading:

    Marcy Burstiner’s Investigative Reporting Book.

    What I’m playing:

    None.

    What I’m listening to:

    Psytrance, Electronic Dance Music, Drum & Bass, Electronic Rock.

    What else I’m doing:

    Meditating, talking to people on Discord, Instagram.

    Reporter Alberto Muro

    What I’m watching:

    I have started watching the Amazon Prime series “The Boys.” It has an interesting take on superheroes proving that not all of them are super. It’s a world where super heroes exist, now imagine their lack of empathy for saving people.

    What I’m reading:

    Currently reading through my textbooks so that I don’t fall behind on homework.

    What I’m playing:

    I am currently playing the remake of Resident Evil 3 which has updated graphics and character development.

    What I’m listening to:

    I am listening to the “Tinfoil Hat” podcasts since conspiracies take my mind on a wild ride

    What else I’m doing:

    I have transitioned from a student using critical thinking to an essential asset during a global pandemic thus turning me into a critical drinker.

  • Joyner Drops Disappointing Debut

    Joyner Drops Disappointing Debut

    Grammy-nominated rapper Joyner Lucas shares his debut album, “ADHD,” with the world

    Joyner Lucas, the 31-year-old rapper, first caught traction with his 2015 music video, “Ross Capicchioni.” In the video, Lucas reimagined the true story of a gang initiation gone wrong that nearly claimed the life of a high school student.

    The video’s success can be attributed to the unique strategy Lucas chose, taking on both the perspective of the victim and the criminal. Lucas has managed to keep his name relevant over the years with a string of viral music videos, including the critically praised “I’m Not Racist” and the polarizing “Devil’s Work.”

    Humboldt State University alumnus De’Aundray Gooden has been a fan of Lucas since “Ross Capicchioni.”

    “I think he brings a lot of awareness to certain subjects people don’t feel comfortable talking about,” Gooden said.

    Gooden’s favorite Joyner Lucas songs are “I’m Sorry” and “Devil’s Work.” The first track follows a suicide note as it’s being written into the hands of the victim’s brother or cousin. In the latter song, Lucas calls out to God, questioning his choices in the young men and women he’s chosen to take.

    “We don’t pay attention to people until they die,” Gooden said. “We need to pay attention to the people who are alive, and appreciate them for what they’re doing now.”

    Lucas also racked up hundreds of millions of views on YouTube over a short series of remixes, between 2016 and 2018, and eventually caught the attention of rap god Eminem. Lucas secured a spot on the highest performing song from 2018’s “Kamikaze,” “Lucky You.” The high-tier rapping ability that earned Lucas the legendary co-sign has also contributed to beef with platinum-selling rapper Logic and R&B singer Tory Lanez. The beefs have since been squashed, both resulting in gained exposure and new content, including the third single from “ADHD,” “ISIS,” featuring Logic.

    HSU’s soccer goalkeeper, Tab Heinz, is a fan of old school hip-hop, and appreciated Lucas’ meaningful lyrics and authentic sound.

    “I appreciate the older stuff a little bit more than the newer stuff,” Heinz said. “I like the older style of making music. He has a super cool flow and rhyme scheme. I like the way he doesn’t sound too mainstream. He kinda has more of the underground style.”

    Lucas followed up “ISIS” with the rags to riches track, “Broke and Stupid.” The song paints a picture of all the hard work that has paid off for Lucas. With no chorus, it still competes for best song on the album. Apparently unready to release the project, Lucas proceeded to drop five more singles over the next nine months, at least three of which would’ve been better off left for the album.

    Just two days before the release of “ADHD,” Lucas dropped his ninth single, “Will,” along with another viral music video paying homage to Will Smith. With four skits on the album, including voicemails from Chris Tucker and Kevin Hart, Lucas left fans with a total of five new songs out of 18 on the album.

    Fans were given hope, with features from R&B legend, Chris Brown, industry favorite, Young Thug, and veteran-rapper, Fabolous, that “ADHD” would deliver. Unfortunately, out of the five new songs, only the “I Lied” intro track lives up to the hype. Brown and Thug’s features on “Finally” and “The War” are the most memorable moments of the remaining new tracks.

    After two years of waiting, as Tucker points out in his skit, and with how much of the project we had already been teased leading up to the official release, the anticipation for “ADHD” worked to its detriment. Despite Lucas arguably not producing a bad single, anything less than greatness from all of his new efforts on the album would’ve been a letdown. With most of the new content generating nothing to write home about, fans will be disappointed. Those just now discovering Lucas are much more likely to enjoy what “ADHD” has to offer.

  • Student Athletes Suffer Amid COVID-19 Cancellations

    Student Athletes Suffer Amid COVID-19 Cancellations

    HSU student athletes share grief at abrupt endings

    Humboldt State University and the California Collegiate Athletic Association canceled sports for the spring semester back in March due to COVID-19. Student athletes have been left to deal with the aftermath.

    Mariah Kalamaras is a graduating senior and a member of the HSU softball team. The softball season came to an end less than halfway through.

    “This was my last season playing a sport that I truly love, and to have it cut short so abruptly is devastating,” Kalamaras said. “I felt like the world was ending.”

    Following the NCAA’s decision to cancel winter and spring championships, the current sports landscape has been flat, with professional sports also forced to come to a halt. Fortunately for spring athletes, the NCAA will be granting eligibility relief, provided students remain enrolled while participating in athletics.

    Sydney Oliver is a senior and captain of the HSU club cheer team. Although the basketball season had already wrapped, the cheer club would have continued to meet for practice through the end of the academic year.

    “I have dreamt of walking across that graduation stage since I was a little kid.”

    Sydney Oliver

    “It’s kind of sad that I can’t see my teammates and help influence them to do better, as well for them to push me,” Oliver said. “Because we did a lot of working out together.”

    Senior athletes were in for another disappointment when HSU also canceled the 2020 commencement ceremony. Kalamaras said she felt like she’s missing out on a rite of passage.

    “I have dreamt of walking across that graduation stage since I was a little kid,” Kalamaras said. “To hear the song, wear the gown, to hear your name and to hold that diploma high into the air and say, ‘I did it! I made it.’ It makes all the sleepless nights, all the hard work on the long road trips, all the class time, and all the stress worth it.”

    The shutdown has also had significant impacts on the daily lives of student athletes. Students have gone without school and sports—and work, for some—but they’re also encouraged to avoid gathering with friends to comply with social distancing.

    “Now that it’s not an option to see them, it’s kinda like you wanna see them,” Oliver said. “As opposed to when it was an option and you could see them anytime, and you’re like, ‘Oh, I’ll see them tomorrow.’”

    “Since all of the classes are online, it’s basically on us, the students.”

    Gabrys Sadaunykas

    Students are also now forced to finish their semesters online. As a kinesiology major, Oliver wasn’t stressing the change.

    “I like my subject, so it’s not hard for me to still be passionate about it,” Oliver said.

    Other students are less enthusiastic about the shift online. Gabrys Sadaunykas is an international student from Lithuania and a basketball player at HSU.

    “Since all of the classes are online, it’s basically on us, the students,” Sadaunykas said.

    Although Sadaunykas’ season was already finished, he’s stuck here until the end of May.

    “Of course, it’s hard, because all of my friends are back with their families and I’m here by myself basically,” Sadaunykas said. “But it’s a nice place. I like Humboldt—it’s got a lot of nature.”

    Not for the reasons athletes were expecting, COVID-19 has created an unforgettable 2020 spring season.

    “It has taken so much away and although I understand that this global shutdown is necessary, it doesn’t make it hurt any less,” Kalamaras said. “I won’t be able to play my sport at this high level ever again. I won’t get to walk across a stage to show the world I got my diploma. I don’t get to go out and experience all [of] this great place I have had the privilege to call home the past two years.”

  • Gambino Goes Out with a Banger

    Gambino Goes Out with a Banger

    Childish Gambino releases fourth and final album

    The Swiss Army knife of creative minds, Donald Glover, also known by his musical alias Childish Gambino, has returned with his fourth and final studio album, “3.15.20.”

    Glover announced the planned retirement of his Gambino alias at the 2017 Governors Ball Music Festival.

    “I’ll see you for the last Gambino album,” Glover said.

    He later doubled down on the retirement of the Gambino name, announcing on his 2018 This is America Tour that it would be the last Gambino tour.

    Glover, meanwhile, has kept himself extremely busy between musical releases, starring as Lando Calrissian in 2018’s “Solo: A Star Wars Story” and voicing Simba in 2019’s rendition of “The Lion King.” Glover also writes, directs, produces and stars in his own television show, “Atlanta,” which is currently green lit for two more seasons.

    Karen Castañeda, a Humboldt State University environmental studies major, discovered Glover through his show, “Atlanta.”

    “I love him as an actor and I blew through the whole show really fast,” Castañeda said. “He’s super talented and I really support everything he puts out.”

    “3.15.20” saw its official release on March 21, after briefly appearing on donaldgloverpresents.com before it was removed and replaced with a countdown clock.

    The album is peppered with conscious messages that apply now more than ever, in the current pandemic circumstances. The first real song of the album, “Algorhthym,” was unofficially released to fans that attended the This is America Tour in 2018. On the track, Glover addresses brainwashing of humans by social media to make them feel inadequate.

    Particia Pettit-Blair, an HSU psychology major, discovered Glover’s music through friends, and has listened ever since. Despite the unique sounds he creates by layering instruments and combining styles, Pettit-Blair finds Glover’s lyrics to be extremely meaningful and relatable.

    “I like that he kinda takes a different approach to music,” Pettit-Blair said.

    On the previously released “Feels Like Summer,” now titled “42.26,” Glover confronts the climate crisis with a global warming public service announcement.

    Glover reinforces the same message on the track, “Time.” The song sounds like a remix to “Feels Like Summer,” and stresses the obvious truth that “We’re running out of time.” Glover is able to address serious issues without compromising the quality of his music because they come off as organic with the brand he’s built.

    Glover carries his unorthodox approach to the release of “3.15.20” into the album itself. Out of the 12 tracks, 10 on the LP are simply named after their linear location on the album. The project also has two tracks with hidden features, including pop-star Ariana Grande on the song, “Time,” and Grammy-award-winner 21 Savage on the next track, “12.38.”

    On top of a cinematic intro track, each song has its own intro or outro, providing a transition between each one. This gives the album the cinematic experience Glover was after with his 2013 album, “Because the Internet.”

    “3.15.20” is packed with Glover’s versatile singing and the unique sounds he’s developed over the span of his career. He largely leaves rap behind, as he did on “Awaken, My Love” and his “Kauai” EP, with the exception of his distorted verses on the song “Algorhythm” and the highly aggressive flow on the outro track. Glover takes the hardcore fans of his music on a trip down memory lane, incorporating sounds from all of his previous projects into the album.

    Glover brings back the chaotic energy of his debut single, “Bonfire,” on his weirdest song to date, “32.22.” Glover continues to push the boundaries of his audience with the mostly incomprehensible track that can only be described as a war chant. Glover gives fans more deja vu on the track, “19.10,” with a heavy dance vibe resembling Glover’s 2014 single, “Sober,” along with several other tracks from “Kauai.”

    The project with the most influence on “3.15.20” is the most recent and most unique, “Awaken, My Love.” The album’s presence can be felt on multiple tracks, including the heartwarming love song, “24.19,” sung in the same style as his biggest hit, “Redbone.”

    Paired with some of Glover’s most meaningful messages, the experimental sounds Glover has flirted with since he first came on the scene have come together in spectacular fashion for the ultimate payoff on the last Childish Gambino album.

  • Associated Students Elections Delayed Due to COVID-19

    Associated Students Elections Delayed Due to COVID-19

    Associated Students Board of Directors redesigns spring elections

    The Associated Students Board of Directors motioned to push their voting period for their upcoming elections back two weeks and expand the period from three to five days, now April 27 through May 1.

    The March 27 AS Board meeting held through Zoom included the extension of the filing period for AS candidates to April 16 and several other amendments to the upcoming elections. Elections Commissioner Cassaundra Caudillo said postponing the election could be beneficial.

    “It allows for professional staff and the Elections Commission to promote elections a bit longer, so that way we raise our chances of having candidates for each position,” Caudillo said. “Because at the moment, we don’t have a candidate for every position. Not only that, but it also allows students themselves to have an additional two weeks to apply for candidacy.”

    “In general, postponing elections for two weeks allows everyone to have a fair and equitable chance at running.”

    Cassaundra Caudillo, AS Elections Commissioner and Public Relations Officer

    AS Executive Director Jenessa Lund said students expressed interest running in this election who haven’t had the opportunity to take the necessary steps to sign up before the office closed.

    “In general, postponing elections for two weeks allows everyone to have a fair and equitable chance at running—keeping in mind the situation we’re all in and how much added stress we’ve all been faced with as students and as human beings,” Caudillo said.

    While minimum residency and unit load qualifications are still in place, candidates are no longer required to appear in person to obtain their nomination materials, as the AS office has closed its doors. Students can find everything they need under the “Elections!” tab on the AS website.

    Students are also no longer required to supply petitions with 150 student signatures. The candidate quad talk will be replaced with one-minute videos of candidates reading their speeches that will be shared on AS social media. Requirements of wet signatures from candidates will be swapped with a Google forum, and the candidate orientations will now be held over Zoom on April 16 and 17.

    The AS Board is willing to review and consider reimbursing any campaign supplies that can no longer be distributed.

    AS President Lizbeth Cano-Sanchez described the value of joining AS in a separate interview with The Lumberjack.

    “Education is power, and in AS you can put your education to practice, because there’s a lot of things that correlate with it,” Cano-Sanchez said. “It helps you develop yourself, and at the same time, we’re students serving students and that’s really important.”

  • Pop-Star Weeknd is Here to Stay

    Pop-Star Weeknd is Here to Stay

    The Weeknd’s fourth album, “After Hours,” has arrived

    The R&B villain, better known as The Weeknd, has returned with his fourth studio album, “After Hours.” In this album, The Weeknd revisits the same themes of drugs, lust and heartbreak found in previous releases, but this time, with a different approach. In the past, his music has come off generally unapologetic, but “After Hours” brings a mix of emotions on his lifestyle.

    After nearly a decade of partying and coming onto the scene in 2011, The Weeknd reveals on track eight, “Faith,” that he’s spent the last year sober. Still battling the urge to return to the fast life, The Weeknd comes to terms with the choices he’s made in “After Hours” and the mental war he’s fighting to avoid making those same mistakes.

    Coming into this project, The Weeknd set the tone by dropping two pop singles at the end of November, claiming the top position on the Billboard Hot 100 chart with his lead single, “Heartless.” His follow up, “Blinding Lights,” is currently peaking at number two on the Hot 100 chart in the wake of the album release. He followed up in the second half of February with the title track, “After Hours,” as an unofficial single. The song is slow to build, but is equal parts patience and pop, making it clear that the pop-star style is here to stay.

    “I will always prefer his earlier stuff. It’s just a sound you couldn’t have found anywhere else at the time.”

    Alexa Noperi, HSU film major

    Alexa Noperi is a film major at Humboldt State University, and she hasn’t been happy with The Weeknd’s direction since he dropped “Starboy.”

    “I will always prefer his earlier stuff,” Noperi said. “It’s just a sound you couldn’t have found anywhere else at the time.”

    The Weeknd’s gradual transition to pop music has left some of his day-one fans behind in the darkness of his mixtapes. Made official by his 2016 album “Starboy,” the style shift can be attributed to the success of his biggest single, “Can’t Feel My Face,” along with other pop efforts on “Beauty Behind the Madness,” including “Earned It” and “Angel.”

    When he released his first EP, “My Dear Melancholy,” in 2018, the day-one fans that were left behind were delighted by the return of a dark Weeknd. With his latest release, The Weeknd is likely to disappoint hardcore fans again, as he mostly leaves behind the dark, moody atmosphere of his earlier music to make room for the pop sound that generated so much success with “Starboy.”

    “After Hours” is a rollercoaster of indecisiveness. The Weeknd’s desires constantly clash with one another on his quest for true happiness.

    The album begins with chilly instrumentals that build into their own pop section. The Weeknd flaunts his typical unremorseful attitude, claiming, “It’s too late to save our souls,” on the song “Too Late.”

    “After Hours” is the most consistently solid project The Weeknd has dropped so far.

    Track four, “Scared To Live,” marks the first shift in his approach. He begins to express remorse for his actions, as well as an authentic desire to leave the fast life behind on the stand-out track “Snowchild,” reinforced on the next song, “Escape From LA.”

    Unfortunately, The Weeknd relapses, back to the fast life on his song, “Heartless.” This marks the beginning of the pop-star section that dominated the sound of “Starboy,” this time, with a heavy ’80s electro-dance influence.

    “After Hours” then enters its final section, returning to the slower, chilly instrumentals that opened the album on the “Repeat After Me” interlude. The Weeknd concludes his fourth album, echoing a desire to leave the fast life behind and asking for one last chance at a normal life.

    Though it may be missing the unique, dark sound of The Weeknd’s early music, found on songs like “D.D.” and “The Hills,” as well as the beauty and optimism found on “True Colors” and “I Feel It Coming” from “Starboy,” “After Hours” is the most consistently solid project The Weeknd has dropped so far.

    “It’s not bad background music to try on jeans to. But I don’t think I will be playing it again.”

    Isabelle Eddisford, HSU political science and dance major

    This album marks a growth in his discipline, but also in experimentation. Following the massive success of “Starboy” and the widely-positive reception of “My Dear Melancholy,” the less-than-spectacular “After Hours” might just leave all of his fans a little disappointed.

    Isabelle Eddisford, an HSU student studying political science and dance, felt disappointed that the new songs sounded the same. She described the album as something that would be playing in an Abercrombie and Fitch store.

    “It’s not bad background music to try on jeans to,” Eddisford said. “But I don’t think I will be playing it again.”

    With predicted first-week sales of 400,000 units for “After Hours,” The Weeknd’s continued success in the pop genre may mean the death of his dark times.

  • Students Speak on Professor’s Use of N-Word

    Students Speak on Professor’s Use of N-Word

    Editor’s note: members of The Lumberjack staff have been and are currently part of KRFH, including the current KRFH student station manager. The author of this story had no previous affiliation with KRFH, but our coverage is inevitably biased by this crossover.

    Students expressed a range of emotions in response to a recent slip-up from their radio production teacher, Cliff Berkowitz.

    In a conversation that followed an interview with the Times Standard for his then-upcoming election for the First District Board of Supervisors, Berkowitz said the N-word in a comment he thought was off the record.

    When asked to chime in on the conversation surrounding a racist joke that had been made by his opponent in the election, Berkowitz did a Richard Pryor impersonation using the N-word—but he said the complete N-word. Berkowitz requested the reporters not print his slip-up, but they were well within their rights to do so.

    In the wake of the interview, Berkowitz lost his primary election by a landslide, although it’s not clear what impact the interview had. Berkowitz issued a public apology to the press that he also read to his students.

    “There are words that are so steeped in hate and racism, that they inflame our community when uttered; I am grateful to live somewhere that holds people accountable for what they say and do,” Berkowitz said. “While I did not wield that word as a weapon nor did I direct it at anyone, it does not remove the harm of saying the word. Nothing excuses what I said. There are people who have trusted me and for them this is a betrayal.”

    Mikayla Moore-Bastide, first-semester KRFH student, described her experience at the station leading up to Berkowitz’s remark as a welcoming family environment.

    “Whether he was on record or not, I still don’t understand why he felt he even had the right to say it anyways,” Moore-Bastide said. “Like, I’m a black person. I don’t even say it. I don’t even say the word at all. Anybody who knows me knows I don’t even say it, ’cause of the history behind it.”

    Moore-Bastide intends to return for another semester of KRFH in the fall, not because she forgives Berkowitz, but because of her passion for radio.

    “I don’t think I really forgive him yet,” Moore-Bastide said. “It’s gonna take a long while for me to forgive anyone who would just say the N-word around people who feel comfortable to say it.”

    “If I’m being totally honest, I was super hurt.”

    Delaney Duarte

    Moving forward, Moore-Bastide believed Berkowitz has done all he can to repair the damage his statement caused.

    “He knows what he did wrong, he knows that he hurt people, he’s not oblivious to that fact—he’s very aware,” said Moore-Bastide. “It’s one of those things where you kind of have to just put it behind you and then just kind of realize that people are probably gonna remember you for that, and you kinda have to accept it.”

    Delaney Duarte, manager of KRFH’s TALX program, has been at the station for three semesters.

    “If I’m being totally honest, I was super hurt,” Duarte said. “The whole day when I found out I was just like, I don’t know, I couldn’t wrap my mind around someone who I look up to so much to say that.”

    Duarte wanted it to be made clear that KRFH is a student-run radio program, and that Berkowitz’s role does not go beyond instruction in the classroom.

    “His apology in my opinion was just complete crap, if I’m being totally honest,” Duarte said. “It just seemed like he’s just saying sorry cause he has to. He got caught. You have to say sorry.”

    Duarte expressed sympathy and concern for the African-American students in class, feeling a great deal of pain, herself, as a Latinx student.

    “I wouldn’t blame them if they didn’t want to join because of that,” Duarte said. “Because, I mean, who wants to be taught by someone who doesn’t respect their students?”

    It’s not just the students of color that feel uncomfortable in the classroom.

    “People in our group, they’re just like really uncomfortable even going to the booth, like knowing that he’s either upstairs teaching his class, or like, his office is literally in the radio station,” Duarte said. “So it’s kinda hard to not run into him.”

    “You have to take into account the perspective of the people that would potentially be offended by these kinds of statements in that regard.”

    Elliott Portillo

    Elliott Portillo has been a part of KRFH for three semesters, and doesn’t think this single incident should overshadow the good Berkowitz has done for students and the community.

    “I think the joke was in bad taste,” Portillo said. “I think it came from more of a position of ignorance rather than of blatant hatred. I don’t think Cliff is a racist in any way, just based on the interactions he’s had with students and his passion for students.”

    Portillo pointed out that his perspective should be taken with a grain of salt, as a self-described “white-washed” Mexican.

    “You have to take into account the perspective of the people that would potentially be offended by these kinds of statements in that regard,” Portillo said. “But in my personal preference, I think he’s done so much that it’s hard for me to warrant lasting damage or lasting punishment.”

    Duarte said students have come forward to request Berkowitz’s replacement because of an unsafe learning environment.

    “As much as it hurts to say—I’ve always looked up to Cliff—but now at this point I’m kinda just bummed out and really hurt,” Duarte said. “So, I’d probably want to see a replacement. Someone who’s more respectable to our students of color.”

    Entire Statement from Cliff Berkowitz:

    I am writing this to formally apologize. I am truly contrite that my words caused pain or anyone to feel less than. I was wrong, it was stupid, and I should not have done it. We all commit harm, and when we do, it is only right to both apologize and work to make things better. I know I harmed people. I am sorry.

    I have been asked over and over again about my opponent’s racist comment, which he has attributed to a Cheech and Chong joke. While that may be true, it is still unacceptable. I foolishly compared that to quoting Richard Pryor, trying to make the point that even quoting someone saying the wrong thing is unacceptable, and in making my example, I too said the unacceptable.

    There are words that are so steeped in hate and racism, that they enflame our community when uttered; I am grateful to live somewhere that holds people accountable for what they say and do. While I did not wield that word as a weapon nor did I direct it at anyone, it does not remove the harm of saying the word. Nothing excuses what I said. There are people who have trusted me and for them this is a betrayal.

    I have spent the past decades of my life trying to facilitate conversations that include rather than exclude. I have used my position to try to give voice to those who often don’t get to talk about their lived experiences. However, that is not enough. I formally, and contritely apologize. I apologize to all those hurt by my words, my friends, my family, the community, and my students. My past actions to help People of Color do not absolve me for the harm I committed. I still said that word. It is still not okay.

    As I continue to reflect on how I have harmed people by saying that word, I will work towards a more just society. I will not stop activism or working to dismantle racism, and I will continue to interrogate how racist ideology has worked its way into my own mind. I will continue to work to make things better. I will uphold my promise to make sure all voices are heard and that there will be a place at the table for everyone, especially People of Color.

    I am deeply grateful to those people in my life who have held me accountable and shared their personal experiences and knowledge about racism. Thank you to the community for also holding me accountable.

  • Clubs Budget Crunched in Wake of Declining Enrollment

    Clubs Budget Crunched in Wake of Declining Enrollment

    Associated Students takes over remains of the clubs budget

    The Associated Students Programs Grants budget has been cut by more than half of the previous academic year’s budget to $25,000 from $52,000. With student enrollment on the decline since 2016, student fees. which make up the entire AS budget, have taken a significant hit.

    As a result of the cuts, it was decided the control of the budgets would be kept within the Associated Students Board of Finance for this academic year. All student clubs are allowed to apply for AS grants, either for events or travel.

    Grant requests are brought to the Associated Students Board of Finance for evaluation before being handed off to the Associated Students Board of Directors, made up of 15 voting and three non-voting members, for final approval.

    In the past five years, between about 10-18% of the AS Programs Grants budget has gone to AS category two programs like CCAT and the MultiCultural Center, which receive separate funding through different outlets. This year, AS decided clubs will receive the entire AS Programs Grants budget in the 2019-2020 academic year.

    The AS Board is currently in the process of their third and final grant allocation for the 2019-2020 academic year. So far, the Board of Directors has approved grants to all 29 clubs that requested—however, not all requests have been entirely met.

    As a result of the budget reduction, AS put in place a cap of $500 per event, $800 per cultural event and $100 per person for travel. The Board of Directors will hold their final vote on March 13 to decide the 11 remaining grant requests for the academic year.

    AS Legislative Vice President Jeremiah Finley is working to provide a fair opportunity for all clubs to receive funding.

    “AS is doing the best with the situation that they’re having to navigate through.”

    Molly Kresl

    “I think clubs always need more access to more funds across the board,” Finley said. “I think the goal of AS here is to really try to make sure that they do have access to funds. And so, in trying to do that, we’re trying on our part, to find ways in our budget to make sure they have access.”

    The clubs budget reduction has forced everyone involved to be more responsible with their spending, according to Clubs and Activities Coordinator Molly Kresl.

    “That’s something that’s been really cool that’s come out of this unfortunate situation,” Kresl said. “Even though we have a decrease in funding, there’s an increase in collaboration with student-initiated programs.”

    However, there’s still much improvement to be made. AS wants to hear the voices of students that are affected by these decisions. For students who want to take matters into their own hands, they can sign up as a candidate for the AS Board.

    “AS is doing the best with the situation that they’re having to navigate through,” Kresl said. “It’s important to recognize the complexity of the situation, and that there are ways that we can help our students be successful and do what they wanna do on campus.”

  • Mia Mingus Advocates for Accountability

    Mia Mingus Advocates for Accountability

    Personal accountability paves way for future of transformative justice

    Writer, educator and community organizer for disability and transformative justice Mia Mingus attended Humboldt State University March 6 as the keynote speaker for the Social Justice Summit. As a queer, physically disabled, Korean, transracial, transnational adoptee, Mingus faces adversity in all major facets of life and advocates for dignity and the end of violence, harm and abuse.

    Mingus took the stage for an hour, discussing everyday transformative justice and how to achieve transformative justice on a societal level. Transformative justice is about finding alternative solutions to violence, harm and abuse outside of our punitive system.

    “The system that we have is so based in, ‘You’re a bad person, so bad things deserve to happen to you,’” Mingus said. “Rather than, ‘We are all human, and human beings make mistakes, and we are all flawed, and we are all living in incredibly violent conditions.’”

    “If you’re not proactively building accountable relationships in your life, you’re proactively building an unaccountable life.”

    Mia Mingus

    Instead of focusing on big picture questions, like what will replace our current system and how to end violence, Mingus insisted to focus on the ways that transformative justice can improve our own lives, and in return, impact the world.

    “We can start small, because it’s just like building a muscle,” Mingus said. “You don’t go into the gym and start bench pressing 400 pounds immediately, or if you do, you’re gonna get really hurt.”

    Mingus walked the audience through her four steps of accountability.

    “If you’re not proactively building accountable relationships in your life, you’re proactively building an unaccountable life,” Mingus said.

    “It doesn’t matter how good of an apology you gave or how well you repaired the relationship. If you keep doing the harm, what does it matter?”

    Mia Mingus

    For the first step of accountability, Mingus said we must possess self-reflection, without which you can’t achieve any transformative justice.

    Second, we must be capable of genuine apology, demonstrating our remorse and understanding of our improper actions.

    Third, we must be willing to repair and mend broken relationships and earn back trust.

    Finally, we must change our behavior.

    “It doesn’t matter how good of an apology you gave or how well you repaired the relationship,” Mingus said. “If you keep doing the harm, what does it matter?”

    Transformative justice operates under the belief that acts of violence are deeply connected to the conditions that helped create and perpetuate those incidences of violence.

    “That violence doesn’t happen in a vacuum,” Mingus said. “They are connected to the conditions that we live in, and we all participate in creating those conditions, and we all have a collective responsibility for ending violence, harm and abuse.”

    “It’s not enough just to change the systems that we’re up against. We also have to change ourselves, and I really appreciate that.”

    Mia Mingus

    As a society, Mingus said we need to practice preventative actions, rather than respond with punishment.

    “When we publicly shame people, or when we shame and blame people in general, it doesn’t actually get the violence to stop,” Mingus said. “It usually just teaches people how to hide the violence or harm better. It doesn’t actually make the kind of deep fundamental change that we actually want.”

    After her lecture, Mingus elaborated on fundamental change in an exclusive interview with The Lumberjack.

    “It’s not enough just to change the systems that we’re up against. We also have to change ourselves, and I really appreciate that,” Mingus said. “And vice versa, you know, it’s not enough just to change yourself. You have to also help change the world too because I think that’s where the magic lives.”

    Mingus said transformative justice focuses on the fundamental improvements that must be made along the way.

    “We’re working on a micro level but we’re doing it with a macro perspective because we’re actually trying to interrupt generational cycles of violence and harm,” Mingus said. “That’s the goal.”

    Mingus gave a final piece of advice for helping with world progression.

    “Learn as much as you can, give as much as you can,” Mingus said. “But like, generally, just start from where you are, with what you have, and don’t get overwhelmed by trying to change the whole world.”

  • Student-Run Radio Programs are Back on Air

    Student-Run Radio Programs are Back on Air

    Jam out to your local, community neighbors

    Editor’s note: members of the editorial staff of The Lumberjack are part of and have been part of KRFH. The author of this article had no previous affiliation with KRFH.

    Following winter break, KRFH has returned with its entirely student-staffed programs, TALX, MIXX and Local LIXX. Each of the programs bring on guests to participate in their show, providing a platform for community members to show off their skills and speak their mind.

    Local LIXX, the longest running program at KRFH, invites local artists to display their talent live on the radio.

    Co-Manager of LIXX, Michael Freire first became part of the program in 2017.

    “It’s like a really, really cool special thing to have a fully student-run radio station that is promoting a local music scene in a town that has a surprising number of good musicians per capita,” Freire said.

    One of the main focuses at LIXX is to create a diverse program that speaks to all music genres and tastes.

    “One of the few limitations is that I obviously only have a view on the part of the music scene that I’m familiar with,” Freire said. “So I also try to like reach out to as many friends as possible for suggestions of places I can go, ’cause I don’t want to just put one genre of music or one group of friends on the radio.”

    To scout talent for LIXX, Freire attends as many shows as he can, searching for sounds that he feels are a proper fit for the program.

    • LIXX Co-Manager Michael Freire preps the board for the big show. Photo by Dakota Cox
    • Konner Bouyette and Quentin Wall of Quentin Wall of Sound rockin’ out on air.

    Quentin Wall and his band, Quentin Wall of Sound, were the first guests of the spring semester. This was Wall’s second appearance on the program, but his first with the new band.

    “Playing on air is fun,” Wall said. “It’s scary because anything you do, there’s no take-backs. But it’s fun because anyone can listen, and it’s a lot of people that I would never meet.”

    Not to be mistaken for LIXX, the MIXX program currently abides by a first come, first serve policy. This allows the platform to seek out the hungriest, most enthusiastic artists first.

    • Manager of MIXX Alejandro Zepeda does a final for ChopsJunkie before showtime. Photo by Dakota Cox
    • ChopsJunkie hard at work spinning records on the KRFH MIXX program. Photo by Dakota Cox

    MIXX Manager Alejandro Zepeda is currently in his sixth semester with the radio program.

    “It’s really fun to watch the different DJs and their different techniques and how they’re doing it,” Zepeda said. “It’s a really great learning opportunity for myself and anyone else on the MIXX crew if they’re interested in DJing, just because you don’t really get to be this close to the performer usually when you’re out at an event, and you know there’s all sorts of other stuff going on.”

    TALX is the odd man out of the programs. Instead of placing the focus of an entire show on a single guest act, TALX incorporates their guests as part of a larger conversation. Unlike MIXX and LIXX, TALX doesn’t require a guest in order for the show to go on. Instead, students are given direct control of the content they create.

    • Members of TALX discuss the days trending topics. Left to right, Manager Delaney Duarte, & Deserie Carias. Photo by Dakota Cox
    • Members of TALX discuss the days trending topics. Left to right, Paul Hilton & Ayrton Flaherty. Photo by Dakota Cox

    Delaney Duarte is currently in her second semester as manager of the TALX program.

    “When you’re in there you’re gonna meet a bunch of other people, and then you kinda create like this bond with everyone,” Duarte said. “Everyone knows you and it’s like a really good community. I love the radio community a lot here on campus.”

    KRFH is one of the last student-run free-from radio stations. Students are given complete creative control over their content, so long as they conform to Federal Communications Commission regulations. KRFH programs provide an opportunity, not only for community members to showcase their talents, but for students to express, explore and share their identities.

    “There’s just something about being in the booth, something about being in this radio station,” Zepeda said. “It’s calming for me despite all the crazy things that happen, and there’s always something ridiculous happening. It’s my happy place, and I’d like to continue that for other people that need to find something like this in their lives.”

  • One More Reason to Ride a Bike

    One More Reason to Ride a Bike

    Saving money and the planet at the HSU Bicycle Learning Center

    Humboldt State University’s Bicycle Learning Center made the transition in September 2018 from a student club to an Associated Students program umbrellaed under HSU’s Waste Reduction and Resource Awareness Program.

    Steven Sperling volunteers at the BLC while pursuing his master’s in business administration.

    “Bicycles are the most efficient form of transportation there is for human beings,” Sperling said. “Bicycles can and should save the world, period.”

    Originally founded in 1992, HSU’s entirely student-staffed Bicycle Learning Center is a free resource available to all HSU students in need of bike repairs. The transition opened up two part-time instructor positions, paid for with student fees, that are currently split between three students.

    “Probably the biggest thing that I’m working on here is how to share my bicycle knowledge efficiently,” Sperling said. “Learning how to teach is one of the things that I’m most excited about learning while I’m here.”

    • BLC Director Julian Palmisano scours the donated pins bin on Jan. 29. | Photo by Dakota Cox
    • Colton Trent hard at work at the BLC on Jan. 29. | Photo by Dakota Cox

    Current Director Julian Palmisano has been a member of the BLC since he transferred to HSU from Santa Barbara City College in 2017.

    “We all started as volunteers at the shop to serve and build community, utilize the resources and gain experience,” Palmisano said.

    The BLC does its best to provide all of the tools necessary for maintaining a well-conditioned bicycle, along with as many consumable parts that they can get their hands on. With a budget of only $800 provided by WRRAP, the majority of parts that cycle through the BLC are donations.

    “Sometimes we just don’t have stuff and we have to tell people like, sorry we can’t help. Which is a real bummer.”

    Colton trent

    Colton Trent is an instructor entering his third semester volunteering for the BLC.

    “The budget provides a buffer in case we run out of stuff,” Trent said. “But for the most part we can function pretty well trying to up-cycle and recycle things.”

    As a result of their small budget, the BLC can only provide a finite number of students with bicycle maintenance.

    “Sometimes we just don’t have stuff and we have to tell people like, sorry we can’t help,” Trent said. “Which is a real bummer.”

    The BLC encourages donations in the form of tools, bicycle parts and old bikes that will be refurbished and donated to a student-rider in need. All cash donations that the BLC receives go directly into the shop’s spare parts fund.

    In the fall semester of 2019, the BLC saw over 180 documented student visits, totaling over 100 hours of bicycle maintenance. By spreading the trend of using bicycles as a primary-method of transportation, the BLC is promoting a healthier lifestyle with a significantly smaller carbon footprint.

    Located in the eastern tunnel by the Redwood Bowl, the BLC is open 10 a.m. to 2 p.m. Monday through Friday, with instructors and volunteers standing by to assist and educate students in bicycle repair.