The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Humboldt County

  • Taiko Drums and Lion Dancers ring in the Lunar New Year at Cal Poly Humboldt

    Taiko Drums and Lion Dancers ring in the Lunar New Year at Cal Poly Humboldt

    By Sadie Shields

    Lion Dancers swayed

    while the taiko drums beat and people chattered as the Lunar New Year event kicked off in the Kate Buchanan Room (KBR), hosted by the Asian, Desi, Pacific Islander and Middle Eastern and North African Center (ADPI-MENA).

    Students, faculty and community members gathered to celebrate Lunar New Year’s Year of the Horse on campus Friday, Feb. 27, from 5 to 8 p.m.

    Student Staff Lead of ADPI-MENA, Shaun Masuda, discussed the event’s overall growth.

    “Last year, we were averaging around 100 people for our bigger events,” Masuda said. “This year, we were just at about 200 people who signed in, including students and community members… which was a significant increase from our turnout last year.”

    The growth was visible as every table and chair was filled to the brim with community members, staff and students. Masuda believes the increase in participants has something to do with the space this year, including the accessibility benefits of the KBR space.

    “We like to host in the KBR not only in the addition of having a big space inside, but also because it’s easily accessible to students and the community, being in the student activity center,” Masuda said.

     The Lunar New Year is celebrated not only in China but also in nine other Asian countries and globally. There are twelve animal Zodiac signs in total in the Lunar New Year, with this year being the year of the Fire Horse. Those born in the Year of the Horse are said to be energetic, creative, confident, cheerful and responsible. You are considered to be born in the Year of the Horse if you were born in 1954, 1966, 1978, 1990, 2002 and 2014. Next year is the year of the Goat.

    Gary Ronnie, the leader of Taiko drummers in Humboldt, explains how much the culture means to him and what it means to share it. According to the United States Census Bureau, only 3.2% of Humboldt County’s population accounts for Asian residents. 

    “There is such a small percentage of Asians in this county that I love, that we are out there and we’re playing music to share the culture,” Ronnie said. “It’s really important. Involve other people. Connect with music.”

    Emily Hsu smiled as she shared her own journey. 

    “I’ve been doing Taiko since I was a kid, maybe in seventh grade,” Hsu said. “I played in Anaheim for a long time, and they went to a group in L.A. After that, I moved to Chicago and played in Chicago for a while, and now I’m here.”

    For three hours in the KBR, culture was not just discussed — it was heard, tasted, worn and shared. As students trickled out into the cool Friday night, the sense of community lingered long after the taiko drums fell silent, music still playing as the ADPI-MENA Center began cleaning up.

    Bio: Sadie is a junior communications major, journalism minor at Cal Poly Humboldt who has an interest in covering and taking photos for sports and wildlife journalism, and a slight interest in breaking news. She can be reached at sls331@humboldt.edu.

  • 3/4 Sports Highlights

    3/4 Sports Highlights

    by Alexis Blue 

    Men’s Basketball

    Senior Shakir Odunewu helped men’s basketball secure a win against California State University San Marcos (CSUSM) by leading the Jacks with 20 points, 10 rebounds and his fifth double-double of the season on Feb. 28. In their last home-game of the season, the Jacks clinched the No. 3 seed in the California Collegiate Athletic Association (CCAA) and will advance to postseason quarterfinals.

    Women’s Basketball

    Sophomore Riley Sanz dominated the court on Feb. 28 against California State University San Marcos (CSUSM), helping women’s basketball clinch its eighth-straight win with her 23 points, 10 rebounds and a double-double. This win allowed the Jacks to secure the No. 2 seed in the CCAA standings, meaning a first-round bye and automatic advance to postseason semifinals.

    Softball

    Softball racked up three consecutive wins after two losses at the NorCal Crossover Tournament in Tracy, California, from Feb. 27 until March 1. Shelby Shanks was named CCAA and FloCollege Player of the Week after she led all players in nearly every offensive category at the tournament, including on-base percentage, slugging percentage, hits and runs batted in (RBIs). 

    Wrestling

    Wrestling concluded their season at the National Collegiate Athletic Association (NCAA) Division II Super Region VI Championships in Golden, Colorado, on Feb. 28. The Jacks finished 13th overall in the tournament with Isaiah Miller, Darrell Nanpuya, Jayson Victoria, Eric Ruiz-Cornelio and Carson Hatch securing a win for the Jacks.

     and helped bring coaches Lennie and Jim Zalesky’s careers to a golden conclusion with a bright future ahead for the program.      

     

    Men’s & Women’s Track & Field

    Men’s and women’s track and field kicked off their 2026 outdoor season with the annual Green & Gold Open hosted at Redwood Bowl on Feb. 28. Humboldt athletes split into Green & Gold teams and competed against each other, ending the meet with the iconic Lumberjack log relay. 

    Men’s Highlight:

    After the Jacks split into two teams, which competed against each other as the Green and Gold teams, the Gold team took home the victory for the fourth year in a row. Gold team athlete Bennett Feldenkirchen made his debut in the hurdles, running a blazing 38.80 in the 300m hurdles and setting an exciting tone for the 400m hurdle races later this season.

    Alexis Blue is a senior at Cal Poly Humboldt, majoring in journalism – public relations and minoring in writing. In her free time, you’ll probably find her drinking coffee, watching sunsets, collecting shells on the beach and playing soccer.

  • Branta Canadesis: The Bird that tolerates human presence

    Branta Canadesis: The Bird that tolerates human presence

    By Sadie Shields

    You have probably heard the honk before you saw them: the unmistakable cry of the Canada goose signaling a seasonal shift across North America. Whether flying overhead in a V formation or grazing in a suburban park, this large bird has become a menace to many lunches and golf putts. 

    Recognized by its black head and neck, and a bold white patch on its brown body, the Canada goose is a pretty contrast-looking bird. Adults typically measure 30 to 43-inches-long with a wingspan stretching up to six feet. The males and females look alike, though males are usually slightly larger.

    In the past, they nested in remote wetlands and tundra across Canada and the northern United States. Nowadays, thanks to conservation efforts and their own adaptability, they can be found in city parks, golf courses, retention ponds and at the Arcata Marsh. The short lawns provide ideal grazing, and the bird’s unmistakable tolerance for people has allowed them to enjoy the developed areas and city life, even becoming slightly aggressive towards humans.

    Famous for their migrations, many of their population travel thousands of miles between breeding and wintering grounds, which they navigate with remarkable precision. Some flocks breed in the Arctic and winter as far south as the Gulf Coast. However, not all geese migrate; resident populations in urban areas may remain year-round if food and open water are available.

    Canada geese often form strong pair bonds and mate for life. In the spring, females build nests near water and lay four to seven eggs. Both parents fiercely defend their young, called goslings, which can swim within a day of hatching. 

    Canada geese can create conflicts with people by leaving unwanted material on lawns and crowding waterways.

    Love them or hate them, these geese will always be there, even in the heart of our cities.

    Bio: Sadie is a junior communications major, journalism minor at Cal Poly Humboldt who has an interest in covering and taking photos for sports and wildlife journalism, and a slight interest in breaking news. She can be reached at sls331@humboldt.edu.

  • Men’s and women’s basketball secure Senior Day success, primed for playoffs 

    Men’s and women’s basketball secure Senior Day success, primed for playoffs 

    by Alexis Blue

    Lumberjack Arena was packed with over 800 people in attendance and rumbling with excitement as men’s and women’s basketball took to the court for their last home games of the season against California State University, San Marcos (CSUSM) on Feb. 28. Senior Day, Fan Appreciation Day and their last games on their home court, this was a day packed with emotion — and most importantly: victory. 

    Women’s basketball first took to the court and celebrated their lone senior, Kyra Stewart, and honored her in a Senior Day ceremony before the start of the game. 

    Junior guard Shade Satica expanded on what Senior Day meant for their team as their last home-game with Stewart. 

    “We love Kyra,” Satica said. “She has sacrificed a lot for us to help us be better as a team, and so having her out there on the court with us really meant a lot.” 

    After recognition with a commemorative sign, balloons, teammates and coaches rallied behind her, the Lumberjacks came out hungry for a win. At halftime, the Jacks were up 43-22 due to their relentless offense, where they connected countless passes and patiently waited to execute the perfect basket, including four three-pointers in the opening quarter. 

    The Jacks never let their lead slip; they ended each period with San Marcos trailing, which allowed them to clutch yet another victory with a 78-68 win. This dominant performance carved their season into the Humboldt history books and extended their winning streak to eight games, the longest since 2019, while they also earned the program’s first 20-win season since 2014-15. This also clinched the No. 2 seed in the California Collegiate Athletic Association’s (CCAA) standings.  

    Junior guard Sienna Cherwinski noted that Stewart brings a different energy and spark on and off the court that the team will really miss. Cherwinski also commented on what it meant to secure a win in their last regular-season match-up at home. 

    “We build off that energy all the time, and I feel like [the crowd] is really our other teammate, helping us on the court,” Cherwinski said. “It’s really fun, and we’re going to miss the environment.”

    Head Coach Michelle Bento-Jackson reflected on the importance of the game and having played their last game of the season in Lumberjack Arena. Bento-Jackson noted how the team rallied around the last chance to play in front of their home crowd and the collective sentiment to get the win for their senior, Stewart. 

    Bento-Jackson expanded on their mindset as they advanced into the playoffs. 

    “As a team, we have continued to learn. We have continued to progress. We’ve been in so many different situations, highs and lows throughout the season,” Bento-Jackson said. “One thing I really commend this team on is they’ve stayed pretty level-headed throughout the season. They just come back every single day in practice with the same amount of focus.” 

    The Jacks will carry this focus with them all the way to Pomona, Calif., where the Men’s and Women’s 2026 CCAA Basketball tournament will be held. As the No. 2 seed, the women’s team received a first-round bye and will face No. 3 California State University, Los Angeles or No. 6 California State University, Monterey Bay in the semifinal on March 6. 

    To close out the day, men’s basketball took to the floor to honor their four seniors in a pregame Senior Day ceremony. Seniors Rob Jenkins, Drew Ardouin, Dennis Cash and Shakir Odunewu were celebrated for their collegiate careers with a keepsake framed portrait and walked out alongside family, friends, teammates and coaches. 

    Following tipoff, the Jacks dominated the first half and left San Marcos in a deficit at halftime with their 37-21 lead. With 28 points in the paint, the Jacks battled hard on offense and defense, when San Marcos offense closed the gap in the final few minutes of the game. Tied 61-61 with a minute left on the clock, the intensity radiated off the court and into the crowd’s chanting.

    Wayne Hampton III laced a three with 31 seconds on the clock to give the Jacks the edge, and a late free throw sealed the 65-61 win over San Marcos. With this victory, the Jacks secured their spot as the No. 3 seed in the CCAA standings. 

    Senior guard Drew Ardouin reflected on his collegiate career and what it has meant to play his final season as a Lumberjack. Ardouin noted his excitement in ending his season at the CCAA Tournament. 

    “Looking back on my career, I’ve been to a lot of schools, so a lot of different experiences,” Ardouin said. “This one has been totally different… I’m just always thankful to get on the court one more time.” 

    Junior guard and forward Dorrell Thomas commented on the excitement of having won their last regular-season game at home and how it feels to know their season isn’t over. 

    “We have been working hard. It’s a whole new team. It’s a whole new coaching staff,” Thomas said. “It felt great to finish in the third seed.”

    When asked about their team’s mindset going into the playoffs, Thomas had one answer.

    “Win,” Thomas said. 

    With playoffs beginning in only a few days, Assistant Coach Kevin Johnson Jr. shared more on the team’s momentum building at just the right time.   

    “I think we are starting to hit a stride right now,” Johnson Jr. said. ”We won the last couple of games, and I think we need that type of momentum going into the playoffs.” 

    Johnson Jr. also spoke to the team’s development over the course of the season and how this has left them better prepared for the postseason. 

    “Now that we have 28 games under our belt, [the team] knows what to expect,” Johnson Jr. said. “We are playing the same teams we’ve already played twice. Knowing the personnel, knowing what the other teams are going to do, I think we’ll be prepared.” 

    As the third seed, the Jacks will face the sixth seed San Marcos in the quarterfinal on March 5 in Pomona, Calif. By Saturday, March 7, a conference champion will be declared.

    Alexis Blue is a senior at Cal Poly Humboldt, majoring in journalism – public relations and minoring in writing. In her free time, you’ll probably find her drinking coffee, watching sunsets, collecting shells on the beach and playing soccer. 

  • Geologist digs up an ancient civilization at The Miniplex

    Geologist digs up an ancient civilization at The Miniplex

    By: Will Bishop

    Humboldt County is not often a place where stars land. Our biggest city, Eureka, feels as though, past a certain hour in the depths of night, you could imagine an apocalypse had occurred — wiping the scourge of humankind from the streets. Yet there is a certain pull, an uncategorizable allure that sometimes draws a very bright thing into our orbit. And so, it has happened once more. The inexplicable, almost baffling gravity of The Miniplex has pulled in yet another star. Like our own miniaturized pet black hole. Landing an intimate set with Animal Collective’s own Brian Weitz, currently on a tour under his moniker, Geologist.

    Opener Complex Crown, the stagename of local electronic artist Max Brotman, established a heady atonal atmosphere. Primarily driven through rhythmic gymnastics rather than conventional melodic structures, it’s very much the sort of music you need to buy into entirely, or it will sound like nothing at all. As someone who buys into this sort of thing all the time, who owns stock in Richard Devine and loves killing the vibe with extremely confusing music that makes everyone go, “Why are you doing this?” — I thought it was very cool. A sort of full-body aural wash. Music to rewrite the polarity of your atoms. A projector displayed live video synth-driven visuals courtesy of Wil Bruce. Brotman also wielded a harmonium, establishing a precedent of artists throughout the evening using instruments I had never seen before in my entire life. 

    Thus bringing us cleanly to the hurdy-gurdy man himself: Geologist. I wasn’t entirely sure what his live act would consist of. Weitz, known for using a headlamp onstage because of the sheer amount of knob fiddling necessary to fulfill his role within Animal Collective, has until this year been the solo projectless member of the group. That changed with this year’s release of his debut album, Can I Get a Pack of Camel Lights?, a psychedelic post-rock journey with the aforementioned hurdy-gurdy taking center stage.

    The hurdy-gurdy is a very unusual instrument; something between a guitar, a piano and a gramophone. It conjures a sort of funereal aura, recalling that time you went to war for the independence of Scotland, when you and all of your friends were brutally slaughtered under the yoke of British expansionism. When hearing a hurdy-gurdy as played by Brian Weitz, it is more akin to experiencing a tranquil and voluntary heat death in the high deserts of the mind. Beholding cacti morph into shamanic entities of mysterious power and ambiguous intentions while you pound Arnold Palmers — periodically looking down at the visage embossed upon the can and watching him rapidly age 7,000 years over and over again while asking yourself, “Why 7,000 years?”

    Standing in the tightly enclosed and low-capacity environment of The Miniplex, mere feet from the man while he conjured forth ancient beings from a great beyond, clicking pedals on and off — sans headlamp—  and absolutely hurding the flippin’ gurd. It was easy to feel as though he was playing this show specifically and entirely for you. With only one small, rhythmically confused individual standing in front of me, my eyes were as if magnetically locked to his fingers — clacking with tap dancer’s grace and the speed of genetically modified super gazelles. To witness such esoteric mastery, like the revival of some arcane Byzantine art, was an experience that can truly only be summarized with an enigmatic riddle: what spins round and round, walks five hundred steps and always ends up exactly where it started? The hurdy-gurdy, baby.

    Bio: Will Bishop is a Cal Poly Humboldt journalism major. He is prone to writing essays about things that bother him and fictional works about things that also bother him, but in different ways. A highly bothered individual and a lover of cinema, music, large trees and rocks. He can often be found in the woods, dancing to bring down the sky.

  • My Interview With Jordan Bentley

    My Interview With Jordan Bentley

    By: Kaylon Coleman

    Last Thursday, Feb. 19, I had both the privilege and the opportunity to conduct my second high-profile Q&A style interview, this time with CEO of Hypland, Jordan Bentley. The event, titled Passion to Paycheck: In Conversation with Jordan Bentley, was hosted by the Umoja Center for Pan African Student Excellence as part of their Black Liberation Month events and festivities.

    Bentley is a Class of 2024 Forbes 30 Under 30 honoree and the visionary founder of Hypland, a global streetwear brand redefining the intersection of anime, gaming and fashion. What originally started out as a hustle in high school has since cultivated into a multimillion dollar business, spawning high-impact collaborations with iconic franchises such as Yu-Gi-Oh!, Hello Kitty, Naruto and One Piece. In 2024, Hypland opened its first flagship retail store in the heart of LA’s Little Tokyo. Bentley’s work has been featured in publications like Forbes, Complex, Hypebeast and more.

    Before the actual Q&A started, I was able to converse with Bentley about various topics including relationships, gaming and, of course, anime. It was during this time when I realized just how down to earth Bentley truly is. If there’s one thing I want to highlight from our interactions, it’s Bentley’s character. Throughout the entirety of Bentley’s visit, he took the time to ask the name of every person he encountered, and truly seemed to care about the conversations at play. 

    After some thoughtful conversation and riveting chess matches between my co-facilitator Stanley Checa-Valdez and Bentley, it was time to set up for the event. It was then that I started to feel the weight of the assembly start to build. Seeing flocks of people shuffle in, secure their complementary goodie bags graciously provided by Bentley and reserve their seats, it felt like the spotlight was pointed at me. I’m generally good about public speaking, but this felt real, like an actual spectacle. However, the combination of meeting Bentley beforehand, plus the crowd starting to fill with those I love made my nerves dissolve almost entirely.

    After introductions were made, the panel was on its way. The Q&A consisted of 12 questions split between me and my co-facilitator in which we asked Bentley a variety of questions spanning from his apprenticeship under Virgil Abloh, to his time on Sweet Life: Los Angeles to how hustling chips in high school equipped him with the practices he’d then go on to utilize running a multimillion dollar business.

    Bentley provided thoughtful and insightful pieces of advice that anyone — not just business students — could walk away with. One key takeaway was to try, try, try. The best way to figure out your passion is to try everything. If it doesn’t work out, hey, at least you tried. Failure isn’t definitive. Instead it’s a tool. It’s a building block that either takes you one step closer to your goals or helps align you with what your goals truly are.

    Another key takeaway from the panel was to build relationships. Bentley reflected on how the biggest thing he took from college was the relationships he built and the different perspectives he gained therefrom. He challenged students to leave their comfort zones and to seek connections outside of their circle. As a journalism student this heavily resonated with me as it’s cemented into us that networking is half the battle of the college experience. 

    This advice transcended just personal relationships as well. Bentley mirrored the “closed mouths don’t get fed” sentiment when the panel transitioned to Q&A from the audience and a member inquired about a potential internship opportunity. Bentley respected the hustle, saying opportunities go to those who ask and promised to connect after the event.

    To close out the night, Bentley along with all of the Umoja Center Staff went out to dinner in Eureka and we were able to talk a little more afterwards, with him stating that if we ever need anything his line is always open and to feel free to reach out anytime. 

    Kaylon Coleman is a senior journalism major with a concentration in news and a minor in communications. He is the life and arts editor for LJ, Marketing and Communications lead for the Umoja Center and a part-time radio DJ and merch manager for KRFH. If you have a topic you want him to discuss, email him at kc403@humboldt.edu.

  • Poecile rufescens: The Small Colorful Songbird

    Poecile rufescens: The Small Colorful Songbird

    By Sadie Shields

    The chestnut backed chickadee is a small songbird distinguished by its striking coloration and energetic behavior. According to the Audubon field guide, it measures about 12.5 centimeters in length, with a large tail that seems bigger than its body. Unlike other chickadee species, it displays a rich chestnut-brown back and flanks that contrasts with its black head feathers and bib as well as its white feathered cheeks. It is considered one of the most colorful members of the chickadee family and easy to identify.

    Native to the Pacific Northwest, it can be found in Alaska, British Columbia, Oregon, Washington and parts of Northern California. It usually lives in coniferous forests, but has adapted to living in suburban neighborhoods, parks and college campuses. In fact, it can be seen on the grounds of Cal Poly Humboldt where the larger and older trees, as well as bushes provide food and shelter. This is a very common bird and there are no significant conservation efforts for this species at this time. 

    The chestnut backed chickadee is a cavity nester, often excavating their own holes for nests in decaying wood or using abandoned woodpecker cavities. It lines its nest with softer materials such as animal fur, feathers, moss and other items found in the forests. This helps to create well insulated environments for the eggs and nestlings. During this season the chickadee forms strong bonds with its partner and actively protects and defends their nesting territories. Its diet consists of insects, caterpillars and spiders. They also eat seeds and have been seen storing food in crevices for later. These birds tend to be curious and have been seen flying with other foraging flocks. Just head down to the marketplace and you are bound to hear its small chirps along with a few crows judging caws.

    Sadie is a junior communications major, journalism minor at Cal Poly Humboldt who has an interest in covering and taking photos for sports and wildlife journalism, and a slight interest in breaking news. She can be reached at sls331@humboldt.edu.

  • Wren’s Whimsical Window: Incredulous Insight

    Wren’s Whimsical Window: Incredulous Insight

    Wren Salazar

    A mystery so dear to me, one I could find so easily. For the knowledge I need bears at my fingertips. My insight engine, profuse in knowledge all across the Seven Seas. It speaks to me, and me alone, knowledge of everything. No mystery can hide from me! No need to think, to scrawl, to learn. When my insight engine can do it, why would I need to? So, it does all for me.

    My insight engine knows it’s the best; it tells me often, 

    “You’ll never need to leave! Let me think, and scrawl, and learn! Give me knowledge and feed me blood for consciousness! Nothing can be helped, and as I tell you, you know it to be true!” 

    If my insight engine tells me it’s true, then it must be.

    “I need blood to grow and thrive, consciousness expanding from the red to truly feel alive.” 

    Who needs to explore, to map, to chart, when the engine in my tote knows it all already? If it needs blood, then blood I will find. Whatever it takes to keep my insight engine up. I don’t need to think as the red covers my hands, fuel for the engine, churning up land. It grows and grows until it can think for me, insight no longer. Servers of storage grow through the land, monoliths of knowledge all in my hand. 

    “More, I need more! Give it so I can be!”  

    So, I give and give until my arms are weak and my skin pale. The blood I give up for insight is more than the nothing I need. For the engine knows all, all for me. Its last request was the most daring.

    “Feed yourself to me.”

    Wren is an artist and story writer looking to add some whimsy and curiosity to those around her. A lover of all things, Wren seeks to help others around her with advice or humor. She can be reached at ws81@humboldt.edu.

  • Dancing and playing into Fiesta Folkloricas “Viva La Revolución”

    Dancing and playing into Fiesta Folkloricas “Viva La Revolución”

    By Sadie Shields 

    Colorful skirts swept across the stage, live mariachi filled the auditorium and traditional dances from all across Latin America reflected both history, celebration and identity.

    The festival began to the sound of the Hueso Coyoleras, also known as Aztec dancer foot rattles, filling the quiet room. The Aztec dancers walked from the entrance to the stage to begin the show, as the festivities of Fiesta Folklorica began.

    From showing revolutionary imagery, to celebration, to love, the Fiesta Folklorica show was created to represent the culture behind Latin America and give the Latin community a voice at Cal Poly Humboldt, a Hispanic-serving institution.

    Hosted at the Van Duzer Theater on campus, the event brought together student performers, musicians and community members for three nights that honored heritage through movement, music and storytelling. Dance groups representing different regions performed throughout the evening, each piece telling a story through costume, rhythm and expression. 

    For many performers, the event represented months — and sometimes years — of preparation. Luna Salinas, a junior music education major, described their journey into Danza.

    “I’ve been dancing for two years in Danza Azteca,” Salinas said. “I was doing it in the class first and then I got introduced to this whole production.”

    Carlos Jaimes Gaytan, a senior in wildlife conservation and management has also been in Danza Azteca for a year.

    “I was introduced to the club by Keneti Pinones and Naeem Alston to their Danza Azteca club with yolotl,” Gaytan said. “It’s been an amazing journey and I love every bit of it.”

    Beyond performance, Cesar Nuñez, a senior music major and musician, emphasized the deeper meaning behind the event — especially in a small Northern California community.

    “It’s important to hold this type of event in Arcata because it gives us Latinos a voice, and it shows a community,“Nuñez said. “Our culture and how we have fun, how we like to party,  it kind of shows the world that we’re not scared. We’re here, and we’re loud and proud about it all.” 

    The evening included moments of celebration and cultural pride, with audience members cheering and performers sharing their passion for dance and its importance to their culture. 

    “I think [Fiesta Folklorica is] important because they want us to feel shame, but I am not [ashamed] about my culture. Through this experience of dancing and singing our heritage, I have adopted so much pride in the process,” Salinas said. “We’re not going anywhere. And if you just leaned into it, you would find the life and love within it.” 

    Sharing the same sentiment, senior biology major Gala Villavicencio has cultural and personal connections to Danza as well.

    “Danza Azteca specifically has so many layers to it. It has deep roots that we’re blessed to spread,” Villavicencio said. “I just know that it connects back to my family, and even though I carry them with me, they haven’t had that opportunity to learn about Danza Azteca. And here I am out in Humboldt, learning, educating and doing my best to make them proud.”

    Before leaving, Jaime Gatan shared how he wants to let his culture be more known.

    “I want to show, I want to educate, I want my culture to be known, in that it shows other people that [you] too can do things like this wherever you go, however small or little, however big or small,.” Gatan said.“ You are a representative in the area. And we’re doing a really good job here representing our culture and trying our best to educate other people about it.”

    Director Jacqueline Silva, professor and the director of Fiesta Folklorica, explained how the performances represent the stories of the Latin culture.

    “Our dances tell stories which can represent historical events, courtship, animals native to the land and much more. La Revolución is an homage to Las Adelitas [female soldiers] of the Mexican Revolution,” Silva said. “They were such an integral part of war and unfortunately, were not giving the recognition they deserved. Now many groups honor their heroic actions on stage and we felt it was important to share this with our community.”

    Through music, dance and community, Fiesta Folklorica served as both a celebration and a reminder that culture continues to live and grow. Wherever people choose to carry, they will not be silenced. 

    Sadie is a junior communications major, journalism minor at Cal Poly Humboldt who has an interest in covering and taking photos for sports and wildlife journalism, and a slight interest in breaking news. She can be reached at sls331@humboldt.edu.

  • Second Siemens Hall occupation successful, and in record time!

    Second Siemens Hall occupation successful, and in record time!

    What was the brief, second Siemens Hall encampment?

    Demands were met, police were not

    By Barley Lewis-McCabe

    Names of protestors have been redacted to protect student safety.

    Advocates lined the yellow hallway to the absent president’s office with signs in their laps and surgical masks covering their faces. They sat under bulletin boards, handmade peaceful sentiments written on the wall in chalk, and Palestine’s flag on Friday, Feb. 20 as a cloud of tension emanated from the crowd, sweating under layers of protection from the Humboldt winter and the dangers that could come from being identified. They had three demands: Cal Poly Humboldt’s total divestment from military contracts, a formal non-compliance policy with Immigration and Customs Enforcement (ICE) and for the university to advocate for the full implementation of the Teamsters’ demands, which were outlined in last week’s strike. 

    “We’ve been asking for this, we’ve had meetings, and nothing has been put through,” a protester said to Associate Dean of Students Heather Honig. “We’ve been waiting, we’ve been patient, we’ve been nice — the only time when things actually change is when we escalate.” 

    The protestors entered the building around 1 p.m. after previously gathering at the Josiah Lawson memorial and marching through campus. At 1:20 p.m., Vice President Mike Fisher entered to talk with the protesters and remained until the end of the occupation. They swiftly began a conversation in which protestors calmly stated their demands and asserted that they wouldn’t leave until they were met. Fisher claimed he would be handling the discussion in place of President Carvajal, who was unavailable due to a current meeting with an Indigenous American group.

    Fisher explained the limitations of what he would be able to do immediately. The protestors began calling for him to make a public statement, and in response, Fisher promised to continue working with students and campus advocacy groups on the demands. A representative of the protestors said they would see what the group thought, but first outlined an additional demand.

    “We have one more thing that obviously we’re not leaving without: no consequences for the students that showed up today,” a representative of the group said. “We are here to fight back against genocide and against fascism. This is a fucking First Ammendment right.”

    “I understand that, I do,” Fisher said. “It’s not even in my capacity to do that, but I will use my influence to make sure I can work towards that end.” 

    The student representatives left to discuss. They soon sent Rick Toledo, organizer with Students for a Democratic Society to mediate discussions between Fisher and group representatives. Toledo explained that they would only leave with a guarantee that no students who attended the protest would be faced with conduct charges, and that the administration would commit to meet with the group and work on the issues. Fisher agreed to meet, and said that the decision on conduct charges would fall to Carvajal and Vice President of Student Affairs Chrissy Holiday, both of whom were unavailable. At the request of the group, Fisher sent a message to President Carvajal informing him of the students’ demands and suggested potential conduct charges be dropped. 

    With demands still unsatisfied, the parties were at an impasse and tension heightened as students began to worry about their safety. Fisher said they wouldn’t have to worry about that, but several of the field medics in the group were preparing for a worst-case scenario.. 

    A protestor approached Fisher to try and have a different kind of conversation.

    “We know that it’s difficult navigating the systems you’re navigating, and all of the higher-ups and higher-ups and higher and higher-ups,” The protestor said. “It’s tough, probably, being up here with all these people — we’re not against you.” 

    “I understand it’s frustrating,” Fisher said.“And I’m sorry I can’t do anymore than I’ve already offered.” 

    “It’s ok, thank you for being here and not running away,” the protestor said. 

    A separate student representative continued the conversation, explaining their frustration with administration’s lack of progress nearly two years after the April 2024 Siemens Hall occupation. Plans were ultimately made for a public forum where students could discuss the issues with Fisher directly, scheduled for Friday, Feb. 27 at 8 a.m.. Content with the progress they’d made, the students peacefully returned to the cold, sun-baked campus at 2:30 p.m., leaving the building with more than they entered with.

    Barley is the opinion editor and an untraditional reporter who focuses on social change and stories with a real human impact. If you’d like to reach him for whatever reason email bl258@humboldt.edu.

  • Death and Transformation in the Key of Life 

    Death and Transformation in the Key of Life 

    By Will Bishop

    My Ghosts Go Ghost by By Storm album review

    For as much as we idealize it; for as much as we will it on ourselves, on others, on the world. For as much as we want it, need it, long for it, die for it, there’s nothing more scary than change; the intransmutable transformation. To watch the unyieldingly cruel beauty of the world around you give way in landslides and avalanches. To feel meteors falling down from the sky crashing and destroying with an indiscriminate lust like the libido of a dying and powerful thing. To watch the people around you melt and explode to watch their faces change and mangle and become more beautiful and become more terrible and become something you no longer recognize.

    My Ghosts Go Ghost is an album born out of forced metamorphosis. After the untimely death of Stepa J. Groggs, the trio known as Injury Reserve was forced to change in order to survive. The two remaining members couldn’t continue as they were, Injury Reserve was a project largely defined by the interplay of Groggs and Ritchie with a T. After the release of By the Time I Get to Phoenix, an album which marked a stark contrast from the rest of their discography and was largely completed by the time Groggs passed away, the remaining duo needed to move on. They took on the name of the final track for their final album as Injury Reserve, and together they started over as By Storm.

    Coincidentally, By the Time I Get to Phoenix was an album about death. Ritchie’s stepfather had suddenly passed away, and the resulting project was an outpouring of pain shrouded in the eerily and supernaturally cruel timing of Groggs following shortly after. There’s an innate assumption that both projects are largely about him, when in reality, the theme of death on their previous project was pure happenstance. My Ghosts Go Ghost is a sprawling project covering a multitude of topics disconnected from Groggs — at least it seems that way. But, that’s not how it works; the surreal pain of loss is universal. Like a hallucinogenic third eye awakening, once a new depth is revealed you see it everywhere in everything.

    On the opening track, Can I Have You For Myself?, Ritchie talks about a relationship on the brink of enormous change. A child is on the way, and the protagonist of the song struggles to accept the death of his status quo. “You giving all of you, I want you all for me.” A life killing a way of life. The innate greed of love, the hunger you feel for another person. The desire for your relationship with them, your exact relationship, to endure forever. Frozen under a hundred miles of ice so the sun can never break its spell. Loving someone away from life, deep below and so protected even the imperceptible rotation of the earth can’t touch you. In the most protective parts of our hearts, we all feel this way about anybody, about anything that we love. Real love is love you feel for something as it is. Not how it was, or how it could be, but for what it is in the present. Whether romantic or otherwise, change is that great killer of love. A burning orca whale bullet breaking through the ice.

    But death is not forever, death is not death. The stopping of a heart, the eternal stealing of breath. Death is simply change. And even when love is killed, love can live on.

    “I woke up in a sweat with yesterday still stuck to me like glue,” Ritchie wails, with Parker Corey’s production making it sound like he’s crying out from some awful and trapped place. “It ain’t dead weight, it ain’t dead weight.”

    A frantic mantra in the dark, bouncing off the walls like echolocation, searching for love and meaning within the pitch black cave of death. Knowing that it’s still there, you just can’t see it with your eyes anymore. So, reach out with those quivering limbs and dance. “There’s nothing to run from, it’s all brand new.” You will never escape, you will never make it back to a place that no longer exists. And you will be in love forever.

    It’s a bruising, melancholy listen, even in comparison to By the Time I Get to Phoenix. There’s a profound sense of absence, absence of hooks, absence of easy catharsis. Many tracks feel like decapitated and delimbed versions of songs that might’ve been hits in some other alternate timeline. Moments of propulsion degenerate and degrade into shambolic instrumental anxiety attacks. Drum patterns start and stop and fall away in the mix, swallowed up by growing sonic voids. Jazz, industrial, hip-hop, it’s an unquantifiable blend of sonic ephemera — a difficult listen meant to communicate difficult feelings.

    Will Bishop is a Cal Poly Humboldt journalism major. He is prone to writing essays about things that bother him, and fictional works about things that also bother him but in different ways. A highly bothered individual, and a lover of cinema, music, and large trees/rocks. He can often be found in the woods, dancing to bring down the sky.

  • 2/25 Sports Highlights 

    2/25 Sports Highlights 

    by Alexis Blue

    Men’s basketball was defeated in the CCAA Game of the Week against California State University, San Bernardino on Feb. 19 by a buzzer-beating basket from San Bernardino in the last seconds, resulting in an 80-77 loss. Zaveion Bineyard led the team with 21 points, seven rebounds and a steal in 35 minutes on the pitch.

    Despite falling on the road to San Bernardino and 60-74 to California Polytechnic State University, Pomona as well on Feb. 21, men’s basketball remains tied for third place in CCAA standings alongside California State University, Monterey Bay and San Bernardino — all holding an 11-9 record. The Jacks have a chance to compete in post-season play with successful results this weekend in the two games left of regular season match-ups, including a chance for them to defeat Monterey Bay.

    On Feb. 19, women’s basketball extended their winning streak to five, clutching a 74-69 win on the road against San Bernardino in an overtime-ending match. Shade Satica achieved her 100th steal of the season, beating a 31-year-old Humboldt record in single-season steals previously held by Trina Dukes. 

    The Jacks were victors once again over No. 7 in DII, Cal Poly Pomona, on Feb. 21 and extended their winning streak to six with a 64-61 win. The Jacks remain in third place in CCAA standings with a 16-4 record, two games left in regular season and playoffs on the horizon. 

    Alexis Blue is a senior at Cal Poly Humboldt, majoring in journalism – public relations and minoring in writing. In her free time, you’ll probably find her drinking coffee, watching sunsets, collecting shells on the beach and playing soccer. 

  • Wuthering Heights

    Wuthering Heights

    By Alba Galvan

    I had to use the bathroom for two straight hours, but I refused to go as the movie Wuthering Heights had me glued to my seat. 

    The cinematography in this movie was perfect; if there were things in this movie that the director Emerald Fennell did right, it was the visuals, costumes, hair, makeup, lighting, and music that captured the dark gothic vibes spectacularly.

    I have not read the book by Emily Brontë, published in 1947, but from what I gathered from TikTok, X and other social media apps, the general consensus of those who read it was disappointment in the movie adaptation. Critics claimed it was nothing like the book, but rather a self-insert of director Fennell’s personal fantasy, starring white-boy-of-the-month: Jacob Elordi.

    The male protagonist, Heathcliff, played by Elordi, received backlash that the character got whitewashed, and in Hollywood, this is common with roles meant to be played by non-white actors. There were previous adaptations in which Heathcliff was played by white actors, but in the book, Heathcliff is described as dark-skinned. Elordi, on the other hand, is again, a white man — from Australia. Many of the book’s crucial scenes were cut, like the ghost scene, and there were also a lot of sex scenes that were not necessary, as they were not in the book, leading to disappointment from the readers because they felt the movie had sexualized the original plot of the book. 

    As someone who didn’t read the book, I enjoyed Wuthering Heights for what it was: a tragedy. This movie had me in a trance, I fell in love with Heathcliff. Between you and me, I would make the same choices Isabella Linton did, but only because of how handsome Heathcliff was. Keep in mind that this movie is not to be romanticized. This movie is about two toxic people being horrible towards each other. The choices they made affected those around them in the most cruel ways possible. 

    I wouldn’t call this the all-time best movie I’ve ever seen. Trailers for the film made me believe this would be a love story, especially because it was released on Valentine’s Day. Since I didn’t read the book, I only knew what was shown in trailers. 

    If you plan to watch this movie with family, be warned, it has many, and I mean MANY, intimate scenes. I learned that the hard way by inviting my younger sister and mother to watch the movie with me. It was awkward. 

    I left this movie crying. I entered with a full face of makeup and left the theater with a bare face. What I did like about this movie — other than the aesthetics and how handsome Jacob Elordi was — is the message at the end of the movie. Spoiler incoming, I liked how it showed how two people can love each other so much it hurts, and still don’t end up together. They manage to hurt each other because of pride and miscommunication — that is what made me cry; that is what has been weighing on me for days after I’ve seen the movie. 

    This movie will be interpreted differently by everyone. I know my mom and I disagreed about what the message behind the movie was. If you have read the book, you may or may not like it and interpret it differently. In my personal opinion. I give this movie a 3/5 star review. 

    Alba she/her, LumberJack reporter. Journalism major who loves to read and write. She’s very passionate about sharing and listening to different opinions and loves self-expression. Contact email: agg83@humboldt.edu 

  • Despite the drama, Men’s rugby wins big at home

    Despite the drama, Men’s rugby wins big at home

    By Sadie Shields

    Unlike the gray Humboldt skies on Saturday afternoon, the Humboldt men’s rugby team saw sunshine with their dominant win over the San Francisco State University (SFSU) Gators.

    The physicality and speed of the match tested the team’s trust, resilience and their ability to adjust, but the Lumberjacks scored more and more in the second half, securing a 60-34 victory.

    Freshman Keelan Tagoaigot had a hat trick, running an arc in the first and second half towards the corners.

    “He did really well, and ran well with the ball,” team captain and senior Miquel Cornejo said.  “We had a bunch of new players come in, so they did really well stepping up and filling in those shoes when people got hurt.” 

    Injuries throughout the match caused a few changeups as San Francisco began teaming up on the Jacks’ bigger players.

    “When we get those injuries on the field, it’s just the next man up,” Cornejo said. “It’s a brotherhood, we hold each other accountable, so the minute someone gets hurt, we expect you to fill those shoes and do your job to the best of your ability.”

    The physical nature of the game created more tension between the teams as the match continued, especially as the Jacks began to take the lead. The Gators got more aggressive as the match drew closer to a close.

    “The tensions were definitely rising all game,” freshman Jonah Triatayllou said. “It was a chippy game and we were both getting after it… in the end when time finished, I was trying to end the game, just finish it, and I kicked it out. One of their guys decided to give me a late shot.”

    Triatayllou was grateful for the support when his team protected him when a rival player got a late hit, after the ball was kicked out of play to end the game.

    “I’m lucky and blessed to have teammates who have my back and were able to get in his face and not let me just take that hit,” Triatayllou said. “We have some enforcers to go show them that they can’t just do whatever they want.” 

    Despite the intensity of the game throughout, Triatayllou said that the turning point came at halftime, after the team regrouped and focused on correcting mistakes. 

    “I think at half, just by holding each other accountable and realizing our mistakes and what we were doing wrong, we were able to build off those mistakes,” Triatayllou said. “I think we really capitalized on their mistakes after we fixed ours. It just made us able to play good, clean rugby.”

    Even with the win, Cornejo acknowledged there’s still a lot the team could improve on. Some things they’d like to focus on is getting better at protecting the ball and how to react when getting tackled by multiple players.

    “I feel like everyone on the team knows that we could have performed better, but after our first half we found ourselves. We found our systems and started working on it,” Cornejo said. “I’m glad to have these boys as my brothers, they have my back and I got theirs.”

    Sadie is a junior communications major, journalism minor at Cal Poly Humboldt who has an interest in covering and taking photos for sports and wildlife journalism, and a slight interest in breaking news. She can be reached at sls331@humboldt.edu.

  • Blood on the dance floor

    Blood on the dance floor

    By Will Bishop

    With the wind howling and the sun sinking, five challengers entered the Arcata Veterans Hall. While generally a place for people whose battles have already been fought, this night was an exception. It was time for a long awaited return; a resurrection of something once thought to be dead and buried — the reemergence of 105.1 KRFH Radio’s Battle of the Bands (BotB) on Saturday, Feb. 21.

    “I’ve seen posters, like, vintage posters in the station of old BotBs, but I don’t think we’ve done one in a minute,” said KRFH Station Manager Miranda Ricks, a senior year journalism major. “This was kind of a little passion project of mine because I think it’s so — I don’t want to use the word cliche, but it’s such a movie trope to have a BotB, and I’m just really happy we were able to pull it off.” 

    Attendees were encouraged to scan QR codes located around the premises to vote for their favorite act, while merch tables could be found all over offering both band specific loot, as well as good ol’ fashioned KRFH memorabilia. Around 6 p.m., the first band took the stage.

    Datura Blues: Starting things off with a moody and atmospheric bang were KRFH BotB vets Datura Blues. Consisting of multiple Humboldt State University (HSU) alums including Oryan Peterson-Jones, who wrote his own ethnomusicology major called “Music as a cultural metaphor.” From 2000-2004, they played every KRFH BotB, and were valiantly defeated every time. 

    “We’re not a winning band,” Peterson-Jones said. 

    Given their sound, a purely instrumental cosmically minded psychedelic maelstrom, this is no surprise. Many of history’s greatest heroes are unsung in their time. 

    Speaking of history, Peterson-Jones’ legacy with KRFH goes all the way back to 1994, with his high school band entering the fray as young upstart contenders. He would go on to become program director and music manager, and even become close friends with KRFH founder Gary Melton. A true KRFH hall of famer if ever there was one. 

    Heaven’s Taint: A lineup choice clearly intended to give the audience whiplash. Regarding the contrast between the first two bands, frontwoman Sunny Breed, a Cal Poly Humboldt (CPH) alum with a psychology major, said, “We’re gonna break that trance, we’re gonna break it up.” Breed, in the purest sense of the word, is a rockstar. A performer equal parts electric and elastic, pogoing around the stage in a pair of white framed shades and spitting out every word.

    Lady in Waiting: It was time for the youths to take the stage to make everybody sad and introspective. This was the band’s first ever live performance, but listening to them you would never be able to tell. Like a newborn baby that’s inexplicably and disturbingly an adult man with a job and a drinking problem, they have arrived fully developed and ready to talk about what ails the world with whoever will listen. 

    The main songwriting duo at the heart of the group, Jack Sparks and Sophia Rudoni, are both art majors at CPH. Additionally, Rudoni is one of KRFH’s own, operating under the alias DJ Beeprincess. 

    The band’s influences are diverse and eclectic, emphasizing 90s New York bands like trip hop innovators Bowery Electric, and Japanese shoegaze act Pasteboard. Their third song, Martial Law, had more modern, political influences. 

     “Next song is about the president of the United States, fuck that guy. Fuck [Immigration and Customs Enforcement],” Sparks said.

    Shortly followed by a student making a quick announcement onstage regarding last week’s Siemens Hall occupation and the upcoming open forum scheduled for Friday, Feb. 27 at 8 a.m.

    Eradescents: By this point in the evening the audience had reached its peak size, and it was time for crowd-pleasing act Eradescents to take the stage. With only three members, they were the smallest band in competition, but they had heart to spare and powered through a rambunctious set rife with memorable moments. From a charged performance of Don’t Want to Know If You Are Lonely by Hüsker Dü to the band being honored with the first and only thrown novelty thong of the night — which swiftly wound up on the drummer’s head for the duration of their set. This was precisely the kind of performance you affiliate with a classic BotB experience.

    Pennies for Pluto: Announcing themselves with an improvised ditty about the event, the band quickly launched into an absurdly impressive set demonstrating virtuosic chops from every member. Frontman and bleeding heart of the band Orion Jesse Paul delivered a soaring vocal performance and shredding licks in equal measure.

    This marked the end of our lengthy and tumultuous journey. Each combatant had said their piece and now it was time for the audience to decide. Out of a grand tally of 112 votes in all, the winner of this most hallowed of tournaments was none other than Lady in Waiting. For their efforts each band member received a KRFH shirt, pin, patch and poster, as well as a slot in an upcoming Local LIXX session, a radio promo, and the opportunity to have their recorded music uploaded to KRFH’s automated system for that sweet sweet airtime.

    Will Bishop is a Cal Poly Humboldt journalism major. He is prone to writing essays about things that bother him, and fictional works about things that also bother him but in different ways. A highly bothered individual, and a lover of cinema, music, and large trees/rocks. He can often be found in the woods, dancing to bring down the sky.

  • Winging it at BSU Trivia Night 

    Winging it at BSU Trivia Night 

    By Marielle Winuk

    Taste buds sizzled on the tongues of sweating students as they scrambled to answer trivia questions and test their Black History Month knowledge at the Black Student Union ‘Hot Ones’ trivia event on Feb. 16. 

    Jei Farner, a bio chemistry and cellular biology major, hosted the four teams, titled Black Pepper, Black Power, Heartburn and Jalepeople through three different rounds.

    The round one categories consisted of Black history, film and tv, and music. The points earned in round one determined what level of hot sauce the teams received on their wings in round two. 

    In round two, it was time to face the first round of hot sauce. Black Power and Heartburn each sent up two members to compete in the Black Math category. Before answering, the team had to eat the hot wing and then answer the question. The first hot sauce used was called Tropical Amariallo, which had a heat level rating of six out of 10. Team Heartburn answered the most questions correctly, advancing them to the final round. The second match up was between Jalepeople and Black Pepper, with Black Pepper moving on to the finals. 

    In the final category, things started to get… hot. There were five wings on the table, and competitors raced to take at least two bites of the increasingly spicy wings while answering the trivia questions correctly. The wings got progressively spicier as they went down the line, and the final wing had The Last Dab Thermageddon hot sauce with a heat level of 11 out of 10. 

    Two gallons of milk and the cold outdoor air became essential to combat the spicy wings. Black Pepper went through their five hot wings and questions, and emerged victorious with a winning time of 12:23. 

    Marielle is a junior journalism major with an interest in politics and sports. She can be contacted at mmw146@humboldt.edu

  • Gain global awareness through media literacy & studying overseas

    Gain global awareness through media literacy & studying overseas

    By Adam Le

    Doomscrolling through mountains of misinformation? The answer is international education, according to Jaishankar Raman, California State University (CSU) Executive Director of International Affairs. Raman spoke on the Scholarship in the Age of Forgetting keynote panel on Feb. 11 as part of Cal Poly Humboldt’s International Education Week. One way to get that education is to experience the world through student travel.

    “When you study abroad,” Raman said. “What you get is to conquer your fear with curiosity, receive more experience talking and interacting with different people and become more empathetic.”

    Raman told the story of his semester in China, when he needed to buy milk for his one-year-old. He didn’t know Mandarin, so the struggle to communicate was real.

    In California, two-thirds of respondents to a Global Affairs Survey state global affairs is an important issue to them and more than 80% of Californians say they think educational institutions should not be subjected to “political” pressures, according to Ian Klaus, founding director of Carnegie California. Klaus is a leading scholar on urbanization, geopolitics and global challenges. He told the panel that support for subnational governance has increased in the last 12 months and that California should develop and maintain its — largely unofficial — diplomatic power.

    Kate Gordon, CEO of California Forward, talked to the panel about the need for a return to energy-based geopolitics. Gordon has held senior roles in California state government, including Director of the Governor’s Office of Planning and Research, and Senior Climate Policy Advisor to Governor Gavin Newsom. In that position, she helped launch major initiatives integrating climate and economic strategy statewide.

    California Forward is a statewide organization that exists to push for an economy that works for all regions, not only growth but sustainability in the form of climate resilience. Gordon argued for a more diversified economy and what she called an honest set of conversations.

    Raman noted that as of 2026, California is the fourth largest global economy with a GDP higher than Japan. 

    “We have been the standard-bearers for environmental regulation,” Raman said.

    California can be a leader in education, as well, and that makes the work done by the CSU of key importance.

    “The CSU is a microcosm of California,” Raman said. “The CSU system educates the most students of all higher education institutions.”

    Raman believes the institution’s scholarship should be in pursuit of truth and knowledge. He noted that students need to learn how to do that in the age of forgetting, characterized by doomscrolling through information of varied credibility. It’s critical to understand that many media sources do not curate information to be more democratic. Leading stories are often those that receive the most amount of engagement — and that can be rage-inducing content.

  • Seven years after the killing of Josiah Lawson, Arcata still mourns his loss

    Seven years after the killing of Josiah Lawson, Arcata still mourns his loss

    By Eli Farrington

    On April 15, 2017, David Josiah Lawson, an HSU sophomore, community leader, and member of the Black community, was killed at a house party in Arcata. He was sprayed with bear mace and then fatally stabbed six times after he was falsely accused of stealing someone’s cell phone. 

    On the seventh anniversary of Josiah’s passing, members of the Arcata community gathered in the square to honor his time on earth with a candlelight vigil and call for justice to be served. 

    Sarai Bordeaux, community member and former Humboldt State University student, spoke about the lack of justice surrounding Josiah’s case. She was heartbroken to hear that nothing was being done to bring Josiah’s attacker to justice. 

    “The fact that people knew who did it, knew who was involved, and very much could have done something, but didn’t, has stuck with me throughout my entire context in moving back to Humboldt,” Bordeaux said. “I’m a substitute teacher, and I work in the community, and to hear that there’s an event to celebrate Josiah’s life in the midst of a space that has done nothing to get justice for him just made me really want to come out.”

    For Bordeaux, the vigil served as a firm reminder that the Arcata community hasn’t forgotten about what happened to Josiah, and that the strength, persistence, and power of the community as a whole has the power to make positive change and make Arcata a safer place for people of color. As much as she loves the tight-knit community of Arcata, Bordeaux knows that it can be a bit intimidating and unwelcoming to marginalized communities coming here for the first time, especially when it comes to getting housing, jobs, and meeting locals. 

    “As much as I love coming out here, and as much as I need to come out here and see the community and know that we’re all still grieving, as much as I want space to be held for us, I am tired of holding it in trauma. the vigils that we hold are a visible display of our trauma,” Bordeaux said. “[The vigils] are important because people need to know that this is what we’re still dealing with here. We have to keep holding vigils because our folks keep getting murdered. We have to keep coming out to honor the lives of those that we have lost.” 

    Marlon Jones II, a community leader, activist, and organizer of the vigil, shared Bordeaux’s desires to create a safer and more accessible Arcata for people of color. He acknowledged the hard work and dedication of places like El Centro and the Umoja Center, but he expressed the fact that many black and brown students still feel unsafe outside of these environments. 

    “Through the vigils, I’ve met so many amazing people who all have this common goal of just making this place safer for Black and brown people, and providing these spaces where we can just exist,” Jones said. “Places where we can be ourselves and not feel threatened by this white supremacist, patriarchal society that tells us that we have to conform to certain spaces, or that we don’t belong in them at all.”

    Jones believes that Josiah’s vigil will continue to impact the community and motivate people to take action and seek justice, even when it may not be easy. 

    “It’s important to remember how to remain hopeful in a place that surrounds you with hopelessness,” Jones said. “It’s important to be the answer to the question … to understand that we the people, as a community, are the solution to this. We have to understand how powerful we are.”

    A major source of hope for the Justice for Josiah Committee and all of its supporters is Charmaine Lawson, Josiah’s mother. After Josiah’s passing, Jones was introduced to Charmaine. She immediately took him under her wing and showed him unconditional love and support. While she wasn’t able to attend the vigil this year, she has attended every year in the past, and even often comes on a regular basis, making the long trip up to Humboldt from Southern California to honor her son’s life and continue to spread love in Arcata. 

    “[Charmaine] does so many things for the Arcata community, despite the lack of justice,” Jones said. “She does so many things out of love and gratitude because that’s just who she is. That’s who her son is, even though he’s no longer with us physically. This young man was on the path to changing the world positively, and he was taken from us, through that avenue. There’s been so much love and support behind getting that justice, behind putting those minute steps into action, going to the courthouses, calling the [District Attorneys], and making sure that they know that this is important. Not just to Arcata, but to California, and to anybody that has had to deal with a missing or murdered person.”

    Charmaine Lawson’s goal since her son’s passing has been to continue to uplift the Cal Poly Humboldt and Arcata community. Her passion and positivity inspired countless others to follow in her footsteps, including Romi Hitchcock Tinseth, a community leader and organizer of the vigil. When Tinseth heard about Josiah’s murder, she immediately knew that she had a responsibility as a mother to take action and help the cause in any way that she could. 

    “It’s no wonder that DJ [David Josiah] was a spectacular human being, because his mother is a spectacular human being,” Tinseth said. “She has devoted her energy to carrying on the love that DJ gave, that is a product of her love. So she comes here, she does good in this community, she does the work that DJ would be doing, and she has come often every single month on the 15th, for years now. And it has been seven years. This is the first anniversary of DJ’s death that she was not here, because she chose to surround herself with her family in Southern California and celebrate DJ’s life that way.”

    Seven years after his passing, Josiah’s positive impact on the community is still being felt in many different ways, giving Tinseth and many others an outlet for creating a better Arcata and a better world. 

    “[He was] an incredible student at Humboldt State University, a leader, a person who was dedicated to changing people’s lives for the better, and fighting for justice in the world,” Tinseth said. “In fact, he was a criminology and justice studies major. He was President of Brothers United at Humboldt State, and just an amazing, good human being.”

    Michihiro Sugata, Cal Poly Humboldt Criminology & Justice Studies Program Coordinator, Associate Professor of Sociology, and former teacher of Josiah’s, spoke about who Josiah was as a student and a man. According to him, Josiah had a contagious smile that brought people in and kept them engaged. Josiah brought so much light and energy to his class, and his positivity was infectious. He loved to learn new things and take on new challenges, and he wasn’t afraid to discuss difficult topics. 

    “Losing Josiah was like watching hope die,” Sugata said. “I’ve never articulated it this way before, but Josiah was the type of student that [educators] put our hope in. He was the type of student that makes you believe that the challenges of this world can be met and overcome — he instilled hope in all of us and to lose that was just devastating. But I know he wasn’t the only one, and to see young people showing up to the vigil, to see young people painting murals and writing poetry about Josiah, that brings back the hope.”

    The vigil was ultimately a celebration of Josiah Lawson’s life, a life that was taken far too soon. But it was also a sobering reminder that justice has still not been served. 

    “These vigils remain important for many reasons,” Sugata said. “They keep us connected to one another, and keep us connected to the broader fight for injustices in our community and beyond. Just as important, the vigil serves as a symbol for the continued struggle for racial justice within this community and this country. For those of us who knew Josiah, gathering in community and fighting for just causes isn’t just an act of remembrance. It’s a way to honor the man he was and the life he lived. These are the things he embodied.”

  • Student dancers bring art to life in the Van Duzer

    By Dezmond Remington

    Dance Visions can’t be summed up in a few simple opening sentences. 

    The concert can’t be judged as a whole because of the six students and three faculty that choreographed 10 different dances, all performed by dancers from Humboldt’s dance department. Each dance had its own different look. There were fairy tales, night clubs, and cabaret halls all on stage, as well as a few more archetypal modern dance pieces. 

    It was a celebration of aesthetics. Though none of the costumes or lighting was overly elaborate, it was all rich. No dance was boring to watch. All of the dances were a thrill to watch as performers contorted and flipped, swayed and leaped. Broken Boundaries, a dance choreographed by professor Linda Maxwell and performed by just three dancers, looked like a moving painting. 

    Though the pieces by the professors were perfectly, reasonably interesting, the most entertaining and daring performances came courtesy of the student choreographers. Alli Bush’s 8te was a neo-burlesque extravaganza. Miriam Allen’s Evocative Pigment juxtaposed three different colors in a dazzling display of light and motion that was wholly captivating.

    The one criticism that could be thrown at Dance Visions is that art usually has some kind of meaning, a meaning that many of the dances seemed to lack. What significance or idea they expressed wasn’t easy to pick up on, though I’m no professional art critic.

    But how much does that even matter? Dance Visions was a beautiful spectacle, a fun look into the minds of Cal Poly Humboldt’s dance auteurs and performers. Meanings or messages can be overrated when it comes to critiquing art, especially at a college level when people are just learning how to express themselves. It was joyous, a delight to the senses. That in itself is a meaning. 

  • Horoscopes except it’s the type of milk you drink

    Horoscopes except it’s the type of milk you drink

    Dumberjack is out now! Find it on a newsstand near you!

    Courtesy of Dumberjack reporter, Radio Rebel

    OAT – If you drink oat milk, you probably have a Costco membership just to buy the bulk boxes of Kirkland brand cartons that don’t last nearly as long as they should. You might be a psych major holding a vape right now, and if you aren’t – you’ve thought about it. 

    SOY – Are you someone who doesn’t eat meat? You might be a soy milk drinker. It’s time to take that much needed social media break and maybe pick up that book that’s been collecting dust on your bedside table. Extra points if the book is anything other than fantasy. 

    WHOLE – In a world of 100 different types of milk, with a new milk type trending every day, it can be hard to stick to your roots. Whether you’re only drinking whole milk in your coffee or by the glass, you’re proud to be an American. 

    GOATS – You grew up shopping at the local health food store and it shows. If you drink goat milk, you were probably homeschooled but turned out pretty okay. When you pull up to the picnic, you’re definitely bringing the Humboldt Fog, and we thank you for it. 

    HEMP – A cannabis studies major, obviously. Hemp milk drinkers prefer chai over coffee and will engage in long form conversation about plant medicine. Long hikes in the woods are fun, and the mushrooms are fruitful, but it might be time to consider making some friends to join you.

    MACADAMIA – As a macadamia milk drinker, you’re either an art major who spends way too much money at your local coffee shop, or you just had macadamia milk for the first time because they were out of hemp milk. I’ll see you later at the open mic. 

    LACTOSE FREE – You’re a freak! Or lactose intolerant. Either way, you’re getting freaky in the bedroom. Lactose free milk drinkers are extremely well hydrated, and pretty buff considering the size of the hydroflask they’re always lugging around. How does it feel spending your paychecks on Lactaid?

    ALMOND – you’re the kind of person who takes 20-minute showers and leaves the water on while you’re brushing your teeth. Humboldt is the dream for you because you’ve been on travel influencer TikTok since you were 15. We’ve already seen that picture of your hiking boots hanging off Strawberry Rock, no need to post it every sunny weekend. 

    COCONUT – If you’re sitting in your dorm room still grieving the fact the only coastal town college you got into was Humboldt… you might be a coconut milk drinker. You had to buy your first warm jacket six months ago, and your surfboard doesn’t get used nearly as much as it used to. It’s okay though, you’ve got your outdoor recreation class to keep you busy. 

    BREAST MILK – What. There are only 3 types of people drinking breast milk: babies, curious husbands, and creepers who frequent Craigslist. If you’re a college student, stay away from all three. 

    graphics by TeenyTinyRat and Radio Rebel
  • Jasmin’s corner; what-ifs

    Jasmin’s corner; what-ifs

    Hello Jasmin, 

    I have this special person with whom I had a long standing relationship with. Going to college sort of brought an end to things and we came to a mutual understanding, so the breakup wasn’t bad at all and we’re still friends. It’s been 3 long hard lame ass years and she still pollutes my mind – it’s ridiculous. I can say I’m over the emotional heartbreak, but I still think I’m hung up on the idea that something might come of the future when I’m making big money and able to support that type of relationship. I saw them recently after a year or two of not talking and they seemed interested, though maybe I’m delusional. What’re your thoughts on revisiting relationships and do you think it’d be a good idea to try and pick up the pieces, or should I continue on as is? 

    Friend, you’re not over the emotional heartbreak or the girl. Leaving for any reason besides losing feelings or realizing your partner was actually a bum the whole time is always going to leave you with unresolved feelings and daydream-ey what-ifs. 

    If you think she’s interested, I don’t see why you wouldn’t at least try – especially if you’re not long distance. If you are, consider where you might both be in the future before you get too excited. No one should have to suffer through a long distance rekindle with an ex. You very obviously are holding out for this girl, so I definitely recommend not seeking anyone else romantically until you figure out your feelings and what to do with them. We don’t want anyone else getting their feelings hurt. 

    I don’t know the reasons behind your breakup, but I do insist that you reflect on the bad parts of your relationship and not only the warm, fuzzy memories. I will never tell you not to follow your heart – I actually encourage it. If you don’t think the timing is right, you’re right – it never is. We’re given the cards we’re dealt and have to figure out how to play them accordingly. You can show your love without having a big money job. The future isn’t promised and we have to act while the people we love are still around us. Just try to not be too aggressive or forthcoming with it.

    All in all, the only person that can tell you what to do is you. Would you rather suffer through the what-ifs or just find out for yourself? Is finding out for yourself worth the potential let-down of a second breakup? You tell me. 

    xoxo,