The Lumberjack



Students Serving The Cal Poly Humboldt Campus and Community Since 1929

Tag: Students

  • Cal Poly Humboldt campus hosts Food Summit

    Cal Poly Humboldt campus hosts Food Summit

    by Angel Barker

    A three-week-long Food Summit is on campus, and you’re invited. On-campus organizations El Centro, HEIF, Umoja Center, the Food Sovereignty Lab, Oh Snap!, WRAPP, and La Comida Nos Une all collaborated to make this event happen.

    Liszet Burgueno, Developmental Manager for the Humboldt Energy Independence Fund (HEIF) and environmental resource engineering major, talked about the nature of the event.

    “The Food Summit is a collaborative event where multiple campus organizations came together to start conversations about food justice, food sovereignty, and to give people food,” Burgueno said.

    The first week was about the general topics to introduce people to the issues of food sustainability and justice. This week is about jobs and exploration in the food industry, and next week is about environmental justice and social justice.

    HEIF is funding the Food Summit according to Katie Koscielak, Cal Poly Humboldt’s sustainability analyst and advisor for the event.

    “The campus has done other food summits, but not in several years, and this is the first one funded by HEIF,” Koscielak said.

    Photo by Angel Barker | Katie Koscielak, sustainability analyst for the campus, and Liset Burgueno, development manager for HEIF and environmental resource engineering major at the table for HEIF at the food summit on April 6.

    HEIF funds sustainability projects on campus through instructionally related activities fees that students pay for each semester. Past projects have included water refilling stations, compost bins, lots of lighting upgrades throughout campus, hand dryers, and many more. These projects take effect when students submit proposals to the organization.

    “Last semester, El Centro came to HEIF and submitted an idea paper, where they wanted to get reusable utensils,” Burgueno said.

    Darin Torres, criminology and journalism major, pitched the idea this semester for a food summit. Torres spearheaded the ideas and planning, and after months of collaborating with many campus groups and local organizations, the event planning has been successful.

    “I am really proud of what we’ve done so far,” Torres said. “Education is power.”

    This event is not only to educate, but to get students involved with interactive events to help make the planet a better place. This event is really important to Torres, as food insecurity is a huge part of the greater Humboldt community.

    “We have issues with indigenous cultures’ food not being respected,” Torres said. “Food is a major insecurity in Humboldt County, we have students who face hunger and homelessness so much. So we just wanted to incorporate it all into the food summit.”

    “We have regenerated, and hopefully it will continue,” said Fernando Paz, coordinator for El Centro.

    According to Paz, the event itself is, a way to really reflect on our carbon impact in terms of food that we use.

    This Thursday, April 14, there will be a film screening of Gather hosted on Zoom, and on Friday there is a plant tour on campus and an opportunity to volunteer at Bayside Farm. Many more events are also scheduled throughout the week. To find the whole event schedule, go to https://lcae.humboldt.edu/food-summit.

    “This event is made for you in mind, it was made for students, by students,” Torres said.

  • Voting virtually for your student representatives

    by Matthew Taylor

    Associated Students’ elections are coming fast, yet empty seats and uncontested positions stay plentiful. Fifteen positions stand open for election with only nine candidates on the ballot and write-up so far. Current A.S. members Chase Marcum and Giovanni Guerrero are running for the only contested seat, the presidency. Students have until April 14 to run as a write-in candidate, however.

    Four particular candidates bring unique attention from outside the rotation of previous A.S. board members. One such candidate is Sawyer Chrisman, a communications major, seeking out the position of Administrative Vice President. Similar to most eventual members of the A.S, Chrisman was encouraged by a current member to run.

    “I’m good friends with Chase,” Chrisman said. “We were talking about A.S because beforehand when I got to Humboldt, I was president of my student government community college.”

    Other first-time A.S. members running for positions include Payton Belle, Gerardo Hernandez, and Sebastian Taylor.

    Elections will take place between April 18 to April 22 via emails sent to each Cal Poly Humboldt students’ official school email. The election will be done by choice voting, in which students choose candidates from most preferred to least preferred. The candidate who receives the most preferred votes in an amount of 50% plus one wins. Certain positions which represent the university’s specific colleges, such as the College of Natural Resources & Sciences Representative, may only be voted on by students majoring in that particular college. Before elections take place, however, candidates will be expected to participate in a public debate and campaign speech on April 14.

    “Candidates will debate against those candidates that are running under the same position,” current A.S. President Lizbeth Cano Sanchez said. “It will be a 20-minute debate [for each position]. These debates will take place via a Zoom webinar and in-person in Nelson Hall East 106.”

    Candidates who run uncontested are only expected to give a speech. Prior to and after the debates, candidates are highly encouraged to campaign all across campus after seeking approval at the Office of Student Life located within the SAC. This is especially imperative to late write-in candidates whose names will not explicitly be found on the ballot.

    “Do not pressure anyone, do not make anyone feel like they need to vote for you,” Cano Sanchez said. “We do not want to make our students uncomfortable, especially if you’re about to be one of their leaders.”

    Final results will be first published on April 25 and the transitional A.S. Board meeting on May 6.

    Only 5.6% of students eligible to vote did in last year’s A.S. election cycle. In order for a true majority of student participation, the A.S. must encourage a little under 3,000 students to vote. A lack of time and contesting candidates only serve to prove the difficulty that the association has ahead of itself. For more specific information about the elections, you can email as-staff@humboldt.edu or call (707) 826-5410.

  • Toyon volume 68 heals tender wounds

    Toyon volume 68 heals tender wounds

    by August Linton

    The 68th edition of Toyon, Cal Poly Humboldt’s multilingual literary magazine, was released on Tuesday, March 29. It is the culmination of a year of work by the staff, through forced distancing caused by COVID-19, across vast distances, and from a multitude of perspectives.

    Contributions to this year’s Toyon came from countries around the globe. The submission base’s broad scope means that works in many languages are featured. Some of the works originally submitted in a language other than English are presented in both languages, and some of the translation work is only available online on Toyon’s website.

    Maurizio Castè’s ‘Germogli verdi,’ or ‘Sprouts of green,’ published in both the original Italian and translated into English by Toti O’Brien, is a gently insistent witness to the beauty of spring, and to nature’s resilience in the face of climate change. This is a theme that surfaces at other points in Toyon 68, in Dobby Morse’s “The Fate of the Earth,” “Climate Change” by Larissa A. Hul-Galasek, and Meghan E. Kelley’s “What’s Left for the World to Say?”

    In these works, there is a deep veneration of both nature’s delicacy and of her strength. There is also an anger that seems to well up from deep within the Earth; anger for the future of humanity in the face of a climate apocalypse and for the fate of the natural world in our aftermath.

    There are many other standout poetic works in Toyon 68. The magazine’s opening work “Each Time I Held a Dying Bird” by Grace E. Daverson pulls the reader into delicately described and emotional pocket memories. As Daverson methodically describes each bird she has known, the wild joy of holding a bird in one’s hand and the childlike wonder of shining a flashlight into developing eggs organically melt into the glass-sharp grief of not being able to protect the ones you love.

    Toyon also publishes short stories, academic literature, and visual art.

    “Dismantling Structural Systems of Oppression Through a Revolutionized Pedagogy” by Ambar A. Quintanilla systematically explores the institutional barriers to education which Latinx and Black students face, multiplied by conditions during the COVID-19 pandemic. Quintanilla’s emotional connection to the subject matter as someone who has experienced these barriers (and who has seen the people she cares about be affected by them) is as important to the piece as her efficient and insightful analysis of the complex contributing socioeconomic factors.

    Among the magazine’s small selection of visual art, “Thinking” by Ernie Iñiguez and Mario Loprete’s “Concrete Sculptures” stand out. “Thinking” is a polished and pastel digital illustration of a meditating robot, while “Concrete Sculptures” is photos of the artist’s graceful and haunting sculptures of folded clothes.

    The theme of Toyon 68 is “hope and healing,” which is self-evident from the works within. The contributors’ love for this world and for the always painful process of healing is strung throughout the magazine, as taut and musical a guitar string. Healing takes time, passion, work, and love, and Toyon 68 has all of those. On the back cover of the volume, their sendoff is this:

    “WARNING: This product contains love, anxiety, dysphoria, tenderness, birds, affection, grief, orange juice, trauma, anger, and maternal bonds. Side effects may include self-reflection and a sense of inner peace.”

    Toyon 68 is available now in print and online.

  • Freshman FOMO

    Freshman FOMO

    by Nina Hufman

    I recently had an internal crisis: I realized that I am nineteen years old and almost done with my junior year of college.

    I just got out of high school a year ago and I already have to be thinking about real life. I just started college and it’s already almost over. I am most likely going to do a second major and stay in school for two years, partially because I really want a second degree and partially because I feel so unprepared to graduate.

    I was lucky enough to be able to be concurrently enrolled in college classes while in high school. I started taking online classes from a nearby community college when I was a sophomore and was able to earn my Associate’s degree halfway through my senior year. I transferred to Cal Poly Humboldt at eighteen years old as a junior. While I am grateful to have been able to save money and time, my circumstances come with their own set of challenges.

    It’s really difficult to relate to my peers, because my experience is not a very common one. I have one friend who is in pretty much the exact situation that I’m in. She transferred as a junior right out of high school. We talk a lot about how we missed out on the freshman experience and how difficult it is to relate to people who haven’t been in our situation.

    I don’t live in the dorms, I don’t eat in the dining hall, and I don’t have to take any annoying GE classes that have nothing to do with my major. While most people would agree that these experiences are awful, they get to commiserate and bond with others over those experiences.

    All of my friends and the people in my classes are juniors and seniors. I went straight from being in high school to being surrounded by people who are, for the most part, actual functioning adults who have goals and life plans. I feel like I’m so far behind; they’ve had three or four years to figure these things out and I’ve had one.

    My friends also don’t want to do any of the fun Humboldt things that freshmen do when they move here. I want to go to the beaches, go hiking, and explore this beautiful area, but I don’t want to do it alone. My friends have been here for years, they’ve already seen and done all of those things.

    People are usually shocked when they find out my age. They hit me with ‘I thought you were at least 21,’ ‘you’re so mature for your age,’ and ‘wow, you must be really smart.’

    The reality is that I have been a mini-adult since I was fifteen because I had to learn how to interact with adults in my college classes. The result of this is feeling out of place literally all the time. I’m simultaneously too young and too old for everything. I’m ready to start my life and be an adult, but I also feel like I missed out on my own adolescence.

  • Earl & Fucko

    Earl & Fucko

  • Gas prices are guzzling away my bank account

    Gas prices are guzzling away my bank account

    by Angel Barker

    When I started driving in high school, my mom and I had a deal that she would buy gas every other time I needed to fill my tank. Once I started driving upwards of 500 miles a week, that went away and I had to start paying my own way. To be fair, it was reasonable: I had a part time job and was driving a lot.

    I have a different part time job now that pays more. However, with the rising price of gas and how far out everything is in Humboldt county, it doesn’t make a difference. I am still spending an average of $300 a month on gas, and my car takes regular.

    On average (when I am not traveling) I only drive to work, school, home, and Eureka once a week for an appointment, and I time it right so I can get gas at Costco where it is the cheapest.

    I should also say that I am not a thief. I did not actually steal my mom’s Costco card, she knows I have it. It is her way of helping me pay for gas.

    I was sad in high school when I had to pay around $40 to fill up my tank. Now I am hoping and praying to pay that again. My car holds 16 gallons of gas, so with the California average of $5.91 per gallon as of March 29, it would take $94.70 to fill my gas tank if it was empty.

    That’s almost $100 to fill up my little mini SUV! I cannot afford to buy a hybrid or electric car, so I am stuck paying these gut wrenching prices. I used to go to Dutch Bro’s a lot in high school, and it is crazy to me that a gallon of gas is now more expensive than a Rebel or a cup of coffee. I know all of us are feeling this pain, and a little piece of my soul dies every time I go to the gas station.

    I recently took a road trip towards Redding and down to Modesto, and gas was cheaper everywhere, even in Paradise, the town that completely burned down in 2018. They are still rebuilding the city and there are only a handful of open gas stations, and they are still cheaper than here.

    The only place where it was the same price or 10 cents more was in a tiny town that was out of the way of everywhere. Humboldt is not a tiny town in the middle of nowhere, it is a whole county in the middle of nowhere. I am now realizing why it is called the Lost Coast, because no one knows about us and it is expensive as heck to get gasoline here.

    As much as I am complaining about gas prices, I am still going to pay them. What am I going to do, bike to work? No, driving already takes 25 minutes. It would take forever to bike, and I do not have the option to not go to work or school.

  • Cal Poly Humboldt music department performs a once-in-a-decade recital

    Cal Poly Humboldt music department performs a once-in-a-decade recital

    by Sophia Escudero

    One o’clock on a Tuesday afternoon is not the usual time for a music recital. However, this particular performance was more than just a display of student skill. Accreditors from the National Association of Schools of Music were in attendance, after two days on campus visiting classes, listening to students perform, and ensuring the university meets standards for music programs. According to music department chair Cindy Moyer, this process is one that happens only once every ten years.

    “For this particular recital, what they wanted to see was the full spectrum of the program, which is why you can see there were all different music concentrations and students performing,” Moyer said.

    A highlight of the afternoon’s performances was staff accompanist John Chernoff’s rendition of a moody piano piece by composition major Theo Singer. The audience watched in captivated silence as Chernoff played through to the last, lingering note with an intensely focused expression, leaving the music hanging in the air for a moment, before breaking the spell as he turned to the audience with a wide smile and a quick bow, freeing the listeners to rapturous applause. Singer is a senior, but the performers comprised the full range of experience.

    “This was hard because we needed a real breadth of things, we had to find freshmen and sophomores,” Moyer said. “We do an honors recital every year and that’s pretty easy, students audition and the very best play— but that was not the goal here. The goal was not the most advanced, most skilled performers entirely, it was the whole spectrum of performers.”

    Marimba player Makani Bright was singled out by Moyer as a particularly talented senior performer. Bright has been playing for about 12 years, and has an upcoming senior solo recital on April 10. They are a double major in percussion performance and applied mathematics, finding beauty in both.

    “The way that I relate both of my majors in my mind is that I think of them artistically,” Bright said. “I think of mathematics as an art form, it’s perfect and there’s many beautiful things you can do within mathematics. Both of them, to me, are an art.”

    Bright’s piece, “Chain” by composer Kazunori Miyake, was not one they had previously performed before an audience. The instrumental composition had almost narrative elements, combining multiple different feelings and rhythms into a complex and beautiful melody.

    “I feel really good about it,” Bright said. “I feel like I was able to express what I wanted to express and I really enjoyed myself.”

    The majority of the music on display was instrumental, with pianists, percussionists, and a saxophone quartet as standouts, but music education major Pablo Murcia was selected to represent the vocal arts.

    “I’m very honored, honestly,” Murcia said. “I was the only singer chosen, and that’s quite an honor. I’m very flattered, and happy that some people came out to support me. That was nice.”

    Murcia’s piece was an aria from Mozart’s Don Giovanni, “Deh, vieni alla finestra.” He performed in Italian, but his smooth baritone voice, expressive performing style, and connection with the music (which has been part of his repertoire since last semester) carried the story of the song to the audience.

    “Don Giovanni, he’s a Don Juan, he’s a player, and he’s trying to get the attention of a woman at her window,” Murcia said. “The whole piece is just him saying, come to me, come to me, trying different tactics to get her attention, and she just keeps sort of playing coy, and finally, by the end of the piece, she finally gives into his charms.” He laughs. “Quote, unquote charms— he’s kind of a narcissistic jerk, but yeah.”

    Music department ASA Samantha Heppe was excited to be involved in such an important production for the university.

    “I’m just excited for our music students to showcase their talents,” Heppe said. “This recital is in honor of the accreditation team, so this type of recital won’t happen again for another ten years.”

  • Slack is Back at Cal Poly Humboldt

    Slack is Back at Cal Poly Humboldt

    by Liam Gwynn

    Ethereal flute, harmonious tarot prophecies, and a faint vaguely skunkish smell: you’d think it was a description of a sixties wet dream. However, you would be wrong, that dream is very much alive in Humboldt county, particularly with a group of students who have started a slacklining group that meets every Sunday.

    Before the pandemic, Cal Poly Humboldt had a thriving slacklining community with a club that would meet weekly. The club fell apart in 2020, however, one former member has gathered a group of fellow slackers and begun the process of getting this group turned into an official club at Cal Poly Humboldt. Joseph Aguilar, organizer of the prospective slacklining club, joined the original club in 2019 and has been slacklining ever since.

    “I love how when you’re on [the slackline] it’s just you, you have to be focused and present, and in that moment and you have to be hyperaware of all the muscles in your body,” Aguilar said. “It’s really good for core strength and all sorts of stuff.”

    Aguilar decided to start throwing “Slack Sundays” with a group of his friends and it gradually blossomed into a communal gathering of musicians, slack enthusiasts, and an assortment of nature lovers.

    The atmosphere at “Slack Sunday” was laid back and welcoming. Unlike many sports activities, there was no sort of competitive spirit or pressure to perform perfectly. People stretched back on picnic blankets and relaxed while others painted, played a variety of instruments, gave tarot card readings, threw a frisbee, and even tossed around a boomerang. Others came just to meet new people and hang out.

    The skill levels at “Slack Sunday” were equally diverse. For some, it was their first time and veterans held their hands and gave tips on how to cross. On the opposite side of the spectrum, genuine professionals showed off their skills with remarkable tricks on a line five feet off the ground.

    Photo by Abraham Navarro | Gabriela Vargas and Joe Mallory, both experienced slackliners do tricks and balance on their lines at the Mad River Pump Station on March 22.

    One of those professionals was Gabriela Vargas. She started by slacklining in her hometown Mexico City and moved to the US after receiving a sponsorship for competing in a trick line competition. Vargas originally moved to Colorado but was attracted to Arcata because of the slacklining culture that exists here.

    One issue that many professional slackliners face is debilitating injuries. Vargas said one injury she had forced her out of the competitive space after a leg injury that took six months to recover.

    “I like to take my healing slow, because if you don’t let it fully heal and just go back to doing it, it can get chronic and I don’t want that to happen,” said Vargas.

    Despite the setback from her injuries, Vargas has continued to expand her skills and has become proficient in highline, when a slackliner is harnessed to the slackline and balances over massive heights. Vargas showed a picture of her slacklining over an incredible drop of over 6,500 feet.

    People enjoy slacklining for a variety of reasons but one central theme is the benefits of achieving mental and physical balance when on the line. The appointed treasurer of the prospective club Ella Feick explained how her passion for slacklining stemmed from that need for balance.

    “You’re thinking in your head, you’re breathing in your body, and you’re focusing on your balance in a way that you’re not typically. If you’re stressed out or having a hard day you can’t really be thinking about all that stuff, you’re just there,” Feick said. “It’s a very present activity.”

    “Slack Sundays” are hosted every Sunday from 12-5 p.m. at the Mad River Pump Station 4 – Disc Golf Course.

    Photo by Abraham Navarro | Destiny Vera, Joey Agualar, Ella Feic, Ang Younger and Younger, all students interested in the Slacklining club on campus, at the Mad River Pump Station on March 27.
  • Students jam out on campus

    Students jam out on campus

    By Lex Valtenbergs

    On a sunny day in early March, Wildlife sophomores Olie Espinoza and Dee Naranjo played guitar and conga drums in a hidden alcove near the Art Quad. The sound of the impromptu music could be heard from several feet away.

    Photo by Abraham Navarro | Dee Naranjo Plays the Conga drum he uses for for class near the art quad on March 7.

    Espinoza (@itsolie_909 on Instagram) just started learning how to play guitar last year and has been playing it ever since.

    “I picked it up in maybe June of last year,” Espinoza said. “It’s definitely something that I always wanted to do and I never got a chance to do it.”

    Espinoza and Naranjo met in the dorms during their freshman year and jam together whenever they get a chance. Naranjo (@deedeedeedeedeedeedeeeeeee on Instagram) didn’t play any drums prior to learning how to play the congas in a class that they took to fulfill a General Education requirement.

    “I just took it as a GE class for the credits, for the art section of GE,” Naranjo said. “I saw it, it sounded cool. I’ve only been taking it for a month so far, so I don’t know much but it’s been really fun.”

  • I’m a first generation college student

    I’m a first generation college student

    By Mekiah Glynn

    My mother dropped out of college after one semester and my oldest sister dropped out of two different colleges within the span of two years. I am the definition of a first-generation college student. A third of undergraduates are first-generation, yet we hear very little about the perspectives of these college students.

    Luckily for the third of us here at Cal Poly Humboldt, there are a lot of resources for students who don’t have parents that know how to walk us through each step of college life. With mentors and workshops, Humboldt has helped me with the transition into college.

    Moving eight hours away from my hometown to Humboldt was already a big transition for me, but it was significantly more difficult as a first-generation college student who didn’t have a lot of people to talk to about college. My mother has supported me throughout all of this as best she can. Still, no one prepared me for the mundane things you have to go through in college that most students just know about, such as which meal plan to pick, what you really need for classes, and how to manage your time.

    Those questions were answered by my RAMP mentor for the most part, which was really helpful during the year, but less so before the year started, when I was signing up for classes, housing, and meal plans. During the summer before I started, the only resource available was my sister who is a communications major at UC Davis. She didn’t have much knowledge about a smaller college or classes for an environmental studies major. Because of this, my first semester was really rocky. I failed a class, edited my meal plan, and struggled with online college classes.

    The workshops about organization, mental health, and finding a job were really helpful mid-way through my first semester. The school’s resources weren’t directed at first-generation college students, but they were still helpful.

    Going into my second semester of college was a bit easier. I was more used to the day by day and was more aware of the resources that were available. It was still a struggle. I couldn’t ask my mom about things that I’m sure most of you could ask your parents without even thinking about it, such as questions about how to contact my professors or how to deal with a roommate.

    Being a first-generation college student is hard. The pressure of wanting to succeed where your parents couldn’t and the need to figure out a lot of it completely by yourself will never be easy. There can always be more resources put into place that could help out the third of us that are here alone, but I do believe that Cal Poly Humboldt does a great job trying to help.

    Make sure to check out the basic needs section on Cal Poly Humboldt’s official website if you need any help with mental health, housing, food, etc.

  • Nimby threatens Cal Poly Humboldt student housing

    By Gabriel Zucker

    The California housing crisis can be summed up with one question: to build or not to build? The status quo has always favored single-family homeowners. The recent win for NIMBY (Not in My Back Yard) over UC Berkeley has brought light to the biggest problem California college students are going to face for the foreseeable future: the lack of affordable housing.

    California Governor Gavin Newsom passed a stack of bills focused on fixing the California housing crisis. The biggest bill was Senate Bill Number 9, which allows a four housing unit on a single-family lot. This prioritizes affordable housing for future generations and moves away from the outdated practice of single-family zoning.

    NIMBYs are local homeowners against affordable housing in their neighborhoods. They argue that their home values will drop and they will lose the peacefulness of single-family-owned housing communities if affordable housing structures were built in the area.

    The California Supreme Court sided with NIMBY in a court case against UC Berkeley, going against California’s push towards affordable housing. This forced the school to cut admissions by 2,500 students for the 2022 fall semester. NIMBY won because they argued that UC Berkeley was accepting more students than they could house.

    College students all over California are beginning to feel the effects of the housing crisis. Demand is rising while the options are dwindling. There is a lack of options and if this does not change other colleges will soon be forced to cut their enrollment.

    NIMBYs recent win highlights the division between single-family housing communities and the growing need for affordable housing. College towns are at the epicenter of this issue. College campuses will never be able to house their entire student population. Students rely on the surrounding community to find housing.

    The NIMBY movement is fighting against this change, wanting to preserve a way of life that does not exist anymore. The single-family home is not possible anymore in a changing climate and ever-growing homeless population. NIMBYs are clinging to their current comfortability instead of adapting to the needs of the next generation.

    Cal Poly Humboldt Students will soon feel the effects of this landmark decision. The influx of new students is a great thing for the university’s status but the campus will soon face tough decisions if they do not adapt to the changing times and work with the community to build more affordable housing in the surrounding area.

    A giant problem this semester has been the lack of parking on campus. Students must park farther and farther away from their housing because of the increase of students and stagnation of parking spaces. I had to spend months trying to find an apartment off-campus this past semester. There are already tell-tale signs of the strain the student body is putting on the schools’ resources. If UC Berkeley is a sign of things to come we must adapt before it is too late.

  • Sex toys for the soul

    Sex toys for the soul

    By Alana Hackman

    The college experience is something you hear about before you get the chance to step foot on campus. Whether it’s beer talk with dad or sorority rushing advice with mom, we all get a little taste of the dining hall food and frat parties from the people closest to us before our own orientation day, but they usually skim over one major detail: sex. Blame it on your nearing 20s or the newfound freedom of living hours away from your parents, but sex is definitely a part of the college experience. Whether you participate in it or not, with sex comes sex toys.

    Graphic by Sierra Cosper

    Cal Poly Humboldt’s Peer Health Educators (PHE Humboldt) are here to promote sexual and mental health on campus. The program is funded through the Student Health Center and works to provide student-to-student education surrounding sexual and mental health. The peer educators apply their and others’ experiences to create interactive health promotions such as workshops or guest speakers. The program also focuses on sexual wellness within yourself as well as with partners. The educators encourage the use of sex toys and even have some silicone dildos on display in their office located in the Recreation and Wellness Center in room 127.

    The current Peer Health Educators are Sierra Cosper, Selena Aguilera, and Emily Black. All have been with PHE for over two years now. Cosper explained how they feel there is still a stigma around sex toys and sex education as they experienced it first hand as a peer health educator. Cosper also noted that discussion about sex toys and the use of sex toys sometimes intimidates those who identify as male and is more taboo in their daily discussions compared to women.

    “Sometimes when I talk to them [men] about the job I’m doing they’ve said ‘oh why would I come in here to know anything,’” said Cosper. “ There’s this idea with men and sex toys that they can’t be better than their penis.”

    Black also added they have a tendency to leave out the part about sex toys when explaining their job role to new people they have met to avoid assumptions. She also mentioned how she lacked exposure to toys and sexual wellness before coming to CPH and participating in PHE events.

    The group recommended the local storefront Good Relations in Eureka for those interested in dipping their toes into the world of sex toys for a wide selection of toys in discrete packaging as well as informative and helpful staff.

    “If you’re too embarrassed to go, you gotta remember they’re choosing to work there, they want people to come,” said Aguilera.

    “And then come,” joked Cosper.

    “They want you to be as healthy and comfortable about it as possible,” said Aguilera.

    The group also advised beginners to use toys by themselves before introducing them to a partner as it can cause some miscommunication sometimes. Although, all agreed using toys doesn’t have to be solitary and using them with others is an experience as well.

    Graphic by Sierra Cosper

    “It puts a lot of pressure on relationships sometimes, like ‘I’m not good enough’ feelings cause you’re using this toy, but they’re actually just really fun,” said Cosper. “You can’t expect your partner to get you off every time also.”

    “It’s supposed to enhance your experience not take anything away from it,” added Aguilera.

    Black, Cosper, and Aguilera also encourage proper care of sex toys to avoid sexually transmitted diseases or infections. They recommended a lot of toys are able to be boiled but toys usually come with care instructions on how to clean and properly care for them, also mentioning to steer clear of toys made of porous material and the use of silicone lubes on silicone toys to avoid degradation over time.

    “Something people forget to do sometimes is clean communal toys, which are more popular in queer communities,” said Cosper. “The communal strap-on, you should be using condoms on it between each person. Same with vibrators to avoid any risks of spreading.”

    The PHE educators all agreed they encourage more open discussions about sex toys to break the fears and taboos surrounding them, which is exactly what they’re doing within their roles on campus.

    Black encourages students to participate in their tabling events to enter a safe space for open conversations about sexual health and wellness.

    “Everyone gets embarrassed, but liking what you like is sexy,” said Aguilera. “Not being afraid to show what you like is nothing to be ashamed about, you know.”

    Join the Peer Health Educators at their annual Sexland event on April 23, a sex-positive, kink-based, informative event including sex toy giveaways and much more.

  • Jimmy Baca brings poetry to the people with Project Rebound

    Jimmy Baca brings poetry to the people with Project Rebound

    By Abraham Navarro

    A group of formerly incarcerated students picked up their ultra-wide pizza slabs and towering salad mounds from the counter at the Arcata Pizza Deli. They dragged two tables together, commandeering chairs from the surrounding tables and gathered for the feast. Each of the Project Rebound members were hungry for conversation with the famous award-winning Chicano poet, memoirist and member of the family Jimmy Santiago Baca.

    One of them asks him across the table as he takes a sip of his drink, “So, what’s the pale white monster that’s coming up to get you, Jimmy?”

    They were asking about an excerpt he read from a story where he steps out over frigid ice as it splinters beneath his weight to prove his love for his wife, Stacy.

    “Ah when you’re a kid you look deep in the water under the ice, you imagine all sorts of things,” Baca says.

    Photo by Abraham Navarro | Jimmy Santiago Baca, Chicano Poet, speaks to Cal Poly Humboldt Project Rebound in the Great Hall on March 23.

    Baca has a deep raspy voice, and he lights up when he talks to the student. He has a shaved head, furrowed brow with welcoming brown eyes and a warm complexion. Although he’s bundled up against the Humboldt evening chill in a black turtleneck and a blue down jacket, he feels cozy and right at home amongst the formerly incarcerated and system-impacted students from Cal Poly Humboldt’s chapter of Project Rebound.

    Earlier in the evening in the Great Hall above the College Creek Marketplace he read exclusive excerpts from some of his unpublished work and other poems and stories of his during the Project Rebound’s third annual Reentry Forum.

    Project Rebound is a program for formerly incarcerated and system impacted students at Cal Poly Humboldt. According to their website they aim to empower individuals convicted of a crime in a county, state, or federal jurisdiction who have clearly expressed their desire and readiness to earn a degree at Humboldt.

    Baca has been to previous reentry forums, even attending via Zoom during the pandemic restrictions to show his support for Project Rebound and getting to know the members like Tammy Phrakonkham, 30, a Cal Poly Humboldt Project Rebound member and a returning graduate student majoring in geology in the fall.

    When Phrakonkham heard Baca read his stories and share his wisdom, she felt as though her experiences being formerly incarcerated were validated. Her family comes from Laos as refugees to the United States. Growing up in impoverished conditions, she remembers her brothers and uncles all working in gangs, and she followed suit. Phrakonkham was incarcerated for stealing cars and trafficking ecstasy.

    “It was all I knew,” she said. “When I listen to Jimmy, I feel like I’m not the only one.”

    Despite years of isolation due to the pandemic, Baca was happy to make an appearance in Humboldt to visit his friends at Project Rebound, the first event he said he has been to since COVID-19 caused the shift to online events.

    “You all have become like my adopted family,” he said to them. “If it wasn’t Project Rebound I wouldn’t have even gotten on that flight!”

    Baca was adamant that poetry was for the people, those who suffer and work, play, cry, feel, live and die; poetry was not something that could be hoarded by the wealthy, kept from the poor. It was created by the people and it should be given back to the people. By sharing his work with Project Rebound, Baca feels like he has done that, and he has made a family out of them in the process.

  • Lifted mask mandate polarizes student opinions

    Lifted mask mandate polarizes student opinions

    By Eddie Carpenter

    On March 14, face mask requirements were lifted on Humboldt’s campus as a way to transition back to normal operations. This has created polarizing views towards how students and staff going maskless might affect the local community. Some students have chosen to ditch the masks while others still embrace them.

    Photo by Eddie Carpenter | Dillon Harp still wears his mask in solidarity with his peers.

    Local musician Dillon Harp expressed how one’s personal choice can affect the community as a whole.

    “As an African-American and knowing that my family has elders in it…the mask is just really there to protect others,” Harp said. “Obviously the mask can let particles in like more so than let particles out…Wearing your mask is really just about kind of looking out for the community for me. I ain’t really unmasking anytime soon. If we can all come together a little and see some of the basic logic behind protecting each other, our elderly family members- I think we can all help out and just keep the mask on a little longer.”

    Carlos Ochoa-Silvas, a rangeland resource major, expressed how masks gave him skin problems.

    “Wear a mask if you have symptoms of anything or if you feel like you’re not a hundred-percent,” Ochoa-Silvas said. “When I heard about it, I was mostly excited just because I didn’t like wearing the mask. I kept breaking out underneath and it was really irritating my skin.”

    Political science major Lake McLeod believes that Humboldt’s recent transition could not come at a better time than this.

    “Personally, I agreed with it. I think that eventually, we do have to kind of return to some kind of sense of normalcy,” McLeod said. “You know after two years of being masked…and the cases are down, so I feel like at this point we should learn to live with COVID like we do [with] the flu.”

    English and CRGS major Mireille Roman thinks of wearing a mask as an act of solidarity.

    “I would say that because it’s not a mandate now, it’s kind of become a personal choice to what you want to do with it,” Roman said. “But your personal choice still impacts people at the end of the day. I think the best way that my professor put it was like ‘I’m going to stand in solidarity with people who can’t take off their masks.’ Because there’s people who [are saying] ‘I’m perfectly healthy. I’m vaccinated. I’m good.’ Yeah, but just because you’re fine doesn’t mean that other people are going to be in a position to do so as well… but I think it really dictates the environment of a classroom when the professor chooses to wear a mask or not. Until the numbers are better and just nationally we’re more responsive to this, I’m probably going to keep wearing my mask.”

    Between March 15 and March 22, Humboldt County Public Health reported 72 new COVID-19 cases with 2 new hospitalizations.

  • Doug Smith curates space for Black liberation

    Doug Smith curates space for Black liberation

    by Lex Valtenbergs

    Growing up as a Black person who attended a predominately white school in his hometown of Palmdale, California, Doug Smith learned early on how to code-switch, or alter his behavior to fit white societal norms. Still, his peers expected him to act a certain way because he was Black.

    “People had perceptions of what it was like to be Black; they have their own ideas,” Smith said. “I remember one time a new Eminem song had come out and some white dudes in my P.E. class knew the lyrics and I didn’t know the lyrics, and they’re like, ‘Oh, so we’re Blacker than you are.’”

    Smith’s formative lived experiences with code-switching and microaggressions – subtle statements or actions that are discriminatory against members of marginalized groups – made him very cognizant of other peoples’ perceptions of him early on.

    “That was really my first understanding of code-switching,” Smith said. “I would totally present differently because I was really conscious of how people were perceiving me.”

    As a Cal Poly Humboldt international studies alumnus, staff member and graduate student majoring in English, Smith has been involved in the campus community since 2013. Today, he is the coordinator at the Umoja Center for Pan African Student Excellence at Cal Poly Humboldt, a position that he has held since July 2019.

    “It’s such a rare opportunity for Blackness to be centered,” Smith said. “So I really want Black students to be able to make it theirs.”

    Smith’s vision for the Umoja Center going forward is to foster Black student development, including but not limited to publishing their writing, and foster Black liberation by curating spaces that are made for and by Black people. Amplifying Black voices that often get silenced or ignored is key.

    “[I’m] always visible because I’m a Black person, because you stand out,” Smith said. “But then at the same time, I think that oftentimes my voice isn’t always audible or isn’t always heard.”

    Although the Umoja Center is first and foremost a space for Black students, faculty and staff, it’s open to everyone on campus.

    “I think it’s so cool that we have an educational, Black-centric space [at] a university that really has an opportunity to educate our campus and local community,” Smith said.

    To learn more, visit the Umoja Center in Room 206 at Nelson Hall East, follow @umojahumboldt on Instagram, or go to umoja.humboldt.edu. To get involved, attend an event listed on the website or volunteer with the Umoja Center on Fridays from 11 p.m. to 3 p.m. at Bayside Park Farm on Old Arcata Road.

  • The rising cost of visiting Humboldt

    The rising cost of visiting Humboldt

    by Cheyenne Wise

    As May is fast approaching, so is the dreaded inflation of renting in Humboldt. During the year you can get a hotel room or rent an Airbnb for a couple of bucks. On spring graduation weekend, hotel rates double and even triple in price.

    It’s not something uncommon in Humboldt but usually, high prices make it hard to find a place to rent. It’s an opportunistic extortion to get college students to overpay for rundown places. Housing is first-come, first-serve but to take advantage of people who don’t have money is gross.

    For some people, this is the first and only time they can make the trip to Arcata, and it’s to see their family member graduate which is an incredible opportunity that shouldn’t be missed. Just checking the hotels near campus the usual cost of a hotel room for two people is at most $150 at any point during the year. But when you look at the same exact hotels during the week of graduation is $600 for two people a night.

    At Cal Poly Humboldt, about 78% of full-time undergraduates receive some kind of need-based financial aid. That’s 78% of people whose families might not have the ability to see them walk across the stage and be handed their diplomas. Hotels and Airbnb hosts take advantage of people who want to support their loved ones.

    Forget peoples’ families for a second. What about the people who are graduating and haven’t lived in the area for some time because of the pandemic, who are trying to find a place to stay so they can be there for their own graduation? It’s not just the issue of finding a place to stay. The prices of buying a cap and gown are so high for something you will only wear once and not for a long time. I guess you could say the same thing about a wedding dress, but even those are absurd.

    Maybe I’m just someone who likes to count pennies and is a bit of a pessimist, but the price of graduating is excessive. We’ve already shoveled a bunch of money into the burning money pit of college so it would be lovely to be able to step away from the flames and not have to worry.

  • Student debt is coming faster than you might have thought.

    by Ian Vargas

    If you’re anything like me, there’s no way you can afford to pay for college on your own: you’ve probably got student debt. While you’re still taking classes, it feels like you don’t have to worry about it because graduation could be years away. It’s always looming on the horizon, far enough away that it seems like you’ll probably have it under control by the time you’ve actually got to deal with it.

    I am in my last semester as an undergraduate, so that horizon is closing in real quick for me and it’s scary as hell. My current debt is just shy of $20,000, which is slightly lower than the national average, but still by far more money than I than I’ve ever made at a job.

    Ideally college would help with that, but considering the job market, that’s no guarantee.That leaves me and many others with crushing debt in the position of having both a huge amount of uncertainty about what we’re going to do after college and a huge amount of certainty that whatever it is won’t be sufficient to not be living on the bare minimum.

    I appreciate my education. I plan on continuing it into graduate school, but this system feels as if it’s built more to place you into a position of permanent debt than to provide an education to people.

    Even if you’re lucky and don’t end up missing payments, you’re still paying about 10% of your income, and if you aren’t then you can rack up extra fees and put yourself even further back. On top of that are the countless other ways that you end up gouged for money while still enrolled like expensive but mandatory meal plans or fees for services that, depending on the current level of COVID lockdown, may not even be available to the students using them.

    According to educationdata.org, the average monthly payment for someone with a mid-paying job and in the same category of debt as myself is $393 over the course of six years, which is currently more than I even get per paycheck at work.

    These debts are what keeps people from buying homes or starting any kind of family. Ideally this whole thing should be free and improve peoples’ lives instead of operating off of a profit motive at all. But that’s a fight that seems like it will take way longer than any of us will be able to see through to the end.

    As students, we need to press for more scholarships and grants for students. Ones that don’t incur years of debt, and push back harder against tuition hikes that force students to either abandon their education or take out more loans. Otherwise, college becomes the exclusive domain of people who already have money, even more so than it already is.

  • Cal Poly Humboldt Directors in the spotlight

    by Carlos Pedraza

    In the Van Druzer theater on Thursday, March 3 for the first time since the start of the pandemic student films were shown to a live audience. Around 40 people came to the showing of Cal Poly student films. Several of the films were made in the fall of 2020 there showing being delayed by the COVID pandemic.

    The short films ranged from psychedelic, documentary, serious, and funny; some of the films were a combination. The audience made sounds of laughter, shock and sadness reacting to each film with emotion equal to the film itself.

    A film director who was in the audience was Kylie Holub, a senior film major. Holub directed and wrote the film “Abstraction” in the fall of 2020. They film . During the pandemic Houlb said “ just keeping our crew really lean and realing thinking about how to tell stories with minimum actors.”

    The narrative film “Abstraction” is the story of a beach treasure hunter finding an alien artifact and the fallout of her discovery. The unknown and aliens being major inspiration for the film.

    Holub said “ you see a lot of people with metal detectors, we know very little about the ocean and aliens are fun to play around with.”

    Another director was alumnus Valerie Rose Campbell created the experimental film “Recipe for Young Mothers.”. Campbell goes through the recipe of banana bread while she narrates the experience of a young mother and her attempts to reclaim her life from an abusive relationship and societal expectations of a mother.

    The COVID pandemic heavily impacted the creation of the film Campbell said “ everything got done digitally and that was really hard.”

    The film is inspired by Campbell’s own experience in the local family system. “ How it felt so unjust for my kids and family.” said Campbell describing her own life experiences.

    There will be another film showcase in the fall of 2022 showing films created in the spring.

  • Latinx artists collaborate on chorus

    by August Linton

    Like the blossoms of our early spring, genuine and vulnerable artistic collaboration is blooming at Cal Poly Humboldt.

    The Toyon Multilingual Literary Magazine’s ‘SANA, SANA: Hope and Healing for Latinx Communities in Times of Precarity’ was a contest that asked for submissions of poetry, with the intention of having the winning entries set to music.

    The poem selected to be interpreted into a choral work by the award-winning composer Carlos Cordero was Alannah Guevara’s ‘Fresh Fruit.’ It is a deeply affecting rumination on vulnerability and intergenerational trauma, filled with haunting and tender images of bruised fruit and parental care.

    Guevara says that she wrote the poem thinking of her father, who passed over ten years ago. She’s a native of California’s Central Valley, where many Latinx people have settled and work on the area’s vast orchards. Guevara is half Mexican; she sees in her family and in her community an unwillingness to discuss the painful past, and an unending hope for the future.

    “I have really vivid memories of going to an orchard in the town I grew up in… It all melded together, these words that I had and these memories,” said Guevara. “Here in Southern California, who’s working in those orchards is Latinx people, Mexican people. And it got me thinking about my familial trauma, my generational trauma, the things that my dad left me to deal with.”

    Graphic by August Linton

    Guevara is about to become a parent herself. In ‘Fresh Fruit,’ she feels the protection and hope that her parents struggled to give her, and also the intense desire to protect and uplift her own child.

    The final choral piece is deeply beautiful, modern, and connected to the emotional core of Guevara’s poem. Cordero was a fantastic composer for the ‘SANA SANA’ project, both as a stunningly talented musician and also as a member of the Latinx community.

    Cordero’s Friday talk, hosted by CPH’s El Centro Académico Cultural, focused heavily on his personal struggle towards vulnerability, and how that has affected his compositions and musical career.

    Cordero’s writing process is a very visual one, although his medium is entirely auditory. He works with charts of inter-connected words and line graphs of emotional intensity to visualize his compositions in a more visceral way.

    “[Vulnerability] isn’t always going to come back to you immediately, but it’s coming to build or to open that door for people who want to connect with you,” Cordero said. “I’ve learned in art that I open up the door, I don’t make you come in. All I can do is present myself.”

    He recounted a story of opening up about his family’s experience of losing his younger sister to members of a choir he was working with. They came to him with stories of their miscarriages, of their losses, and that allowed the whole group to access an emotional connection that was not visible before.

    Cordero is originally from Maracaibo, Venezuela, and now lives in Austin, Texas. He says he, like Guevara, has struggled with an unwillingness to have hard conversations with his family about the traumas they’ve experienced.

    His piece ‘¡Ayúdame!’ was written as a “Venezuelan plea for life.” Members of the choir cry out “ayúdame, escúchame” (help me, listen to me) in Cordero’s attempt to communicate the suffering and disillusionment of the Venezuelan people.

    However, ‘¡Ayúdame!’ also represents the importance of being vulnerable, both by asking for help and by letting other people support you.

    Cordero spoke about the expectation within Latinx families and communities that people be strong, that they don’t show their struggles. As he struggled with the trauma of being Venezuelan in the midst of an ongoing humanitarian crisis, Cordero realized that he sorely needed help, that people need to ask for help.

    “[In ‘Fresh Fruit,’] Alannah showed me that the struggle is OK. It says to our kids, to our generation, to our families: we want to show that everything is ok but we can also share in their struggles,” said Cordero.

    The Cal Poly Humboldt University singers will perform ‘Fresh Fruit’ on Sunday, April 24th, alongside other musicians performing other works from the ‘SANA SANA’ project.

  • My bikini is not an invitation

    My bikini is not an invitation

    by Ione Dellos

    Here’s how getting stared at on the beach usually happens for me: I’ll be minding my business at the beach, neither having a good time or a bad time, just a time. I get the familiar feeling that I’m being stared at, and after a quick look around, there it is, an ogling pair of eyes looking me over. Just because I’m wearing a bikini to the beach does not mean that I am inviting any sort of negative attention. I am wearing this bikini to the beach because I thought it was cute when I bought it. Now, I am no longer having a time, but a bad time, all because some man couldn’t keep his eyes anywhere else but my body.

    I shouldn’t have to flip off and swear at men just to get them to leave me alone at the beach. I will not fight for scraps of respect but expect it paid in full. My body and gender don’t make me less than, and they don’t make me an object either.

    Not counting the fact that ogling random strangers is incredibly rude, you never know what’s going on in someone’s mind. This could be their first time wearing a bikini on the beach in a long time, or they could simply be wearing it because they bought it and want to get their money’s worth. They could have insecurities about their body that can be exaggerated by excessive staring, or maybe they just don’t like getting stared at (like most sane individuals).

    Despite being attracted to women, I can comfortably go to the beach without ogling women with no effort on my part. Believe it or not, not staring at women on the beach is incredibly easy! As a gay woman who grew up with gym locker rooms and camp changing rooms, I snapped my eyes away every time my friends would get changed, and I was terrified to even go in a Victoria’s Secret for the longest time. I know I have a different relationship with how I view women than your typical straight man with male pattern baldness. Also, as someone who possesses a body that gets stared at frequently, I know what it’s like to be stared at. I don’t like to do it to other people.

    When spring break rolls around this semester, straight men, find it in your hearts to not obviously stare at every woman wearing a bikini at the beach (eyes on the road, please). There is a whole world of gender identity behind the pair of boobs you’re ogling, and every feminine-presenting person isn’t necessarily feeling feminine on the inside. If you find that you just have to choose objectifying women over all other activities, then do the women in your life a favor and don’t hit the beaches this spring.

  • Sharing is caring… unless it’s propaganda: The Russia-Ukraine Crisis

    by Kris Nagel

    Everyone has an impact on someone’s perspective of the world. Almost anything we do or say affects someone in some way. The same holds true for the things we post on social media. We are all influenced by the people around us. When the subject of our virtual discourse is something as poignant as international conflict, our sympathies can be weaponized without us even knowing it.

    Roughly half of Americans regularly get their news from social media, according to a 2021 study from the Pew Research Center. The information we share online can challenge our belief system but oftentimes reinforces it. Al Tompkins, a journalist with the Poynter Institute, says that truth gets little consideration when the content we share aligns with our worldview.

    “We tend to support those things that agree with your position on anything,” Tompkins said. “Whether it’s the designated hitter in baseball or invading Ukraine, we tend to repeat and share things that we agree with.”

    The internet has changed the way information is spread through society. It’s easier than ever to produce fake information.

    “The other piece of it is this,” Tompkins said. “Disinformation is a very powerful weapon. The Russians know it but, let’s face it, the Americans know it too. The American government, particularly through the CIA, has done lots of disinformation over the years. You would expect that they do, it’s kind of part of what they do.”

    Understanding that misleading content is built into our news feed requires us to take a critical look at what we share before we share it. Tompkins’ approach asks four questions:

    What do I know?

    What do I need to know?

    How does that source know what that source claims to know?

    And is there any other way to look at this other than the way that source is telling me?

    Vicky Sama saw the real-time effects of media coverage and propaganda in the several wars she covered during her career at CNN. Sama is now the department chair for Cal Poly Humboldt’s journalism and mass communications program.

    “So there’s two parts of war, usually,” Sama said. “You have the war, the actual war with fighting and then you have the information war, the propaganda war, and that is an essential part of what happens in war as well.”

    When we see things happening live, there isn’t an editing process that we can rely on to verify what we see. Live television, live broadcasting, and live streaming allow for that to happen. Now that consumers are a part of the distribution process, Sama argues they also need to be part of the editing process.

    “If everybody’s going to start considering themselves a journalist just because they have a cell phone, then they need to start doing the work of a journalist and start verifying the information before they put it out there as well,” Sama said.

    However, verifying everything we see is seldom an intuitive process. Kirby Moss, a Cal Poly Humboldt professor in the journalism department, teaches a range of media analysis classes. Moss said that the fundamental way to verify information is to look for other sources reporting on the subject.

    “I tell students, if you find some information that you’re researching on, try to cross-check it with at least three sources if you can,” Moss said. “And then they find out sometimes like, ‘Well I went to one source but the other source says something else, the other says something else,’ and so then they begin to question that message.”

    It takes familiarity to be confident that the information you get is credible. That is not to say that there aren’t tools we can use to check the things we share. Vicky Sama is working on adding a media literacy course for freshmen to the department catalog. In the meantime, JMC 309: Analyzing Mass Media Messages will be open for registration near the end of the semester. Online courses on media literacy are also available to everyone through the Poynter Institute.

    [DISCLAIMER: The Lumberjack rarely uses journalism department faculty as sources for stories. However, an exception was made for this story due to the expertise our professors have on this particular subject. Vicky Sama and Kirby Moss do not exercise editorial oversight on the content The Lumberjack publishes.]

  • Cal Poly Humboldt’s Library Cafe sees the light of day

    Cal Poly Humboldt’s Library Cafe sees the light of day

    by Lex Valtenbergs

    The Library Cafe lifted its shutters for the first time in several years on Friday, Feb. 26. The cafe serves delicious coffee blends from Muddy Waters Coffee Co. as well as pastries, veggie wraps, drinks, and more.

    Recent biology graduate Kate Mendoza was just hired by the private company Chartwells Higher Ed to work at the newly reopened cafe.

    “Chartwells is really awesome,” Mendoza said. “Honestly, they work really well with students from what I’ve seen.”

    Mendoza’s go-to drink is the cappuccino.

    “I usually like to do the cappuccino,” Mendoza said. “It’s just espresso, steamed milk, and a lot of foam. I think the foam is my favorite part.”

    Mendoza’s coworker Ahmad Shah, a senior majoring in communication, recommended the hazelnut mocha.

    “I like a hazelnut mocha,” Shah said. “Sometimes coffee is a little bit bitter. The sweetness helps balance the bitterness of the espresso.”

    Communication senior and Learning Center academic peer coach Kas Colwell ordered a vanilla latte with two espresso shots from the Library Cafe on March 3.

    “I’m so glad y’all are open again,” Colwell said to Mendoza while ordering. “It’s exponentially improved my quality of life.”

    After getting her drink, Colwell sat down at a nearby table in the dining area. As a library employee, she appreciates how easy it is to get to the cafe.

    “It’s the convenience because I literally work in the library, so it’s on my regular route,” Colwell said. “I don’t have to go walking somewhere else to get coffee.”

    The Library Cafe is available to all Cal Poly Humboldt students and faculty and is currently open on weekdays from 7:30 a.m. to 5 p.m.

  • Goth Night at Richard’s Goat

    Goth Night at Richard’s Goat

    by Cherish Fulcher

    Photo by Lexi Rangel | (left to right) Lalo Rivera, Gigi Salazar, Chris Servi, and Josie Licavoli pose for a photo at Goth Night at Richard’s Goat on Feb 25.

    On Friday, Feb. 25, Richards’ Goat Tavern & Tea Room hosted its first ever Goth Night, created by recent Cal Poly Humboldt graduate Jamie Cocking. The event was a tribute to the Goth subculture, which originated in the United Kingdom in the early 1980s. The subculture is open ended, yet is heavily saturated with darker tone aesthetics and music.

    “I think goth subculture is all about expressing yourself in your truest form,” Cocking said. “Since I’ve lived here and have turned 21, I haven’t found any clubs or events with the music that I love to dance to, so I just decided to do it myself.”

    Being a small town, Arcata is not well-known for its nightlife. However, contributions to the scene, such as Goth Night, keep it going.

    “I just wanted to create a space where people could dress up as much as they wanted and not feel like they are sticking out like a sore thumb,” Cocking said. “Because for me, I mean everyday is Halloween.”

    Richards Goat will be hosting another Goth Night on April 9.