By Christina Mehr

Signs of Passage: Nostalgia and New Beginnings debuted in the Reese Bullen Gallery at Cal Poly Humboldt on Nov 8. The exhibition runs through Dec. 9 [2023] in the Art Building. 

The Reese Bullen Gallery is named in honor of a founding professor of the Art Department and has been an addition to Humboldt since 1970. The gallery usually contains the university’s permanent collection of art and sponsors exhibitions of works by professional artists related to many different areas of instruction. The Reese Bullen Gallery also presents an annual exhibition of student art in May, the Graduating Student Exhibition.

The mission of the Reese Bullen Gallery is to offer free and publicly accessible exhibitions representing artists from all demographics. Extending beyond Humboldt, the Gallery seeks to strengthen partnerships with local communities as well as stimulate support and participation in the arts. 

This new body of work presented by Dave Young Kim at the Reese Bullen Gallery uses latex paint on wood panels. 

Dave Young Kim is a Los-Angeles based artist who visited Humboldt County with a newly created body of work for his solo exhibition at the Cal Poly Humboldt Reese Bullen Gallery. Kim is a fine artist, born and raised in Los Angeles. He received his Bachelors of Fine Arts Degree in Studio Art from the University of California, Davis, and a Master of Fine Arts in Studio Art from Mills College. 

His current display of work engages with the quality of home and explores themes of nostalgia, war, conflict and displacement. Through his work, Kim explores the unifying search for belonging across disparate conditions. In 2020, he co-founded the Korean American Artist Collective (KAAC), which is a group of artists building a community around work rooted in the Korean-American experience. In 2021, he was a selected muralist for the Eureka Street Art Fest and in connection with the Eureka Chinatown Project to paint a mural named Fowl. 

“My work plays with that idea of manufacturing nostalgia as integrated with my family history, memory, and identity,” Kim said. “My artistic approach is drawn from a sense of loss or longing, looking for a place to belong.”

His online portfolio can be found at https://www.daveyoungkim.com. 

Goudi’ni Native American Arts Gallery displays “Tintah: Amongst The Trails” 

Robert Benson’s Redwood Sculptures and Watercolor Studies

By Christina Mehr

In collaboration with Cal Poly Humboldt, Robert Benson presents his work in “Tintah: Amongst The Trails” at the bottom floor of the Behavioral & Social Sciences Building.

The art installations of Native art used the mediums of watercolor and wood pieces. Focusing on a new body of work, Tintah, Hupa language for amongst the trails, features newly carved salvaged old-growth redwood sculptures and watercolor studies. Robert Benson, is a leading figure among artists in the NorthWest California art world. He has worked as a teacher for more than 30 years at the College of the Redwoods, as well as being a curator of Native art.

Tall sculptural wooden carvings adorn the exhibit and viewers must make their way through the art, almost like walking amongst the trails. Redwood slabs carved into beautiful sculptures lined the room. 

His current paintings and sculptures are filled with imagery of trails, both of the literal kind and suggested. With Benson’s deep connections to the environment and land, those motifs clearly shine throughout his work. 

“There is the trail into our family hunting camp that I traveled for more than 50 years, there are trails handed down through stories and mythologies, and there are the trails of imagination,” Benson says. “When we consider that at the most basic level, a trail is just something connecting two points, even the ladder and stairway forms that populate my work can be viewed as kinds of trails. To be amongst the trails is to find your rhythm, your place and to discover the interplay between that rhythm and the melody of the universe.” 

This solo exhibition was installed by the Art + Film Department Museum & Gallery Practices class under the direction of Assistant Professor Berit Potter and Gallery Director Brittany Britton. This exhibition was partially funded by Instructionally Related Activity Fees.