Humboldt drag artists slay outside the box

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by Griffin Mancuso

Shannon Rhodes already had a passion for fashion and makeup before delving into Humboldt’s drag scene. After attending several drag shows dressed to impress, Rhodes ran into drag artists Val de Flores and Sharon Taterz who offered them the opportunity to start booking their own performances. In May of 2023, Rhodes debuted as Killpop at the Septentrio Winery.

“I kind of blackout when I’m performing, because it’s very short,” Rhodes said. “It’s just like, three to four minutes. The energy—it’s addicting. The crowds are amazing. It’s awesome getting to perform in front of a fully queer space, where everybody’s there just to see you and support you and be positive. All the other girls, they’re super fun to hang out with.”

Killpop’s friend Seraphim Nagel joins their performance at the Septentrio Winery. Photo courtesy of Makayla Kuhnke.

Despite being a small county, Humboldt has a thriving drag community. Every member’s introduction to drag and their personal relationship to the art form is unique. Additionally, every drag artist’s reason for performing is different and reflective of their life experiences.

Paul Michael Leonardo Atienza, an assistant professor of Critical Race and Gender Studies at Cal Poly Humboldt, has been doing drag performances for 20 years. They began to explore their gender expression after attending an LGBT campus retreat during their senior year at UC Riverside.

“We were processing trauma in our lives, and what came out for me was how I was shamed as a child of my gender expression, and particularly feminine gender expression,” Atienza said. “Many of us were figuring out, ‘Well, how do we work to strengthen and remove less of the stigma that we learn?’”

Atienza took on the identity of Maria Arte Susya Purisima Tolentino during their drag performances. Ma Arte drifts between being an extension of Atienza and a separate persona, but Atienza considers her to be a creative collaborator. Together, Atienza and Ma Arte have collaborated with drag artists and members of the queer community across the world.

Lawrence Fobes King, a queer middle schooler from Ventura, California, was murdered in 2008 by a classmate. This tragedy moved Atienza to use drag as a form of protest by bringing awareness of injustices against the queer community.

“At that time, [drag] was still quite small, but people were really into watching drag, and a lot of the drag at that time also was lip synching to popular music,” Atienza said. “And I was like, ‘Well, if you have this audience, what can you do to also add more social issues to it?’ And with the murder of Larry King, I tried to pair a song and created a performance in honor of his struggle and his memory.”

Drag also offers a secure support system to queer people and an opportunity to share queer joy. Joel Costello, who performs as Feral Fawcett, found his inspiration in popular drag queens like Trixie Mattell and Bob the Drag Queen. Performing since March of 2023, Costello found that Feral Fawcett had a positive impact on a wide range of community members.

“This mom asked if she could take a picture of us because her daughter was in grade school and was getting bullied for being gay,” Costello said. “There was a lot of drama against drag queens happening at the time, so that felt really good… it reminds me that there’s more to it than just being silly and collecting the bills.”

Feral Fawcett also provided Costello a space to explore feminine gender expression.

“I feel like she is a representation over the feminine side of myself, which is something that before I used to try to squash down,” Costello said. “I came from a hometown that was not very pro-LGBT, so I always tried to be like the manly gay guy. It was nice to have a release… I like blending my masculine and feminine side into one thing.”

Through drag, Rhodes has been able to gain confidence in their artistic skills and their body.

Thrash and Recycling (left), Gliterous Cliterous (middle), and Killpop (right) pose together at the Septentrio Winery. Photo courtesy of Makayla Kuhnke.

“I feel like my confidence was taking a hit for a while – you know, my body was changing,” Rhodes said. “That also means my favorite clothes that I like to wear don’t fit, I got to figure out new styles, new clothes. Having people just be like, ‘Damn, bro,’ and seeing photos of myself looking good performing in the body that I have is just like, ‘Alright, I guess your ass is kind of fat.’ The crowd really just shows you like, ‘I am cool. I’m doing this because I got so many awesome qualities to me.’”

Drag expects a lot out of its performers, both mentally and physically.

“What people don’t realize — until they maybe watch [RuPaul’s] Drag Race or something — drag queens have to be a comedian, a dancer, a seamstress, a hairdresser, a makeup artist, like your own manager,” Rhodes said. “You do everything for that performance. Even some are singers. You have to be so many things as a drag queen, and I think it’s a really pure form of art because you’re doing it all.”

Drag artists have a lot to carry on their shoulders, including the stigma and lack of education around drag. 

In 2023, Tennessee legislators passed the Adult Entertainment Act, meant to prohibit adult cabaret entertainment on public property, including, “male or female impersonators.” The act’s broad language allowed law enforcement to potentially prosecute drag artists and trans people. After Tennessee, anti-drag bills have been introduced in at least 14 other states. Many conservative legislators have used concern for the safety of minors to pass anti-drag laws and censor openly queer expressions.

“A lot of people think it’s a super sexual thing and that it’s like a fetish,” Costillo said. “Most drag performers I know have a very distinct separation between the two.”

People of many different gender identities do drag, but their gender identities are separate from their identity when in drag.

“In general, people conflate gender expression, gender performance, [and] gender identity with sexual orientation, sexual behavior and practice. And all of those are separate,” Atienza said. “People who are drag performers are of all gender expressions and sexual orientations. I think that’s one thing that we need to challenge not just in drag, but in understanding gendered and sexual lives. We’re bodies that have different ways of feeling [and] expressing themselves and society has put us in specific boxes.”

Despite the adversities the drag community faces in the U.S. and the rest of the world, drag artists have been thriving in Humboldt County. The definition of drag is constantly changing and growing. Members of Humboldt’s queer community from all backgrounds have been able to find a safe haven in drag, allowing them to heal from trauma and play with gender performance.

“I do believe RuPaul in saying that we’re born naked, and the rest is drag, right?” Atienza said. “Drag is really a way to demonstrate the constructiveness of gender and how there’s so many possibilities out there. Drag to me is not just on stage, with queens and kings and in-betweens. Drag is every day.”

Find the artists here:

Ma Arte

Instagram: @dragmaarte

Facebook: Ma Arte SP Tolentino 

Killpop:

Instagram: @kill._.pop

Feral Fawcett:

Instagram: @myferal_lady

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