Recasting the narrative at the Latino Film Fest

By Savana Robinson

Chatter ceased as the house lights dimmed. Hands rustled in bags of popcorn and miniscule pieces dropped to the floor on their way to a mouth as an impressive scene of the Amazon appeared on the massive screen.

The 25th annual Latino Film Festival at Mill Creek Cinema was held Feb. 27 through Feb. 29. This year’s theme for the festival was environmental issues. The films shown were “Nostalgia de la Luz” (Nostalgia for the Light), “El Abrazo de la Serpiente” (The Embrace of the Serpent), and “A Million Miles Away.”

“Nostalgia de la Luz” is a documentary that takes place in the Chilean Atacama Desert, where a woman is searching for remains of loved ones whose lives were taken under the regime of Augusto Pinochet. At the same time, astronomers are looking for answers about the past of the cosmos.

“El Abrazo de la Serpiente” shows a shaman in the Amazon who leads a sick man and his colleague to a flower that may cure him. Years later, a botanist leads him back to the sacred flower, which the shaman had forgotten. The film is set with overtones of the importance of protecting indigenous cultures and sharing knowledge.

“A Million Miles Away” is a biopic about the life of José Hernández, a migrant farmworker who becomes an astronaut. The film is about hardship, perseverance, and the power of a dream.

Gabrielle Gopinath, professor of history of cinema and art at college of the Redwoods, was part of the panel discussion after the screening of “Abrazo de la Serpiente.” Gopinath noted the distinct difference between the film and others of its kind.

 “Films about the jungle typically cast the global south as a crucible existing outside time and history,” Gopinath said. “Indigenous characters only come into focus insofar as they play subsidiary roles in a white protagonist’s journey. However, in “Abrazo de la Serpiente,” the white characters and their quest are accessory to Karamakate’s central character arc.”

José Marin Jarrín, a professor of fisheries biology at Cal Poly Humboldt, gave a speech during the panel after the screening of “A Million Miles Away.” Jarrín said that the movie reminded him of the history and stories of all immigrants.

“When we arrive, we change who we are to try to assimilate with the majority,” Jarrín said. “We also eventually realize there’s nothing wrong with who we are, and that we should be very proud of where we come from.”